SXL 2150/1/2 BRITTEN PEARS 'PETER GRIMES' DECCA RECORDS 1959 UK STEREO ISSUE
£
27
$
35
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Description
Benjamin Britten ?
Peter Grimes
Country:UKReleased:Oct 1959 Genre:Classical, Stage & ScreenStyle:Opera, Modern
Tracklist
Peter Grimes A.a Prologue - Peter Grimes ! Peter Grimes ! A.b Interlude 1 (Dawn) A.c Act 1 - Scene 1 - Oh, Hang At Open Doors The Net, The Cork B.a Act 1. Scene 1. And Do You Prefer The Storm? B.b Interlude II (Storm) B.c Act 1. Scene II (Concl.) : Past Time To Close ! C.a Act II. Interlude III (Sunday Morning) C.b Scene 1. "Glitter Of Waves And Glitter Of Sunlight" D.a Act II. Scene 1. We Planned That Their Lives Should Have A New Start. D.b Interlude IV (Passacaglia) D.c Scene II (Concl.) : Go There ! Go There! Go There ! Here's Your Sea Boots E.a Act 3. Interlude V (Moonlight) E.b Scene 1. "Assign Your Prettiness To Me ...." E.c Embroidery In Childhood Was A Luxury Of Idleness F.a Act 3. Scene 1. Mr. Swallow ! Mr. Swallow ! F.b Interlude VI F.c Scene II (Concl.) : Steady ! There You Are ! Nearly Home ! F.d Sail Out Till You Lose Sight Of The Moot Hall Then Sink The Boat
Credits
- Baritone Vocals [Ned Keene] – Geraint Evans
- Baritone Vocals [Swallow, Bass-Bariton] – Owen Brannigan
- Bass Vocals [Captain Balstrode] – James Pease
- Bass Vocals [Hobson] – David Kelly
- Chorus – Chorus Of The Royal Opera House, Covent Garden
- Chorus Master – Douglas Robinson
- Composed By, Music By, Conductor – Benjamin Britten
- Contralto Vocals [Auntie] – Jean Watson
- Engineer [Uncredited] – Kenneth Wilkinson
- Liner Notes [About The Recording] – Eric Smith*
- Liner Notes [Introduction] – George Lascelles
- Liner Notes [Synopsis] – Peggie Cochrane
- Mastered By [Side C] – D (36)
- Mastered By [Sides A B D E F] – E (24)
- Mezzo-soprano Vocals [Mrs. Sedley] – Lauris Elms
- Orchestra – Orchestra Of The Royal Opera House, Covent Garden
- Other [Derived From The Poem By] – George Crabbe
- Photography By [Cover Photos] – Adam Woolfitt
- Photography By [Photos In Text] – Hans Wild
- Producer [Uncredited] – Erik Smith
- Soprano Vocals [Ellen Orford] – Claire Watson
- Soprano Vocals [Niece 1] – Marion Studholme
- Soprano Vocals [Niece 2] – Iris Kells
- Tenor Vocals [Bob Boles] – Raymond Nilsson
- Tenor Vocals [Peter Grimes] – Peter Pears
- Tenor Vocals [The Rector] – John Lanigan
- Treble Vocals [John] – Marcus Norman
- Words By – Montagu Slater
Notes
Recorded 2 - 9 December 1958 in Walthamstow Assembly Hall, London.First UK version for this cat#
Red plastic gatefold sleeve, first labels (this version)
LABELS:
Black/silver 'grooved wideband' labels
GATEFOLD SLEEVE:
Dark red plastic gatefold with gold lettering
Has four separate die-cut pockets inside the gatefold,
which hold the records, the booklet and the photo insert
- Gold lettering on spine
BOOKLET:
12 pages
Doesn't contain a libretto
Contains an opera introduction and synopsis
Contains notes on the recording
Contains a contemporary discography of the works of Benjamin Britten
recorded on the Decca label
Also contains a 1-page thin cardboard insert showing the 'anchor chain' image
that was later used as a cover photo for the box set.
1st cat# on spine and inside of booklet.
2nd cat# on front of sleeve.
- Matrix / Runout (Runout side A): ZAL-4385-6E
- Matrix / Runout (Runout side B ): ZAL-4386-6E
- Matrix / Runout (Runout side C ): ZAL-4387-6E
- Matrix / Runout (Runout side D ): ZAL-4388-9E
- Matrix / Runout (Runout side E ): ZAL-4389-5E
- Matrix / Runout (Runout side F ): ZAL-4390-5E
- Matrix / Runout (Matrix on label - side A): ZAL.4385
- Matrix / Runout (Matrix on label - side B): ZAL.4386
- Matrix / Runout (Matrix on label - side C): ZAL.4387
- Matrix / Runout (Matrix on label - side D): ZAL.4388
- Matrix / Runout (Matrix on label - side E): ZAL.4389
- Matrix / Runout (Matrix on label - side F): ZAL.4390
- Other (Cat# record 1): SXL.2150
- Other (Cat# record 2): SXL.2151
- Other (Cat# record 3): SXL.2152
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT +
Dark red plastic gatefold with gold lettering.
Has four separate die-cut pockets inside the gatefold,
which hold the records, the booklet and the photo insert
Gold lettering on spine
Vinyls:-
DISCS 1 & 2 (2150 / 2151) LOOK NEAR MINT
DISC 3 (2152) LOOKS EXCELLENT +
Labels:- LOOK NEAR MINT
Black/silver 'grooved wideband' labels
Inserts:
Contains 12 page booklet and a 1-page thin cardboard insert
showing the 'anchor chain' image that was later used as a cover photo for the box set.
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to ?The Record Collector?s? grading system.
This was originated by ?The Record Collector? to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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