TERRY KNIGHT &PACK/EARLY GRAND FUNK SEALED ORIG MONO LP
$
42
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· TERRY KNIGHT AND THE PACK – REFLECTIONS – ORIGINAL 1967 CAMEO RECORDS MONO LP C-2007
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· BELIEVED TO BE PRESSED ON THE ORIGINAL RED AND BLACK CAMEO LABEL WITH “MEDALLION” LOGO (NO OTHER MONO LABELS EXIST)
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
· As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Clear evidence that Grand Funk Railroad was more musical than the critics of the day would have one believe is found in the grooves of Reflections, a dozen songs released on Cameo/Parkway as a follow-up to Terry Knight & the Pack's self-titled debut on the Cameo/Parkway-distributed Lucky Eleven label. Terry Knight still can't sing, but he does a better job than Lord Sutch the second time around. Engineered by the brilliant Joe Tarsia, with orchestration arranged and conducted by Richard Rome, the worst thing about this album, as with the band's debut, is the voice of Knight. Interesting Spanish guitar flavors canvas the ballad "Dirty Lady," while tired '60s "yeah yeah's" resonate throughout "Love Goddess of the Sunset Strip." Terry Knight's absolute lack of talent really helps one appreciate his contemporaries, Sky Saxon, Rudy Martinez, Alex Chilton, and especially Don Brewer and Mark Farner. Listen to the legit bootleg Monumental Funk to really hear how tremendous this band is without the producer and alleged singer. Side one is not nearly as embarrassing as what follows; "Forever & a Day," for example, is a dreadful quasi-nursery rhyme. Knight may be more on key here than on the previous disc, but his insincerity comes through loud and clear. The label has a copyright of 1963; however, with the presence of 1965's "I Can't Get No Satisfaction," it's safer to say this is late 1966, early 1967. The version of the Rolling Stones' classic actually hints at what Grand Funk would become, especially during their Survival period. A strange amalgam of the Mysterians meets Vanilla Fudge by way of a subdued Blue Cheer makes for a unique rendition of what was considered sacred territory. Again, the worst aspect of this rather interesting piece is the presence of Terry Knight. When one listens to Monumental Funk and hears the potential of the group without their leader, and the Flint album from 1978, which is the band without Mark Farner and way past the influence of Terry Knight, Farner emerges as the true talent that Knight was able to market more successfully than his other groups: Bloodrock and Mom's Apple Pie. "One Monkey Don't Stop No Show" is a far cry from the Honey Cone's 1971 hit of the same name, and "Love, Love, Love, Love, Love" is just downright ridiculous, despite the smart playing of the band behind this attempt at being the Animals. David Bowie did it better years later when he turned this same riff into Jean Genie. But give the devil his due -- Terry Knight created good-sounding records and this was the foundation of Grand Funk Railroad. "Come With Me" is a combination of the Rolling Stones' "Play With Fire" and a song covered on the debut LP by the Pack, "Lady Jane." The version of Sloan/Barri's "This Precious Time" is interesting, and "Anybody's Apple Tree" would be passable if not for the hokey ending. A historical document which can't exactly be called a fun listening experience, but it does hint at the talent that was soon to emerge.
(EXCERPT FROM AN ONLINE REVIEW BY JOE VIGLIONE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a visible "wrinkle"(crease) in two of its corners (one in each).
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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