TEO MACERO w/MAL WALDRON & PHIL WOODS RARE ORIG'56 COLUMBIA 'SIX EYE' MONO LP NM
$
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Description
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· TEO MACERO AND BOB PRINCE with PHIL WOODS, MAL WALDRON AND OTHERS – WHAT’S NEW – ORIGINAL 1956 COLUMBIA RECORDS MONO LP CL-842
· ORIGINAL U.S. PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL RED AND BLACK COLUMBIA 'SIX EYE' MONO LABEL
· DEEP GROOVE PRESSING
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B/-1C'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Teo Macero is best-known for being a busy jazz producer at Columbia from 1957 until the late '80s, most noticeably for producing Miles Davis' records. However, he has also been an occasional tenor saxophonist who has been involved in some adventurous sessions. After serving in the Navy, Macero came to New York in 1948 where he attended Juilliard until he graduated in 1953. That year, he became a member of Charles Mingus' Jazz Composer's Workshop. He made several records with Mingus during 1953-1955, recorded with Teddy Charles (1956), and led three albums of his own for Debut, Columbia, and Prestige (1953-1957). Macero played on a very infrequent basis during the 1960s and '70s, but in 1983 he returned as a player to record a tribute to Charles Mingus on Palo Alto; in 1985, he played on one number during a Doctor Jazz date that he fronted. Some of Macero's earlier recordings as a saxophonist have been reissued on a Stash collection. In addition to his work with earlier jazz artists, Macero also worked with Geri Allen, Wallace Roney, the Lounge Lizards, Vernon Reid, Simon And Garfunkel (he produced their soundtrack to the Graduate), and literally dozens of others.
(EXCERPT FROM AN ONLINE BIO OF THE ARTIST BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
(f) Stereo copies of this album are NOT known to exist.
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 4 and 6 inches / 10 to 15 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape
- Cover has a visible wrinkle (crease) in the cardboard base on the back panel
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- The cover has a few tiny scratch marks on the front side (nothing significant)
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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