T-BONE WALKER "Very Rare" 2 LP White Label Promo NM/EX, 1973
$
20
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
T-Bone Walker ?– Very Rare
Label: Reprise Records ?– 2XS 6483 Format: 2 × Vinyl, LP, Album, PromoCountry: US Released: 1973 Genre: Blues Style:
TracklistHide Credits
A1 Striking On You, Baby Written-By – Jerry Leiber, Mike Stoller* 2:41 A2 Please Send Me Someone To Love Written-By – Percy Mayfield 2:45 A3 Brother Bill (The Last CleanShirt) Written-By – Jerry Leiber, Mike Stoller* 3:59 A4 Evening Written-By – Harry White, Mitchell Parish 4:18 A5 The Come Back Written-By – L. C. Fraser* 3:56 B1 Your Picture Done Faded Written-By – Paul Howard (14) 2:53 B2 Don't Give Me The Run Around Written-By – T-Bone Walker 2:15 B3 Hard Times Written-By – Jerry Leiber, Mike Stoller* 2:55 B4 Everyday I Have The Blues Written-By – Peter Chatman 4:13 B5 Person To Person Written-By – Charles Singleton, Teddy McRae 2:25 C1 Fever Written-By – Eddie Cooley, John Davenport 4:08 C2 Three Corn Patches Written-By – Jerry Leiber, Mike Stoller* 3:06 C3 I'm Still In Love With You Written-By – T-Bone Walker 4:22 C4 Just A Little Bit Written-By – Earl Washington, John Thornton (3), Pitney Brown*, Ralph Bass 2:40 C5 James Junior Written-By – Charles Otis 2:38 D1 Been Down So Long Written-By – Jerry Leiber, Mike Stoller* 2:15 D2 If You Don't Come Back Written-By – Jerry Leiber, Mike Stoller* 2:40 D3 Kansas City Written-By – Jerry Leiber, Mike Stoller* 2:32 D4 Well, I Done Got Over It Written-By – Eddie "Guitar Slim" Jones 3:04 D5 Stormy Monday Written-By – T-Bone Walker 5:42Companies etc
- Copyright (c) – Warner Bros. Records Inc.
- Recorded At – United Recorders
- Recorded At – A&R Studios
Credits
- Alto Saxophone, Flute – Jerry Dodgion (tracks: A2, A5, B4, B5, C1, C2)
- Arranged By [Strings, Brass And Reeds] – Dave Matthews (3)
- Backing Vocals – Sweet Inspirations, The (tracks: A3, C1, C2, C4, D1, D2, D4)
- Banjo – Ben Benay (tracks: B1)
- Baritone Saxophone, Flute – Seldon Powell (tracks: A1 to A5, B2, B4 to C4, D1 to D3, D5)
- Bass – Joe Osborne* (tracks: A3, A5, B4, C3, D3, D4), Max Bennett (tracks: A1, A2, A4, B1 to B3, B5),Wilton Felder (tracks: C1, C2, C4, C5 to D2, D5)
- Cello – Charles McCracken (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), George Ricci (tracks: A2, A4, B1 to B3, C3, D1, D4, D5)
- Clavinet – Warren Bernhardt (tracks: B4)
- Congas – King Errisson (tracks: A5, B4, C1, C2, C4, D2 to D4)
- Design [Album] – Craig Braun
- Drums – Jim Gordon (tracks: B1, B2, B5, C1, C5, D1), Paul Humphrey (tracks: A1 to A5, B3, B4, C2 to C4, D2 to D5)
- Engineer – Dixon Van Winkle, Jerry Barnes (3), Matt Hyde
- Engineer [Ass't] – Dennis Druzbik
- Flugelhorn – Danny Stiles (tracks: A1, A3, A4, B2, C3, C4, D1 to D3, D5), Marvin Stamm (tracks: A1, A3, A4, B2, C3, C4, D1 to D3, D5)
- Flute – Herbie Mann (tracks: A4, C5, D4)
- Guitar – Ben Benay (tracks: A1, A2, A4, B2, B3, B5), David T. Walker (tracks: C4, D2), Dean Parks(tracks: A3, C1, C5 to D4), Larry Carlton (tracks: C1), Louie Shelton (tracks: A5, B4, C3), Richard Bennett (tracks: A1, A2, B3), T-Bone Walker (tracks: A5, B4, B5, D4, D5)
- Harmonica – Ben Benay (tracks: A3, D3, D4), Jerry La Croix* (tracks: A1, B3, C5)
- Organ – Charles Brown (tracks: A3, B4, D1, D4), Michael Omartian (tracks: B1, C1)
- Photography By – Allen Green (2), Ginny Winn, Jed Leiber, Phil Marco
- Piano – Charles Brown (tracks: A1, A2, B2, B3, B5, C3, D5), James Booker (tracks: A1 to A4, B1, B4 to D1, D3, D5), Michael Omartian (tracks: A1, A5, B3, D2), Mike Stoller (tracks: A3, C2, C5, D1, D4)
- Producer – Jerry Leiber, Mike Stoller*
- Saxophone – Al Cohn (tracks: C3, D3), David "Fathead" Newman (tracks: A1, A3, A5, B4, D2), Gerry Mulligan (tracks: C4, D5), Zoot Sims (tracks: A4, B4)
- Sitar [Electric] – John Tropea (tracks: B1)
- Tambourine – King Errisson (tracks: D1)
- Tenor Saxophone – Seldon Powell (tracks: A1, A3, A4, B2, C3, C4, D1 to D3, D5)
- Tenor Saxophone, Flute – Frank Vicari (tracks: A1 to A5, B2, B4 to C4, D1 to D3, D5), Joe Farrell(tracks: A1 to A5, B2, B4 to C4, D1 to D3, D5)
- Trombone – Garnett Brown (tracks: A2, A5, B4 to C2), Mike Gibson (5) (tracks: A2, A5, B4 to C2)
- Trombone [Bass] – Paul Faulise (tracks: A5, B5, C2), Tony Studd (tracks: A2, B4, C1)
- Trumpet – Danny Stiles (tracks: A1 to A5, B2, B4 to C4, D1 to D3, D5), Dizzy Gillespie (tracks: A4, B4, C1), Jon Faddis (tracks: A2, A5, B4, B5, C1, C2), Marvin Stamm (tracks: A1 to A5, B2, B4 to C4, D1 to D3, D5)
- Viola – Harold Coletta (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), Theodore Israel (tracks: A2, A4, B1 to B3, C3, D1, D4, D5)
- Violin – Manny Green* (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), Fred Buldrini* (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), Harry Glickman (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), Julius Brand (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), Karen Jones (2) (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), Leo Kahn (tracks: A2, A4, B1 to B3, C3, D1, D4, D5), Paul Gershman (tracks: A2, A4, B1 to B3, C3, D1, D4, D5)
- Violin, Concertmaster – David Nadien (tracks: A2, A4, B1 to B3, C3, D1, D4, D5)
- Vocals – T-Bone Walker
Notes
Made in U.S.A.Promo release with white Reprise labels and promo sticker on front of the gatefold cover
LP 1 contains Sides I and IV, LP 2 contains Sides II and III. The above tracklist represents sides I to IV as on back cover.
Barcode and Other Identifiers
- Matrix / Runout (Side I runout etched): 2XS 6483 - 31638 - 1C
- Matrix / Runout (Side IV runout etched): 2XS - 6483 31641 - RE - 1 1A
- Matrix / Runout (Side II runout etched): 2XS - 6483 XXXXXX 31639 - 1A
- Matrix / Runout (Side III runout etched): 2xS - 6483 31640 - 1B
- Matrix / Runout (All sides runout stamped): STERLING
Ferndale, Michigan 48220
Phone: 248-548-9888
Hours: Monday thru Saturday NOON to 6:00 PM (Eastern)
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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