TEN YEARS AFTER ROCK N ROLL MUSIC + S/T STONEDHENGE WATT & UNDEAD + 6 LP SET
  $   280

 


$ 280 Sold For
Mar 30, 2018 Sold Date
Mar 6, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

TEN YEARS AFTER - VINYL COLLECTION OF 5 TITLES - WITH 6 SIDES OF VINYL - 


THIS AUDIOPHILE COLLECTION STARTS    


MOST OF THESE 180 GRAM TITLES NOW ARE OUT OF PRINT AND SOME SELLING FOR WELL OVER $100 IF YOU CAN FIND ONE STILL SEALED IN THESE SPECIFIC MUSIC ON VINYL PRESSINGS. 

 

 

Ten Years After STONEDHENGE RARE 180 GRAM AUDIOPHILE LIMITED EDITION LP WITH GATEFOLD JACKET

180-gram audiophile vinyl, gatefold sleeve

On August 17, 1969, Ten Years After performed a breakthrough American appearance at Woodstock; their rendition of "I'm Going Home" was featured in both the subsequent film and soundtrack album and catapulted them to star status.

Earlier in 1969 they had released their 3rd LP, Stonedhenge. Stonedhenge shows Ten Years After was already expanding their basic boogie-rock template. Producer Mike Vernon helped steer the band into a more jazz- and blues-oriented direction.

It's especially evident in the swinging "Woman Trouble". On the Canned Heat-sounding "Hear Me Calling," Alvin Lee keeps his fleet fingers in check, preferring to work his style into a more organic fusion. "A Sad Song" successfully builds tension without the need for speedy guitar solos. The eight-minute "No Title" slowly creates a moody atmosphere for three minutes until Lee cranks out a loud extension on its main riff that sets the stage for Chick Churchill's eerie organ solo. On the closing "Speed Kills" Ten Years After returns to the basics, as a way to let the fans know they can still churn out the rocking when needed!

 


 


Going to Try I Can't Live Without Lydia Woman Trouble Skoobly-Oobly-Doobob Hear Me Calling A Sad Song Three Blind Mice No Title Faro Speed Kills

Ten Years After Watt 180 GRAM AUDIOPHILE LIMITED EDITION LP

180 GRAM LIMITED EDITION Audiophile Vinyl!

Watt is the fifth album by the English blues rock band Ten Years After, released in 1970. It was recorded in September 1970 except for the last track, a cover of Chuck Berry's "Sweet Little Sixteen," which is a recording from the 1970 Isle of Wight Festival. The album features Alvin Lee on guitar & vocals, Leo Lyons on bass, Ric Lee on drums and Chick Churchill hammers the organ. Superb tracks on the album are the catchy "I Say Yeah" and the laid back "My Baby Left Me."

Between 1968 and 1973, Ten Years After scored eight Top 40 albums on the UK Albums Chart. In addition they had twelve albums enter the US Billboard 200, and are best known for tracks such as "I'm Going Home," "Hear Me Calling," "I'd Love to Change the World," and "Love Like a Man." Watt charted at no. 21 on the Billboard 200 and no. 5 in the UK Charts.

"...[Alvin Lee's] guitar work is fast and clean...and the band continues to cook in the manner exemplified best on Cricklewood Green." -Jim Newsom, allmusic.com

Features:
• 180g Audiophile Vinyl
• Gatefold Jacket

Selections:
Side One:

1. I’m Coming On
2. My Baby Left Me
3. Think About The Times
4. I Say Yeah
Side Two:
1. The Band With No Name
2. Gonna Run
3. She Lies In The Morning
4. Sweet Little Sixteen (Recorded Live At The Isle Of Wight Festival 1970)

Ten Years After Undead 180 GRAM EXPANDED LIMITED EDITION Import 2LP

Expanded Edition Available on Vinyl for the First Time!
180g Audiophile Vinyl! Contains Material Previously Not on Vinyl!

Undead is a live album by Ten Years After, recorded live at the small jazz club, Klooks Kleek, in London on May 14th, 1968. The show combined Blues, Boogie and Jazz playing that merged more traditional Rock and Roll with 50s-style Jump Blues. Alvin Lee, Leo Lyons, Chick Churchill and Ric Lee together became one of the biggest club attractions in England. Their music knows no compromise - it's straight down the line. It's loud and tough - but honest. Undead captures the excitement and raw energy of the band's live performances.

When originally released in 1968, the album was only 38 minutes long, due to the timing constraints of vinyl. As the band's tunes were all pretty long, there were only five tracks on the original issue. The expanded edition of Undead contains 4 additional tracks of the performance and is available on vinyl for the very first time. The remastered audio is pressed on 180 gram audiophile vinyl and Side D is beautifully etched.

Features:
• Expanded vinyl edition: contains material previously unissued on vinyl
• 180g Audiophile Vinyl
• Double LP
• Gatefold sleeve
• Remastered audio
• Notes by Ric Lee of Ten Years After
• Etched D-side
• Import

Selections:
LP 1 - Side A:

1. Rock Your Mama
2. Spoonful
3. I May Be Wrong, But I Won’t Be Wrong Always
LP 1 - Side B:
1. Summertime / Shantung Cabbage
2. Spider In Your Web
3. Woodchopper's Ball
4. Standing At The Crossroads

LP 2 - Side C:
1. I Can’t Keep From Crying, Sometimes / Extension On One Chord / I Can’t Keep From Crying, Sometimes
2. I’m Going Home
LP 2 - Side D:
Etch

Ten Years After Ten Years After LP (Mono) LIMITED EDITION 150 GRAM VINYL LP

Mono Vinyl LP Pressed at RTI!
First Vinyl Issue In 50 Years!
 

The electrifying Ten Years After! A premium RTI Pressing, from the original U.K. MONO masters!

Ten Years After’s self-titled debut hit the British blues scene with the subtlety and precision of a wrecking ball in 1967, serving notice that what had once been confined to steamy haunts in London was now there for the world to hear. And by the time the band electrified half a million hippies at Woodstock two years later, the world was roaring its approval. Cut live with vocals overdubbed later, Ten Years After is an impressive debut, showing off a tight band steeped not only in blues, but rockabilly, jazz, folk and even occasionally psychedelia. They rival Cream on a powerful cover of "Spoonful," which sports a heavy rhythm drive also evident on their extended jam version of "Help Me" that builds and builds to stratospheric heights. The latter allows Alvin Lee to cut loose with the fast licks for which he would become best known, but he was also capable of subtler, more impressionistic soloing on a stellar remake of the Blues Project’s "I Can’t Keep From Crying, Sometimes." If those three aren’t enough evidence of the band’s ability, then a spruced-up "I Want to Know," first done by Eric Clapton and the Powerhouse on the legendary What’s Shakin’ comp, certainly seals the deal. But even at this early stage, Ten Years After was no cover act — throwing originals like the Robert Johnson-inspired "Love Until I Die," the country acoustic blues of "Don’t Want You Woman" and the swingin’ boogie of "Feel It for Me" into the mix. It was no one-man show, either — as organist Chick Churchill takes the lead on "Losing the Dogs" with some rollicking Jerry Lee Lewis piano. And beneath it all, there was the metronomic telepathy of the Ric Lee/Leo Lyons rhythm section. 

The best way to hear this classic album is in its punchier mono mix, available on vinyl for the first time in 50 years and faithfully packaged with all of the original iridescent psychedelic cover art intact.

Now Sundazed proudly presents the searing guitar of Alvin Lee & Chick Churchill’s haunting organ textures as they were meant to be heard, from the original U.K. MONO masters and pressed on premium RTI vinyl!

Features:
• Mono Vinyl
• Pressed on premium RTI vinyl
• Meticulously mastered from original U.K. MONO masters
• Original iridescent psychedelic cover art 

Selections:
Side One:

1. I Want To Know
2. I Can't Keep From Crying, Sometimes
3. Adventures Of A Young Organ
4. Spoonful
5. Losing The Dogs
Side Two:
1. Feel It For Me
2. Love Until I Die
3. Don't Want You, Woman

4. Help Me

 

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This Heavy Vinyl LP has been critically acclaimed as the finest and quietest ever produced. It is a new listening experience that will virtually make you feel as if you were in the studio with the band. The nicest thing you can do for your stylus and ears. So, sit back, relax, enjoy the music, and remember the sound.

 

You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

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