Spacemen 3 "Recurring" LP EX+ UK OOP Spiritualized Spectrum Sonic Boom
$
70
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Spacemen 3 "Recurring" LP Fire/Dedicated Records (UK)
Vinyl is EX+, Jacket is VG+
Out of Print!
Track Listing:
A1 Big City 4:45 A2 Why Couldn't I See? 6:33 A3 I Love You 5:35 A4 Just To See You Smile 3:23 A5 Set Me Free / I Got The Key 5:12 A6 When Tomorrow Hits Written-By – Peters*, Arm*, Lukin*, Turner* 4:25 B1 Feel So Sad 2:53 B2 Hypnotized 5:56 B3 Sometimes 6:34 B4 Feelin' Just Fine (Head Full Of Shit) 4:29 B5 Billy Whizz / Blue 1 5:05Spacemen 3 were an English alternative rock band, formed in 1982 in Rugby, Warwickshire by Peter Kember and Jason Pierce. Their music was "colourfully mind-altering, but not in the sense of the acid rock of the 1960s; instead, the band developed its own minimalistic psychedelia" (Stephen Erlewine, AllMusic). Spacemen 3 came to prominence on the independent music scene around 1989, gaining a cult following. However, they disbanded shortly afterwards, releasing their final studio album post-split in 1991 after an acrimonious parting of ways. They gained a reputation as a ‘drug band’ due to the members’ drug taking habits and the candid interviews and outspoken views of Kember about recreational drug use. Kember and Pierce were the only members common to all line-ups of the band. Both founding members have enjoyed considerable success with their subsequent projects, Sonic Boom/Spectrum and Spiritualized.
The Perfect Prescription era (1987-88)
1987In January 1987, Spacemen 3 commenced work on their second album, The Perfect Prescription. This was recorded at Paul Atkins’ VHF Studios, near Rugby. VHF had been recommended to the band by in-house sound engineer Graham Walker with whom they had worked previously when recording their first demo tape. The first set of demo recordings they made at VHF Studios relating to the new album were dubbed the ‘Out Of It Sessions’. Procurable only as bootleg, this work shows the transition in Spacemen 3’s musical style that was occurring around winter 1986/87.
VHF Studios’ 8-track facilities needed updating though, and a deal was agreed that Spacemen 3 would receive a large amount of studio time in return for financing new 16-track recording and mixing equipment at VHF, at a cost of around £3,000. Spacemen 3 would spend over eight months at VHF Studios. Importantly, this allowed them generous time to experiment, and develop and refine their sound and material in a studio setting, assisted by Graham Walker. In the album liner notes of Forged Prescriptions, a re-release of The Perfect Prescription, Kember recalled:
“ This is Spacemen 3 in bloom, midsummer before the seeds were scattered, right at the point where we worked together well and in compliment to each other. I still have strong memories of days where we would crash out listening to nothing but one song over and over... Mattresses were installed into the studio’s lounging space and our kaleidoscopic light show stayed on throughout the session... We spent several months...recording and re-working these pieces until we felt they were ready, slowly learning more about the studio and its techniques as we went. ”Whilst working on the album, "Transparent Radiation" was recorded, and released as a single in July 1987. "Transparent Radiation" was awarded Single of the Week by Sounds. The B-side included "Ecstasy Symphony", a new experimental piece using an organ drone multi-tracked and fed through various effects (this would presage some of Peter Kember's later work and his interest in analogue synthesisers).
The Perfect Prescription was completed in September 1987 and released the same month. Kember described it as "kind of a concept album, it’s about our better and worse experiences with drugs". Produced by Kember and Pierce, they agreed to restrict the amount of guitar overdubs in order that it would be easier to replicate the songs live. The Perfect Prescription received little critical attention in the UK, being better received in the United States. However, it represented Kember and Pierce’s "collaborative zenith" (Erik Morse), and the album "is practically a best-of in all but name" (Ned Raggett, AllMusic).
The Perfect Prescription "marked a serious artistic development, drawing deeper from gospel, ambient, and spiritual music, granting a serenity and depth to their spaced-out garage psychedelia" (Stephen Erlewine, AllMusic). Although retaining the same minimalist approach, Spacemen 3's sound was now sparser and mellower. Extra textures and complexity were evident, provided by overdubs and additional instrumentation, with the organ sound of the VHF Studio’s Farfisa being a significant introduction. The instrumental palette was also extended with acoustic guitar, violin (from local musician Owen John), saxophone and trumpet (from members of The Jazz Butcher) being used on some songs. Much of the album did not feature drums. This was the first album on which Kember contributed lead vocals.
Spacemen 3 performed live on about twenty occasions during 1987. This included several gigs in Holland and Belgium in March, and a few dates in London, Sheffield and Leeds later on in the year.
All records are shipped in professional 7” & 12” box mailers. All CDs are shipped in padded bubble mailers. Buy multiple items and save on shipping. Thanks for Visiting!!
price rating