Scattered Order "Screaming Tree" 7" M Squared rare Oz experimental
  A$   184
  $   122

 


A$ 184 Sold For
Sep 2, 2016 Sold Date
Aug 26, 2016 Start Date
A$   20 Start price
12   Number Of Bids
  Australia Country Of Seller
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Description

M2008 7 inch EP - released May 1981
Tracks:
"World's longest intro"
"Mass Murder"
"Screaming Tree"
"Through litre chase"

Billed as "white noise with a beat" this nerve filled tumble down a steep flight of stairs was recorded by Jones, Tee and Gibson between December 1979 and February 1981 with assistance from Simon Vidale - drums on "World's longest intro" and "Mass Murder" and Ken Doyle - percussion on "Through litre chase".

The record is graded visually Ex- (minor ring war, minor age discolouration) / Ex- (some rough bits on edge wear cut, does not affect run in grooves - see third photo). I will combine postage. I recommend the registered option.

(Jones, Tee) - first recordings with the help of Simon Vidale on drums.
(Jones, Tee, Gibson) - recorded "Screaming Tree".
(Jones, Tee, Gibson, Prowse) - with help from Craig Robertson (bass) and Michael Filewood (guitar) played two live performances in April 1981. Described after the event as "The Marshall Tucker Band" the band retired to the studio.
(Jones, Tee, Gibson, Prowse) - now "trim, taut and terrifying" played in Brisbane in November 1981 and then joined the "Finally Ultimately" tour in February 1982. Recorded "Prat Culture" in Brisbane and Sydney. At their withering peak this version of the band broke up before the album's release but played one last show in March 1983.
(Jones, Prowse, Fahey) - reconvened and recorded "I feel so relaxed with you" with Scott Holmes and Dru Johnson assisting at M Squared during 1983. There were only 2 other live performances that year, one for Radio 2JJJ and the other at Art Unit with Severed Heads. Craig Robertson (Prod) on bass guitar joined the adventure.

Label and studio duties slowed down the recorded output of Scattered Order to some degree during these years. The band had always moved on musically by the time the material had been released which made live promotion at times difficult.


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