TEO MACERO JOHN CASSAVETES' FACES RARE SEALED ORIG '68 (WHITE LABEL?) PROMO LP

$

29

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·       TEO MACERO WITH OTHER COLUMBIA JAZZ ARTISTS AND SESSION CREW)  – JOHN CASSAVETTES' "FACES" (MUSIC FROM THE ORIGINAL SOUNDTRACK, PLUS MUSIC INSPIRED BY THE FILM): – ULTRA RARE (PROMO-ONLY???)  COLUMBIA RECORDS 1968 STEREO LP  OS-3290

·       ORIGINAL U.S. PRESSING

*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***

·       *** PROMOTIONAL COPY; THE RECORDS HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL (NOTE: THUS FAR, ALL COPIES OF THIS ALBUM WE HAVE SEEN WERE EITHER WHITE LABEL PROMOS OR PROMO-STAMPED STOCK COPIES; WE BELIEVE  THAT NO STOCK COPIES WERE EVER ISSUED AND THAT ALL KNOWN COPIES ARE PROMOS***

·       BELIEVED TO BE THE COLUMBIA "360 STEREO" LABEL, LATE '60s STYLE,  MAY OR MAY NOT BE WHITE PROMOTIONAL VERSION (WE ARE NOT ENTIRELY SURE) ; IF THIS IS A STOCK COPY, IT WILL BE A GRAY COLUMBIA LABEL WITH "360 STEREO" BANNER ON THE BOTTOM OF THE LABEL

·       THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.

·       TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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As impossible as it is to overestimate the importance of John Cassavetes's work in the realm of independent film, it's equally daunting to even know where to start discussing it. Fortunately we don't need to, as on the web alone there is this introductory overview from the Chicago Reader, a extensive tribute at Senses of Cinema, a particularly insightful 40th anniversary examination of Faces at Bright Lights Film Journal, various writings by tireless/obsessive Cassavetes torch-bearer Ray Carney, and undoubtedly dozens of other sites/articles/tributes/etc. For now we're just interested in the music, and as such this release is a real curiosity.

This LP was presumably rushed out to capitalize on the surprising critical success of Faces, though I've never come across a single mention of it in any Cassavetes bio. As the title says, the album (produced by Miles Davis' producer/arranger/editor/collaborator Teo Macero) is comprised of "music from the soundtrack, plus music inspired by the film;" what this means is that only a few tracks were actually featured in the film (Love Is All You Really Want, Love Has Conquered Man, and Charlie Smalls' stark and soulful Never Felt Like This Before), while the rest are either extrapolations of musical themes from the minimal score (i.e. two additional renditions of Love Is All You Really Want), or are pieces with loose thematic or practical ties to scenes in the film (I Dream of Jeannie, Deck The Halls[?]).

It's impossible to say who's "inspiration" was responsible for this collection, as three of the four people who would presumably know -- Macero, Smalls (a composer and songwriter later known for writing the music for the 1975 Broadway musical The Wiz), and Cassavetes himself -- are no longer with us (anyone have a phone number for Jack Ackerman?). Personally, I'm just glad that an officially-produced soundtrack to any Cassavetes film exists; the only other one I know of is Bill Conti's Gloria score, issued in a limited edition by Varese Sarabane's limited-edition and now out of print. Now, if only someone would put together a nice collection of Bo Harwood's music for John's other films (hint hint)...

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record comes in the original stock inner sleeve (we can see it through the opening)

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP   (A LARGE PIECE OF SHRINK WRAP, ABOUT 15%,  IS MISSING)

The following flaws or imperfections are noted on the cover:

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1 (front side) and 2 (back side)

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Minor shelf wear noted on the opening side (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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