SXL 2003 BEETHOVEN / ANSERMET SYMPHONY NO 5 'EGMONT OVERTURE' DECCA WBDG STEREO
£
46
$
61
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Description
BEETHOVEN / ANSERMET
SYMPHONY NO 5 'EGMONT OVERTURE'
DECCA RECORDS
WBDG STEREO ISSUE 1960 UK
FRONT LAMINATED SINGLE SLEEVE
Catalogue Number: SXL 2003
Matrix Numbers:
Side One:- ZAL-4075-1E
Side Two:- ZAL-4076-1E
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT
HAS A NUMBER '180' WRITTEN ON THE BACK
(SEE PHOTOS)
Vinyl:- EXCELLENT +
Labels:- EXCELLENT +
WIDE BAND DEEP GROOVE ISSUE
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
Tracklist
Symphony No. 5 In C Minor, Op. 67 A1 1st Mov. Allegro Con Brio A2 2nd Mov. Andante Con Moto B1.a 3rd Mov. Scherzo (Allegro) B1.b 4th Mov. Allegro B2 Egmont Overture, Op. 84
Credits
- Composed By – Beethoven*
- Conductor – Ernest Ansermet
- Engineer [Uncredited] – Roy Wallace
- Liner Notes – Nöel Goodwin*
- Mastered By – E (24)
- Orchestra – L'Orchestre De La Suisse Romande
- Photography By [Cover Photo] – Hans Wild (2)
- Producer [Uncredited] – James Walker (5)
Notes
Repress from 1960.Original version has a blue border on the back of the sleeve and was released in 1958.
LABELS:
- Black/silver 'grooved wideband' labels
- "ORIGINAL RECORDING BY" at 11 o'clock
- "Made in England" at bottom
- Decca 'Musical Notes' logo on both sides
- "RECORDING FIRST PUBLISHED 1958"
- Tax code "E/T"
SLEEVE:
- Front laminated
- 'Half-moon' flipbacks (aka scalloped)
- Triangular "DECCA STEREOPHONIC" logo on front and on back
- Thin spine with no text on it
- "Cover photo of Beethoven's death mask by Hans Wild" on back
- "Laminated with 'Clarifoil' made by British Celanese Limited" on back
- "Printed in England" on bottom flipback
- Liner notes in English on back
- Printing date on sleeve is July 1960 ("7.60")
OTHER INFORMATION:
- Recorded April 1958 in the Victoria Hall, Geneva
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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