Sealed LP JOE SIMON Glad You Came My Way FROM 81-EXTENSIVE USE OF FINE FALSETTO
  $   30

 


$ 30 Sold For
Jun 21, 2017 Sold Date
Jun 13, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Sealed LP JOE SIMON Glad You Came My Way FROM 81-EXTENSIVE USE OF FINE FALSETTO






A MINT LP ON POSSEE 10002

FROM 1981 AND STILL SEALED!

PRODUCED BY PORTER WAGONER AND RECORDED IN NASHVILLE

WITH THE NASHVILLE RHYTHM SECTION

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
There are some surprises in store for the listener who, like me, lost sight of Mr. Simon after he faded from sight on the pop charts a few years before this 1981 release. The first surprise is the producer's name: PORTER WAGONER. Now, there was no secret ever made about the Nashville connection for Joe Simon; he carved out a niche for solid R&B with a slight hint of country that retrospectively brings to mind a slightly grittier and less overtly commercial Lionel Richie, blessedly without Richie's massive overexposure. But the stretch for Wagoner is a bit of a shock. Fortunately, it works quite well most of the way through this fairly solid outing. Wagoner's extensive experience in the studio is evident, as he deftly takes some of the arrangements and wisely uses the available horns, guitar, strings, and backing vocals as punctuation more than layering them into an overproduced mess, especially on Mickey Newberry's "Love Look at Us Now" and one of the 3 tunes co-written by Simon, "We're Together." Both of these tracks tiptoe up to the disco genre but avoid the excesses that ultimately made that sound so toxic; however, there must have been chuckles in the studio when Wagoner's tune "All Over Me" is blasted straight into disco city. The other surprise here, for me, is the extensive use of Simon's fine falsetto. While his distinctive husky baritone was always one of the calling cards that made him stand out from the pack, most of the tracks here focus instead on his gentler side vocally, even on the uptempo numbers. Not a bad choice, but too much for my taste; it's a relief when he belts it out in the range we're more familiar with. Unsure if there was some health issue involved, so it's little more than a nitpick.

COVER STOCK STILL SEALED WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

?PLEASE
NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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