THE ALLMAN BROTHERS At Fillmore East VG+ 1971 Capricorn SD2-082 2LP 1ST PRESS

$

60

Vinyl: VG+ Play Graded. Sounds Great!  Pink Capricorn Labels are Clean and Bright.  This is the 1971 Capricorn SD2-802 Double LP 1ST PRESSING!    This is the audiophile acclaimed analog version, Mastered at Atlantic Studios, NYC, by George Piros, and Pressed at Monarch Records Corp., Los Angeles, CA!!!   Classic Allman Brothers!!  Boogie, Jazz and Blues Rock!!  Classic Rock defined! ...One of Rolling Ston'e 500 Greatest Albums of All Time!!!  all music gives it 5 stars!!!
See Review Below!
In the Dead Wax:  Matrices, etched, on both sides.   Also, on all 4 sides:  AT/GP ((Mastered at Atlantic Studios, NYC, by George Piros)) Also, MR  ((Pressed at Monarch Records, Mfg. Corp., Los Angeles, CA))   Complete dead wax information cheerfully provided upon request.

Cover: VG+ (see photos) Gatefold.  Nice high gloss on cover.  Front, gatefold and back of cover artwork and text are rich, clear and bright, with some ring and shelf wear.   Seams, corners and spine are solid and clean, with minor wear.  No splits.  No writing.  Spine print is crystal clear.  
Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping:  $5.49 Media Mail.  50 cents additional shipping per additional album, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your records by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

At Fillmore East Review

by Stephen Thomas Erlewine

Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully trimmed some of the performances down to relatively concise running time (edits later restored on the double-disc set The Fillmore Concerts), at times condensing several performances into one track. Far from being a sacrilege, this tactic helps present the Allmans in their best light, since even if the music isn't necessarily concise (three tracks run over ten minutes, with two in the 20-minute range), it does showcase the group's terrific instrumental interplay, letting each member (but particularly guitarist Duane and keyboardist/vocalist Gregg) shine. Even after the release of the unedited concerts, this original double album remains the pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy.