THE 101ers (JOE STRUMMER) "ELGIN AVENUE BREAKDOWN" 1981 UK NM/NM IN SHRINK OOP

$

40

TWO YEARS AGO I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE MUSIC COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!). THIS ITEM IS FROM HIS COLLECTION.

THE PHOTO'S MAY BE A LITTLE BLURRY, HAVE A LITTLE GLARE, SOME REFLECTIONS OR IN SOME CASES YOU MAY SEE SPECKS OF DUST. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. I DO COMBINE SHIPPING.

THESE ARE VISUALLY & PLAY GRADED.

ARTISTS: THE 101ers

TITLE: “ELGIN AVENUE BREAKDOWN”

TRACK LISTING: SEE BELOW

Companies, etc.

• Distributed By – Virgin Records Ltd.
• Mastered At – CBS Studios, London
• Pressed By – CBS Pressing Plant, Aston Clinton

Credits

• Mastered By – TY*
• Producer – Micky Foote* (tracks: A3 to A6, B6), Roger Armstrong (tracks: B5), Simon Jeffes (tracks: B3, B4), Vic Maile (tracks: A1, A2, B1, B2)

Notes

Barcode and Other Identifiers

• Matrix / Runout (Side One, Etched): AND-101-A1 TY
• Matrix / Runout (Side Two, Etched): AND-101-B1 TY-CBS
• Matrix / Runout (Side Two, Stamped): C
• Matrix / Runout (Both Sides, Stamped): ?

LABEL: ANDALUCIA RECORDS UK

CAT.#: AND 101

YEAR: 1981

RECORD CONDITION: THE RECORD (VISUALLY & PLAY GRADED). IS IN EX/NM CONDITION (UNLESS OTHERWISE NOTED). NO LINES, SCRATCHES, SMEARS, SMUDGES ETC. THE VINYL HAS A NICE SHINEY BLACK LUSTER. BOTH LABELS IN EXCELLENT CONDITION. THE SONGS PLAY SUPER CLEAN.

SLEEVE CONDITION: IS IN EX/NM CONDITION. NICE CLEAN STRAIGHT EDGES. NO RIPS, TEARS, WRITING, SEAM SPLITS ETC. THE RECORD IS STILL IN IT'S ORIGINAL SHRINK WRAP AND HAS TWO OLD PRICE STICKERS ON THE FRONT (SEE PHOTOS)

OTHER INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. ORIGINAL 1st PRESSING. UK IMPORT. JOE STRUMMER PRE-CLASH

ARTIST INFO:The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.

History[edit]

The group was named after the squat where they lived together: 101 Walterton Road, Maida Vale, although it was for a time rumoured that they were named for "Room 101", the infamous torture room in George Orwell's novel Nineteen Eighty-Four.

The band's early gigs included several at the Windsor Castle and a residency at the Elgin. They were supported by the Sex Pistols at the Nashville Room on 3 April 1976. Strummer claims that this is when he saw the light and got involved in the punk scene. Joe Strummer commented on this event in the Don Letts documentary Westway to the World on the end of the 101ers by saying "5 seconds into their (the Pistols') first song, I knew we were like yesterday's paper, we were over." 

By the time their debut single, "Keys to Your Heart", was released, Joe Strummer was in The Clash and the band were no more. Clive Timperley later joined The Passions, Dan Kelleher went to Martian Schoolgirls and The DerelictsRichard Dudanski went on to work with The Raincoats, Basement 5 and Public Image Ltd.[ Tymon Dogg worked with Strummer briefly in The Clash, playing fiddle and singing his original song, "Lose This Skin", on Sandinista!, and later in The Mescaleros.

I know the 101ers were good. In fact, as far as sound and excitement went we were much better than Eddie and the Hot Rods. The other guys in the group were twenty-five and twenty-six and they played good because they'd spent a few years getting that far. But they were just too old. What I really wanted was to get in with some young yobbo's who I was more in tune with.

The 101ers' recorded output was initially limited to one single. However, by 1981, interest in The Clash was at its height and a second single and a compilation album Elgin Avenue Breakdown was released. Several of the tracks on the latter album were live recordings, and there is no evidence that the band ever conceived of these recordings as a full-length album.

Until his death in 2002, Joe Strummer had been planning to re-release Elgin Avenue Breakdown, complete with previously unreleased tracks that would encompass everything the band ever recorded. The project was completed with the help of Strummer's widow Lucinda Tait and former drummer Richard Dudanski, and released in May 2005 as Elgin Avenue Breakdown Revisited via Astralwerks in the US and EMI in Europe. The last track on the 2005 re-issue was an 8-minute version of "Gloria" recorded on 22 May 1976 at the Cellar Club in Bracknell. This was recorded two weeks before the 101ers finally split. Joe Strummer joined The Clash who played their first gig at the Black Swan, Sheffield supporting the Sex Pistols on 4 July 1976.

Elgin Avenue Breakdown is a compilation album by The 101ers, Joe Strummer's band before he joined The Clash. It was released on Andalucía Records (distributed by Virgin) in 1981 because of The Clash's popularity but mooted at the time that it was a semi-unofficial release due to Joe Strummer's contractual obligations with CBS. The first 500 copies came with a free poster. Just a few thousand copies were sold.The re-issue by EMI in 2005 has an accompanying booklet with an overview by Allan Jones and detailed notes on each track by Richard Dudanski.

Track listing[edit]

Original release 

The original Andalucía release of Elgin Avenue Breakdown contained 4 of the 6 songs recorded by Dr Feelgood producer Vic Maile, as a centrepiece. He had agreed to their use on the album in return for royalties. The 101ers owned the rights to the BBC Maida Vale recordings so they could also be used. However most of the Pathway material recorded by Roger Armstrong was not allowed on. There was one exception: 'Sweet Revenge'. Partly this was a cross promotional idea because Chiswick wanted to release the track as a single when they found out about plans for the album. The other fact is that the 101ers had allowed Roger's use of 'Five Star Rock n Roll Petrol' from the BBC Maida Vale Sessions as the B side for 'Keys to your Heart' on Chiswick's 1976 single. Roger felt honour bound to allow the use of one Pathway track on Elgin Avenue Breakdown. 

Some observations on the songwriting:

'Usually Woody would come up with the lyrics and an idea for the melody and chords, and then develop it further with Clive, before bringing it to the band room where we would all knock it around until it took final shape.' 

In mid-January 1976 Mole was replaced by Dan Kelleher. Here are a few observations on Dan's contribution:

'Apart from his experience and dexterity on bass, he had other skills to offer. The backing vocals was one area that immediately improved with not just his singing but also with the harmony parts that he arranged, and then there were two or three songs on which he sang lead vocal, which would give Joe a welcome breather at strategic points in the set. He also helped me in working out new drum patterns.'[

The official credits are for Strummer and the 101ers unless otherwise noted.

1. "Letsagetabitarockin'" - 2:07
2. "Silent Telephone" - 2:20
3. "Monkey Business" (live) (Chuck Berry) - 2:22
4. "Shake Your Hips" (live) (Slim Harpo) - 3:26
5. "Junco Partner" (live) (Trad. arr. James Wayne) - 3:19
6. "Don't Let It Go" (Bo Diddley) - 2:54
7. "Motor Boys Motor" - 2:22
8. "Sweety of the St. Moritz" - 2:24
9. "Surf City" (Kelleher/101ers) - 2:47
10. "Keys to Your Heart" (Strummer) - 3:09
11. "Sweet Revenge" - 2:57
12. "Gloria" (live) (Van Morrison) - 3:34

Tracks 1, 2, 7, 8 recorded 28/11/75, Jacksons Studio, Rikmansworth
Track 11 recorded 04/03/76, Pathway Studios, Kentish Town
Tracks 9,10 recorded 10/04/76, BBC Studios, Maida Vale
Tracks 3-6 and 12 recorded 18/04/76, The Roundhouse, Chalk Farm on a cassette by Mickey Foote

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