SUPERGRASS In It For The Money LP PARLOPHONE 1997 UK orig+inner PCS7388
    70
  $   81

 


€ 70 Sold For
May 9, 2026 Sold Date
Jul 4, 2025 Start Date
1 Number Of Bids
  Italy Country Of Seller
eBay Sold at
 
save auction  

Description

THIS IS THE 1997 UK ORIGINAL PRESSING on PARLOPHONE Records. TEXTURED SINGLE COVER + INNER SLEEVE. The cover is in VG+ condition: normal wear and without any major deterioration BUT light discolouration/wear on corners/spines, left spine is fully readable; INNER SLEEVE in VG+ condition, normal wear; please for details see photos. Vinyl is in EX condition.

IN ORDER TO AVOID MISUNDERSTANDING  WE ADVISE YOU TO ENQUIRE 

ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM

PLEASE ASK FOR ANY INFORMATION

SUPERGRASS

Like many other British bands of the '90s, Supergrass' musical roots lie in the infectiously catchy punk-pop of the Buzzcocks and the Jam, as well as the post-punk pop of Madness and the traditional Brit-pop of the Kinks and Small Faces. Perhaps because of its age -- two of the trio were still in their teens when they recorded their debut single -- the band also brings in elements of decidedly unhip groups like Elton John, as well as classic rockers like David Bowie, the Beatles, and the Rolling Stones. With an exuberant, youthful enthusiasm, Supergrass tied all of their influences together in surprising new ways, where a Buzzcocks riff could slam into three-part harmonies out of "Crocodile Rock," or have a galloping music hall rhythm stutter like the best moments of the Who

"IN IT FOR THE MONEY"

tracklist: for tracklist see pictures

1997       LP      PARLOPHONE  RECORDS            Parlophone – PCS 7388, EMI – 7243 8 55228 1 9

MADE IN ENGLAND      ORIGINAL PRESSING

SINGLE COVER + INNER SLEEVE

NOTES: Comes in a textured sleeve. This record features an inner sleeve which is also textured.

Recorded at Sawmills Studio, Golant, Fowley, Cornwall.

Barcode and Other Identifiers

Barcode: 7 24385 52281 9

Label Code: LC 0299      Other: I: none     Other: F: none

LABEL: PARLOPHONE - GREEN ARTWORK(A) & BLACK(B) LABELS - WHITE TEXT

Catalog on cover: (spine + rear) 7243 8 55228 1 9    (rear) UK: PCS 7388

Catalog on inner sleeve: 7243 8 55228 1 9 

Catalog on labels: (Side A only) 8552281    (Side B only) PCS 7388 B   7243 855228 1 9

Matrix / Runout (Side A, Stamped): PCS 7388 A-2-1-1 D

Matrix / Runout (Side B, Stamped): PCS 7388 B-1-1-1 D

On labels: for details see dedicated pictures

On Back Cover: Tracklist

Printed in UK

Place of manufacture as stated on the label

Manufactured and distributed by EMI

℗ 1997 except side 2 track 1 ℗ 1996........© 1997 EMI Records Ltd.

grading

RECORD EX but (please, read above description)

SLEEVE VG+ but (please, see pictures and read above description)

Supergrass' debut album, I Should Coco, rushed by at such a blinding speed that some listeners didn't notice the melodic complexity of its best songs. On their second album, the cleverly titled In It for the Money, the band brings the songs to the forefront, slowing the tempos considerably and constructing a varied, textured record that makes their ambition and skill abundantly clear. From the droning mantra of the opening title track, it's apparent that the band has delved deeply into psychedelia; hints of Magical Mystery Tour are evident throughout the album, from swirling organs and gurgling wah-wahs to punchy horn charts and human beatboxes. Supergrass substitute such sonic details for I Should Coco's punky rush, and while that means the band only occasionally touches upon the breakneck pace of their debut (the hard-driving "Richard III"), it also deepens their joyful exuberance with subtle songs and remarkably accomplished musicianship. There might not be a "Caught by the Fuzz" or "Alright" on In It for the Money, but that's not a problem, since the bright explosion of "Sun Hits the Sky" and the nervy "Tonight" are just as energetic, and the album features introspective numbers like the gorgeous "Late in the Day" and "It's Not Me" that give it substantial weight. Even with all this musical maturity, Supergrass haven't sacrificed their good-natured humor, as proven by the detailed production and the bizarre closer, "Sometimes I Make You Sad." Sometimes, maturity turns out to be everything it's supposed to be...(AllMusic)

 



price rating