Spiritual Jazz 18: Behind The Iron Curtain Part 1 Esoteric Modal & Progressiv...
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Spiritual Jazz 18: Behind The Iron Curtain Part 1 Esoteric Modal & Progressive Jazz From Central & Eastern Europe 1962-1988
Jazzman
gatefold 2xLP Cat: JMANLP 148Rel: 9 Jun 25
Jazz Side 1 - Track 1. Collage - Halb Sirp (Bad Sickle) Side 1 - Track 2. Manfred Ludwig-Sextett - Sextett Side 1 - Track 3. Bernt Rosengren - Crazy Girl (with Komeda Trio) Side 1 - Track 4. Polish Jazz Quartet - Promenade Through Empty Streets Side 1 - Track 5. Vagif Mustafa-Zade - Caucasus Side 2 - Track 1. Quartet "Jazz Focus-65" - Monday Morning Side 2 - Track 2. Theo Schumman Combo - Karawane Side 2 - Track 3. Vaclav Zahradnik - Podzimni Slunce Side 2 - Track 4. SHQ - Lori Side 3 - Track 1. Sevil - Mugam Side 3 - Track 2. Focus '65 - Autumn Sun Side 3 - Track 3. The Golstain-Nosov Quintet - Rosinent In Toledo Side 4 - Track 1. Yu - All Stars 1977 - Kosmet Side 4 - Track 2. Michael Fritzen Quartett - Rien (bonus track) Side 4 - Track 3. Dan Mindrila - Sonet
The Iron Curtain, a politically charged term of the 20th century, symbolised the divide between East and West. Winston Churchill famously referenced this metaphor, describing how an "Iron Curtain" descended upon Europe, obscuring the actions behind it. This two-parter record from Jazzman does the impossible, lifting the curtain through sound alone, representing jazz's ablation of political and cultural barriers, as it flourished in Soviet states and exposed the contradictory histories of Soviet jazz, from the 1960s to the 80s. Despite Cold War tensions and MADs, the Soviets didn't hold their breath for a second, embracing the jazz modernisms of hard bop, modal, Latin jazz and Eastern folk-jazz. The resilience of jazz artists during an era of geopolitical conflict thus offers a sprightly affirmation of spirituality and formal reinvention, in the face of adversity.
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