SUNNY DAY REAL ESTATE Diary LP SUB POP 1994/1998 US reissue+insert+green SP246
    75
  $   87

 


€ 75 Sold For
Mar 10, 2025 Sold Date
Oct 29, 2024 Start Date
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Description

THIS IS THE 1998 US REPRESSING (or 2nd pressing) on SUB POP Records. IN SHRINK SINGLE COVER + INSERT + GREEN VINYL + HYPE STICKER. The cover is in EX condition, normal wear but light discolouration/wear on right corners (where missing shrink), left spine is fully readable; INSERT also in great condition; for details see photos. The vinyl is in EX/NM condition [barely played].

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SUNNY DAY REAL ESTATE

One of the prime influences on the rise of emo punk, with gnarled guitars and Jeremy Enigk's 

nakedly emotional vocals plus more than a hint of grunge.

"DIARY"

<reissue, or 2nd pressing, originally published 1994>

LP     SUB POP RECORDS     SP 246

PRINTED IN U.S.A.     REPRESSING

IN SHRINK SINGLE SLEEVE + INSERT + HYPE STICKER + GREEN VINYL

HEAVY CARDBOARD COVER

NOTES: Second pressing on dark green vinyl (with some hints of marbling). Vinyl has "edition II" and sides labeled "Sunny Day" and "Real Estate." Includes printed insert.

Recorded one November at M. Bradley Wood's studio entitled "Idful"


Barcode and Other Identifiers

Barcode: 0 98787-0246-1 6

LABEL: SUP POP - BLACK LABEL - WHITE TEXT

Catalog on cover: SP 246

Catalog on labels: none

Matrix / Runout (Side A, Etched): SP-246-A  34946(2)...

Matrix / Runout (Side B, Etched): SP-246-B  34947(2)...

On labels: edition II

(Side A only): Sunny Day     

(Side B only): Real Estate

On insert: Lyrics + Credits

tracklisting:

Side A: SEVEN - IN CIRCLES - SONG ABOUT AN ANGEL - 47

Side B: THE BLANKETS WERE THE STAIRS - PHEURTON SKEURTON - SHADOWS - SOMETIMES

grading

RECORD EX/NM but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

Sunny Day Real Estate's debut album, Diary, virtually defined emo in the '90s, laying much of the groundwork (along with Weezer) for the genre's end-of-decade indie prominence. Although emo existed (both as a term and as a style) prior to Diary, it hadn't yet risen out of the deepest hardcore punk underground, save for a few bands on the Dischord label. For all intents and purposes, Diary was the album that made emo accessible, fusing its gnarled guitars and nakedly emotional vocals with more than a hint of melodic Seattle grunge. Diary still ranks as arguably the definitive '90s emo album, and an indispensable introduction to the genre...(AllMusic)










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