SUPREMES GREATEST HITS ULTRA-RARE ORIG'67 TAMLA MONO LP
$
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· DIANA ROSS AND THE SUPREMES - GREATEST HITS - ORIGINAL 1967 MOTOWN MONO DOUBLE ALBUM MM-2-663
· ORIGINAL U.S. PRESSING
· ULTRA-RARE MONO VERSION OF THIS ALBUM IS TENS, POSSIBLY HUNDREDS OF TIMES RARER THAN STEREO VERSION AND IS BELIEVED TO BE THE LAST MOTOWN ALBUM RELEASED IN MONO
· ORIGINAL BLUE MOTOWN 'MICHIGAN MAP' LABEL
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1/-1/-1'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Although all of these 20 songs were credited to the Supremes when they were released between 1963 and 1967, this album marked the first LP on which the group was billed as "Diana Ross and the Supremes." However you credit it, this out-of-print double-LP contains the bulk of the best of The Supremes, no less than ten Number One hits from "Where Did Our Love Go" to "The Happening," and thus some of the most popular music of the 1960s. Ross and the Supremes, together and separately, continued to score afterwards, but this was their peak.
(EXCERPT FROM AN ONLINE REVIEW BY WILLIAM RUHLMAN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The title says it all: Everything you ever wanted to hear - EVERY SINGLE HIT DIANA AND THE GIRLS EVER SCORED - by the ONLY AMERICAN BAND THAT COULD COMPETE WITH THE BEATLES AT THE PEAK OF BRITISH INVASION. Yes, the girls had an unbroken string of # 1 hits at a time when climbing up to even #50 on US charts was a pipe dream for most American artists. And then, there’s this gorgeous analog MONO sound, for maximum sonic impact. Once you hear "You keep me hangin’ on" exploding from the speakers, you will know what Holland-Dozier-Holland REALLY had in mind here. 20 (count ‘em) songs of pure guilty pleasure. Girl Group sound was never again - or before - so (ahem!) masculine and raw. And, of course, the list of people who have covered these songs reads like who’s who of Rock and Soul. The songs are: When the lovelight starts shining through his eyes - Run, run, run - Where did our love go - Baby Love - Ask any girl - Come see about me - Stop! In the name of love - Back in my arms again - Nothing but heartaches - I hear a symphony - My world is empty without you - Everything is good about you - Love is like an itching in my heart - You can’t harry love - You keep me hanging on - Love is here and now you are gone - The happening - Whisper you love me boy - There's no stopping us now - Standing at the crossroads of love. THIS IS SOUL, LADIES AND GENTLEMEN.
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here for the complete album listing)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The records come in their original stock inner sleeves.
(c) The records have a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) The records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 100:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NEAR MINT !
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- The cover has a few tiny scratch marks on the back side
- Minor shelf wear noted on the top and bottom seams (nothing significant)
- Minor yellowing noted on the INSIDE gatefold
- Inside gatefold has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
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