Sonny Stitt Plays Arrangements From The Pen Of Quincy Jones LP 1957 Jazz, Bop
$
25
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Description
Sonny Stitt ?–
Sonny Stitt Plays Arrangements From The Pen Of Quincy Jones
Label:
Roost ?– LP 2204, Royal Roost ?– RLP 2204
Format:
Vinyl, LP, Album, Mono
Country:
US
Released:
1957
Genre:
Jazz
Style:
Bop, Swing
Tracklist
A1 My Funny Valentine
Written-By – L. Hart-R. Rodgers 3:26
A2 Sonny's Bunny
Written-By – Sonny Stitt 3:55
A3 Come Rain Or Come Shine
Written-By – Johnny Mercer-Harold Arlen 4:18
A4 Love Walked In
Written-By – I. Gershwin-G. Gershwin 3:58
B1 If You Could See Me Now
Written-By – C. Sigman*, T. Dameron 4:27
B2 Quince
Written-By – Quincy Jones 7:00
B3 Star Dust
Written-By – H. Carmichael*, M. Parish* 3:05
B4 Lover
Written-By – L. Hart-R. Rodgers 3:21
Credits
Alto Saxophone – Sonny Stitt
Arranged By – Quincy Jones
Baritone Saxophone – Cecil Payne
Bass – Oscar Pettiford
Drums – Jo Jones
Flute, Alto Saxophone – Anthony Ortega
Guitar – Freddie Green
Liner Notes – Barry Ulanov
Photography By – Burt Goldblatt
Piano – Hank Jones
Tenor Saxophone – Seldon Powell
Trombone – J.J. Johnson, Jimmy Cleveland
Trumpet – Ernie Royal, Jimmy Nottingham, Joe Newman, Thad Jones
Notes
Recorded September 30 & October 17, 1955 NYC.
- Sonny Stitt
Real Name:
Edward Stitt
Profile:
American jazz musician, playing the tenor saxophone.
Born: February 2, 1924, Boston, Massachusets, U.S.A.
Died: July 22, 1982, Washington, D.C., U.S.A.
Sonny Stitt established himself on the American jazz scene in the 60's before making an impact on the UK jazz funk scene during the mid-70's.
Prior to these recordings, Sonny Stitt recorded in the 40's for Tiny Bradshaw's band.
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(M) Mint Record still shrink wrapped, new copy of a record.
(NM) Near Mint Almost perfect record that has usually only been played 1-3 times, in "like new" condition, no visual defects.
(NM-/ EX+) Almost near mint, maybe a few very light marks, nearly perfect.
(VG+/ EX) Very Good Plus / Excellent Record - will show minor signs that it was played but otherwise handled by a previous owner who took good care of it. Record surface may show light scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK".
The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves will have some slight wear, lightly turned up corners, or a slight seam split.
An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print & sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint.
All but the most mint-crazy collectors will find a Very Good Plus (VG+) record highly acceptable.
(VG) Very Good Record has more wear than VG+ with some more surface noise, light pops, scuffs or light scratches. Generally still a great playing copy, no skips. Jacket may have more shelf wear, a little writing, sticker residue, punch out/cut out holes or corners.
(VG-) Very Good Minus Record has noticeable groove wear, discoloration, surface noise, louder pops, marks & scratches/ scuffs but still a decent playing copy, no skips. Cover may has heavier shelf wear, more discoloration and split seams.
(G/ G+) Good/ Good Plus Record still plays without skipping but has considerable amounts of groove wear, discoloration, surface noise, scuffs, and/or scratches. Sleeve has a lot of wear and some defects such as split seams, heavy creasing, writing, marks, sticker residue, etc...
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