Stereolab 7” The In Sound ‘99 Limited Edition Yellow Vinyl No.1414 Super Rare

$

88

Stereolab 7” The In Sound ‘99 Limited Edition Yellow Vinyl No.1414 Super Rare!

Excellent three track colored vinyl single in superb packaging. Comes with inserts and a sheet of stamps. All intact. Only 2500 or so were produced. Hasn’t been touched in decades. Original owner.

One of my all time fave bands. Was so despondent when Mary was killed. Then again when the band folded. Been decades since on the platter.

Ships in a dedicated box.

Selling off my indie record collection to pay for my student loans. Nearly 30 years worth and the Biden thing doesn’t impact my private loans. Thanks PHEAA! Tough times…

Comes with a manhole cover magnet made by Tombino.Shop

Tracklist:

Blue Milk 3:50

One Thousand Miles An Hour 4:33

Aluminum Tune 5:09

Arranged By, Conductor [Conducted By] – The Groop (2)

Artwork [Adapted For Letterpress By] – Bruce Licher

Liner Notes – Grant Felix*

Producer, Engineer – Paul Tipler, The Groop (2)

Written-By – Laetitia Sadier, Tim Gane

Copyright © – Independent Project Records

Recorded At – Blackwing Studios

Printed By – Independent Project Press

Published By – Songs Of PolyGram International, Inc.

Recording Dates: February and June 1995 at Blackwing, London.

2500 numbered copies plus 143 un-numbered 'sample' copies for promotion.

#0001 - 0099. Black vinyl with small hole in yellow/purple on white board sleeves. 99 numbered copies plus 5 promo copies in off-white Gypsum board sleeves.

#0100 - 0445. Clear vinyl with large hole in silver/blue on grey chipboard sleeves. 346 numbered copies plus 29 promo copies.

#446 -0825. Maroon translucent vinyl with large hole in gold/maroon on brown chipboard sleeves. 380 numbered copies plus 25 promo copies. 6 of the promo copies were packed in red/black on orange covers due to the lack of gold on brown sleeves. 2 additional promo copies were red vinyl with brown labels which were packed in the red/silver on orange covers.

#0826 - 1200. Red translucent vinyl with large hole in red/black on orange poster board sleeves. 375 numbered copies plus 32 promo copies. 25 of the numbered copies [#1176 - 1200] were packed in red/silver on orange sleeves where the typesetting was printed in silver instead.

#1201 - 2500. Yellow translucent vinyl with a small hole in yellow/purple on off-white Gypsum board sleeves. 1300 numbered copies plus 52 promo copies. 14 numbered copies [#2487 - 2500] were packed with maroon vinyl copies as IPR ran out of yellow vinyl - too many yellow vinyl promos were mailed out!

All of the disks were supposed to have a large centre hole but the pressing plant forgot for the black vinyl which was pressed a month before the other colours.

These tracks can also be found on the Stereolab - Aluminum Tunes compilation but with different titles, as follows (titles in parentheses are as listed on Aluminum Tunes):

Blue Milk (Munich Madness)

One Thousand Miles An Hour (1000 Miles An Hour)

Aluminum Tune (Golden Atoms)

It took over a year from us delivering the masters to IPR and the eventual IPR release and in the meantime we changed the titles but by then it was too late for IPR to change the artwork.

A set of stamps came with each disk and with the overages a book of stamps was produced.

A 7x7" insert of liner notes and a booklet of 12 "The In Sound" stamps. There is also a sheet of 12 stamps attached to the inside of the gatefold style jacket. Also a 4x4" insert "explanation" of some errors in the release.

A-side plays at 45 RPM.

B-side plays at 33 ⅓ RPM.

Design for the artwork comes from Gary McFarland - The In Sound, released in 1966 on Verve.