Sealed LP: Larry Coryell: The Real Great Escape

$

38

Larry Coryell

The Real Great Escape

FACTORY SEALED LP

Format: Sealed Album

Country: U.S.A.

Record Company & Release Number: Vanguard: VSD-79329

Original release date: 1973

Bar Code: NONE

Condition of the cover: Mint

Condition of this sealed album: Sealed - Assumed Mint

My inventory number: 209277C

Shipping Weight: 1 pounds, 1 ounces

Notes:

This Sealed Album came from a record store in Allentown, Pennsylvania called "Phantasmagoria" which went out of business in 1978. I purchased most of their unsold inventory several years later when I owned "Music Madness" - a new & used record store in Catasauqua, Pennsylvania.

Since this Sealed Album was part of Phantasmagoria's inventory when they closed in 1978, it cannot be any newer than a 1978 pressing. Being a Sealed Album, I cannot tell specifically what pressing it is prior to 1978. In some cases, hype stickers might help to determine if it is a first pressing, but I cannot be any more specific.

Phantasmagoria used round colored stickers to indicate the price of their inventory. They had a sign on the wall with the color sticker combinations for the customers to use so they knew the price of what they were purchasing. Some of the Sealed Albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the Sealed Albums have prices on them. This is the price you would have paid for this Sealed Album in 1978 if you had bought it at Phantasmagoria. If this Sealed Album has a price on it, please don't confuse the price with the current value for this Sealed Album.

The shrink wrap is split a the top part of the cover. It does not affect the quality of the cover.

• The Real Great Escape
• Are You Too Clever
• Love Life's Offering
• Makes Me Wanna Shout
• All My Love's Laughter
• Scotland, Pt. 2
• P.F. Sloan

• Michael Brecker: Horn
• Joel Brodsky: Photography
• Mervin Bronson: Bass
• Vince Cirrincione: Direction
• Julie Coryell: Vocals
• Larry Coryell: Synthesizer, Bass, Guitar, Keyboards, Vocals, Arp
• Earl DeRouen: Conga
• Mike Mandel: Synthesizer, Piano, Keyboards, Arp
• Steve Marcus: Saxophone, Sax (Soprano), Sax (Tenor)
• Tom Paine: Direction
• Danny Weiss: Producer
• Bryan Wells: Horn Arrangements
• Harry Wilkenson: Drums
• Harry Wilkinson: Drums
• Captain Jeff Zaraya: Engineer

Album Review for "The Real Great Escape"

Review by Jim Newsom, All Music Guide

A disappointment, this was Larry Coryell's attempt to move beyond the jazz audience into the pop/rock arena. Unfortunately, Coryell can't sing, though he gives it a valiant attempt on these songs. The band is augmented by horn charts on some of the tracks, Steve Marcus plays a couple of smoking sax solos, and there are glimpses of Coryell's guitar ability, but the music isn't very good. The Real Great Escape kinda sounds like Dreams, another band of jazzers whose foray into rock didn't work very well. It should be skipped by all but the Coryell completist. It is surely an album the guitarist himself would just as soon forget.

Larry Coryell biography by Richard S. Ginell

As one of the pioneers of jazz-rock -- perhaps the pioneer in the ears of some -- Larry Coryell deserves a special place in the history books. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing in the 1960s, a hard-edged, cutting tone, and phrasing and note-bending that owed as much to blues, rock, and even country as it did to earlier, smoother bop influences. Yet as a true eclectic, armed with a brilliant technique, he remained comfortable in almost every style, covering almost every base from the most decibel-heavy, distortion-laden electric work to the most delicate, soothing, intricate lines on acoustic guitar. Unfortunately, a lot of his most crucial electric work from the '60s and '70s went missing in the digital age, tied up by the erratic reissue schemes of Vanguard, RCA, and other labels, and by jazz-rock's myopically low level of status in certain quarters.

According to Coryell, his interest in jazz took hold at the age of four, and after his family moved from Galveston to the state of Washington three years later, he began to learn the guitar, studying records by Tal Farlow, Barney Kessel, and Johnny Smith. As a teenager, he played in a band led by pianist Mike Mandel, and by 1965 he gave up his journalism studies at the University of Washington in order to try his luck in New York as a musician. Before the year was out, he attracted much attention jamming in Greenwich Village and replaced Gabor Szabo in Chico Hamilton's band. In 1966, he made a startling recorded debut on Hamilton's The Dealer album, where his blues and rock ideas came to the fore, and that year he also played with a proto-jazz-rock band, the Free Spirits. Coryell's name spread even further in 1967-1968 when he played with Gary Burton's combo, and he was one of the most prominent solo voices on Herbie Mann's popular Memphis Underground album (recorded in 1968). He, Mandel, and Steve Marcus formed a group called Foreplay in 1969 (no relation to the later Fourplay), and by 1973 this became the core of the jazz-rock band Eleventh House, which after a promising start ran aground with a string of albums of variable quality.

In 1975, Coryell pulled the plug, concentrating on acoustic guitar and turning in a prolific series of duo and trio sessions with the likes of Philip Catherine, Emily Remler, John Scofield, Joe Beck, Steve Khan, and John McLaughlin. In the mid-'80s, Coryell toured with McLaughlin and Paco de Lucía, and in 1986 participated in a five-way guitar session with his old idol Farlow, Scofield, Larry Carlton, and John Abercrombie for the Jazzvisions series. Coryell also recorded with Stéphane Grappelli, Charles Mingus, Sonny Rollins, and Kenny Barron, and taped Brazilian music with Dori Caymmi for CTI, mainstream jazz for Muse, solo guitar for Shanachie and Acoustic Music, and (for Nippon Phonogram in Japan) an album of classical transcriptions of music by Stravinsky and Rimsky-Korsakov.

Coryell's career in the early 21st century was just as active. The year 2004 saw the release of Tricycles, an excellent trio date with drummer Paul Wertico and bassist Mark Egan. Electric from 2005 found Coryell playing jazz standards and rock anthems with Lenny White on drums and Victor Bailey on electric bass. In 2006 he released the performance album Laid Back & Blues: Live at the Sky Church in Seattle, followed two years later by Impressions: The New York Sessions on Chesky. In 2011 the guitarist joined a group of musicians closely associated with the Bay Area's Wide Hive label for Larry Coryell with the Wide Hive Players. He then returned in 2013 with The Lift, featuring organist Chester Thompson. Two years later, he delivered his third album for Wide Hive, Heavy Feel. In January 2017, Coryell announced he had reunited members of his '70s fusion group Eleventh House, including trumpeter Randy Brecker, for the album Seven Secrets. The album was slated to arrive in early June of that year, with a number of U.S. summer tour dates confirmed in support of the release. However, following a pair of weekend shows at New York City's Iridium club, Coryell died of heart failure in his hotel room on February 19, 2017. He was 73 years old.

This sealed album is being sold as a collector's item and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums I am selling. If I am aware of any defects, I will list it in the notes and pictures above.

I always leave feedback before your item ships. Please consider leaving feedback for me after you have had a chance to inspect and enjoy your purchase.

Please avoid questions on the last day of the listing. I might not have enough time to give you an answer before the it ends.

All album reviews, credits and artist biographies are from AllMusic Guide. If you haven't been to their web site, you should check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs might not apply to this release.

SHIPPING

If you have any special shipping requirements (extra padding, oversized boxes, etc.) you must let me know BEFORE making your payment. The cost of shipping is based my standard packaging (new boxes, padded envelopes, etc.). If you make a request for special shipping requirements during or after making your payment, I will refund your purchase and relist the item(s). You can bid on them again and then I will send you a revised invoice. I will do my best to accommodate any request as long as you are willing to pay accordingly.

USA (Domestic) Shipping and pick-up

• If your invoice does not include combined shipping, please send a request for an updated invoice.
• Your item(s) will be shipped within 2 business days after I receive your cleared payment. When possible, I try to ship the same day your payment clears.
• Local pick-up is fine with me. Contact me before making your payment to setup a time and place that is convenient for the both of us. There are no postage or handling fees for pick-up.

International Shipping

• If you purchase multiple items, please wait until you've made all your purchases so I can send you an invoice with your correct postage.
• The buyer is responsible for all customs regulations and fees in their own country.
• If the total weight of your package is 4 pounds or more, the Post Office requires it must be shipped by International Priority Mail. This is their policy, not mine. If it helps, I can try to calculate First Class postage for multiple shipments, but it usually ends up cheaper sending everything in one box by Priority.