Sealed-mint-NOS Telarc DG-10039 Stravinsky-The Firebird-Prince Igor-Robert Shaw
  $   30

 


$ 30 Sold For
Jan 4, 2015 Sold Date
Dec 28, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Gatefold album-still sealed.  Should be pristine.

Stravinsky / Borodin — Robert Shaw, Atlanta Symphony Orchestra And Chorus, The ?
The Firebird (Suite, 1919 Version)
Overtures And Polovetsian Dances From Prince Igor
Telarc ?– DG-10039 Vinyl, LP
Released: 1978 Genre: Classical Style: Modern, Romantic

Tracklist

Igor Stravinsky: The Firebird (Suite, 1919 Version) Introduction—The Firebird And Her Dance—Round Dance Of The Princesses—Infernal Dance Of King Kastchei—Finale 20:39 Alexander Borodin: Music From Prince Igor Overture 10:30 Polovetsian Dance 11:38

  • Mastered At – JVC Cutting Center
  • Chorus – Atlanta Symphony Orchestra Chorus* (tracks: B2)
  • Composed By – Alexander Borodin, Igor Stravinsky
  • Conductor – Robert Shaw
  • Coordinator [Project Coordinator In Atlanta] – Dr. John Cooledge*
  • Edited By [Digital Editing] – Robert Ingebretsen*, Soundstream*
  • Engineer [Digital Recording Engineers] – Bruce Rothaar, Soundstream*, Thomas Stockham
  • Engineer [Sound Engineer] – Jack Renner, Telarc Records
  • Engineer [Technical Consultant & Mastering Engineer] – Stan Ricker
  • Liner Notes – Harold A. Rodgers, Michael Murray (4), Robert C. Lower
  • Orchestra – Atlanta Symphony Orchestra, The*
  • Producer – Robert Woods (2), Telarc Records

Notes

Imported Pressing

Produced in cooperation with Baron Productions Ltd.
Soundstream - This recording was mastered using the Soundstream Digital Recording System

Specifications For The Soundstream Digital Recording System
Frequency Response: Flat from 0 to 21kHz (-3db at 22kHz)
Total Harmonic Distorton: At "0" VU, less than .004%
At peak levels, less than .03%
Signal to Noise: 90db RMS, Unweighted
Dynamic Range: 90db RMS, Unweighted
Sampling Rate: 50,000 samples per second
Digital Format: 16 bits linear encodeing/decodeing
Wow and Flutter: Unmeasurable

Technical Information: Microphones used for this recording were all Schoepps/Studer and included models SKM-52U, 54U and 56U. All are transformerless and were mixed through a Studer model 169 console fed at half-speed on a specially built transformerless Neumann VMS-70/SAL-74 cutting system equipped with a quartz-lock drive motor. Monitoring during the session was done using ADS model BC-8 speakers driven by a Treshold model 400A amplifier.

Recorded June 19 & 20, 1978


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