TEMPLE OF THE DOG - Vinyl LP 1st US Eddie Vedder Chris Cornell Mother Love Bone
$
160
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Temple Of The Dog ?– Temple Of The Dog
Label: A&M Records – 75021 5350 1 PROMO (gold stamped)
Format: Vinyl, LP
Country: US
Released: 1991
Genre: Rock
Style: Alternative Rock, Grunge
CONDITION:
SLEEVE: Label removed from upper top of spine that pulled a layer of the artwork off for about an inch. Not bad, really. No other damage. Gold foil promo stamp and barcode are all that are in that area anyway.
VINYL: Looks bright and with no flaws. Sounds clean and crisp, indicative of a quality pressing.
Tracklist ?
A1 Say Hello 2 Heaven 6:22
A2 Reach Down 11:11
A3 Hunger Strike 4:03
A4 Pushin Forward Back 3:44
A5 Call Me A Dog 5:02
B1 Times Of Trouble 5:41
B2 Wooden Jesus 4:09
B3 Your Saviour 4:02
B4 Four Walled World 6:53
B5 All Night Thing 3:52
Credits ?
Backing Vocals – Eddie Vedder (tracks: A3, A4, B3, B4)
Producer – Rick Parashar
Notes ?
Recorded weekends at London Bridge Studios, Seattle, Washington, November - December 1990.
All songs arranged by Temple Of The Dog.
Produced by Rick Parashar & Temple Of The Dog.
Temple Of The Dog was a collaboration between members of Soundgarden (Cornell & Cameron) and Mother ... with the band members during the recording of the record. Soon after the Temple Of The Dog sessions, Gossard ... , Ament, McCready & Vedder went on to form Pearl Jam. The self-titled Temple Of The Dog album.
__________
Featuring members of Soundgarden and what would soon become Pearl Jam, Temple of the Dog's lone eponymous album might never have reached a wide audience if not for Pearl Jam's breakout success a year later. In turn, by providing the first glimpse of Chris Cornell's more straightforward, classic rock-influenced side, Temple of the Dog helped set the stage for Soundgarden's mainstream breakthrough with Superunknown. Nearly every founding member of Pearl Jam appears on Temple of the Dog (including the then-unknown Eddie Vedder), so perhaps it isn't surprising that the record sounds like a bridge between Mother Love Bone's theatrical '70s-rock updates and Pearl Jam's hard-rocking seriousness. What is surprising, though, is that Cornell is the dominant composer, writing the music on seven of the ten tracks (and lyrics on all). Keeping in mind that Soundgarden's previous album was the overblown metallic miasma of Louder Than Love, the accessibly warm, relatively clean sound of Temple of the Dog is somewhat shocking, and its mellower moments are minor revelations in terms of Cornell's songwriting abilities. It isn't just the band, either — he displays more emotional range than ever before, and his melodies and song structures are (for the most part) pure, vintage hard rock. In fact, it's almost as though he's trying to write in the style of Mother Love Bone — which makes sense, since Temple of the Dog was a tribute to that band's late singer Andrew Wood. Not every song here is directly connected to Wood; once several specific elegies were recorded, additional material grew quickly out of the group's natural chemistry. As a result, there's a very loose, jam-oriented feel to much of the album, and while it definitely meanders at times, the result is a more immediate emotional impact. The album's strength is its mournful, elegiac ballads, but thanks to the band's spontaneous creative energy and appropriately warm sound, it's permeated by a definite, life-affirming aura. That may seem like a paradox, but consider the adage that funerals are more for the living than the dead; Temple of the Dog shows Wood's associates working through their grief and finding the strength to move on.