SUPERCHUNK 45 “Slack Motherfucker / Night Creature 7” Orig 1990
$
25
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Description
Artist: Superchunk
Title: Slack Motherfucker / Night Creatures
Label: Merge MRG007
1st US Pressing
Released: 1990
Genre: Rock
Style: Indie
Condition: Vinyl in beautiful Near Mint condition with clean glossy surfaces on both sides with superb fidelity. Pic sleeve in VG+ condition due to some ring wear beginning to show. Sharp corners with right and vivid color and artwork. No writing or other issues. Labels as clean as can be found. You'd be hard pressed to find a nicer sounding copy.
Tracklist:
A Slack Motherfucker
Written-By – Superchunk
B Night Creatures
Written-By – Freeman*, O'Connor*, The Flys (2)
Companies, etc.
Credits
Bass – Laura*
Drums – Chuck*
Guitar, Painting – Jack*
Guitar, Vocals – Mac*
Photography – Buffy
- - -
Artist Biography by Jason Ankeny
“Perhaps no band was more emblematic of the true spirit of American indie rock during the 1990s than Superchunk, the pride of Chapel Hill, North Carolina. Following the D.I.Y. ethic to the letter, the bandmembers operated solely by their own rules, ignoring all passing trends by sticking to their trademark sound -- typified by the buzzing guitars and high, impassioned vocals of frontman Mac McCaughan -- and rejecting all major-label advances in favor of the unlimited freedom afforded by owning their own company, the highly successful Merge Records. Although Superchunk's resistance to the overtures of the music industry may have deprived them of the wider audience their work deserved, perhaps their greatest legacy remains their unwavering dedication to the indie tradition, a model that other up-and-coming bands often strive to emulate.
Superchunk were formed in the college town of Chapel Hill in 1989 by singer/guitarist McCaughan, bassist Laura Ballance, drummer Chuck Garrison, and guitarist Jack McCook. Initially dubbed merely Chunk -- the "Super" prefix was later added to avoid confusion with a similarly named New York City avant jazz band -- the group issued its debut single, What Do I, on the Merge label, which was jointly run by McCaughan and Ballance. The follow-up was 1990's epochal Slack Motherfucker, MacCaughan's blistering tirade against a lazy Kinko's co-worker. The single was immediately hailed on both sides of the Atlantic as one of the definitive indie anthems of the era, and with the subsequent release of their self-titled debut LP, Superchunk were widely celebrated among the most promising young bands in America.
No Pocky for Kitty
As the success of acts like Nirvana and Pearl Jam made Seattle the early-'90s music scene du jour, label heads scrambled to locate the next alternative rock hotbed. Chapel Hill became the consensus choice, and Superchunk were tapped as the Next Big Thing. The quartet -- which had subsequently exchanged McCook for guitarist Jim Wilbur -- soon found itself in the middle of a major-label bidding war, but the bandmembers defiantly stuck to their guns, remaining on Merge for their brilliant 1991 sophomore effort No Pocky for Kitty, recorded by Steve Albini and distributed by Matador. A singles collection, Tossing Seeds, followed in 1992, and a year later Superchunk -- now with new drummer Jon Wurster -- returned with the superb On the Mouth, highlighted by the singles "Mower" and "The Question Is How Fast.”
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