THE ALLMAN BROTHERS BAND EAT A PEACH ORIG CAPRICORN 2xLP INNER NM 1972

$

36

Here is a NEAR MINT MINUS! DOUBLE LP by THE ALLMAN BROTHERS BAND titled EAT A PEACH. It is an ORIGINAL! US pressing on the CAPRICORN label, catalog #CPN-2-0102 in STEREO! sound and released in 1972. The vinyl is in NEAR MINT MINUS! condition, shiny and black and should have excellent playback. It has ITS’ ORIGINAL SMALL POSTER INSERT! The GATEFOLD cover is in EXCELLENT PLUS/EXCELLENT! condition with light surface/edge wear, bottom left corner bump, light  corner and edge wear. It is your opportunity to purchase this DOUBLE! LP by THE ALLMAN BROTHERS BAND in this condition. It’s a true gem for the ALBUM ROCK / BLUES ROCK / HARD RACK / SOUTHERN ROCK / ROCK collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING. BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Stephen Thomas Erlewine

A tribute to the dearly departed Duane, Eat a Peach rambles through two albums, running through a side of new songs, recorded post-Duane, spending a full album on live cuts from the Fillmore East sessions, then offering a round of studio tracks Duane completed before his death. On the first side, they do suggest the mellowness of the Dickey Betts-led Brothers and Sisters, particularly on the lovely "Melissa," and this stands in direct contrast with the monumental live cuts that dominate the album. They're at the best on the punchier covers of "One Way Out" and "Trouble No More," both proof of the group's exceptional talents as a roadhouse blues-rock band, but Duane does get his needed showcase on "Mountain Jam," a sprawling 33-minute jam that may feature a lot of great playing, but is certainly a little hard for anyone outside of diehards to sit through. Apart from that cut, the record showcases the Allmans at their peak, and it's hard not to feel sad as the acoustic guitars of "Little Martha" conclude the record, since this tribute isn't just heartfelt, it offers proof of Duane Allman's immense talents and contribution to the band.