THE BAND, Music from Big Pink [rainbow rim label] USA 1st pressing LP
$
69
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Description
The Band ?– Music From Big Pink Label: Capitol Records ?– SKAO 2955, Capitol Records ?– SKAO-2955 Format: Vinyl, LP, Album, Stereo, Jacksonville pressing, Gatefold Country: US Released: 1968 Genre: Rock Style: Folk Rock, Acoustic, Blues Rock TracklistHide Credits A1 Tears Of Rage Written-By – B. Dylan*, R.Manuel* 5:21 A2 To Kingdom Come Written-By – J. R. Robertson* 3:19 A3 In A Station Written-By – R. Manuel* 3:31 A4 Caledonia Mission Written-By – J. R. Robertson* 3:53 A5 The Weight Written-By – J. R. Robertson* 4:34 B1 We Can Talk Written-By – R. Manuel* 3:02 B2 Long Black Veil Written-By – D. Dill*, M. J. Wilkin* 3:02 B3 Chest Fever Written-By – J. R. Robertson* 5:15 B4 Lonesome Suzie Written-By – R. Manuel* 4:02 B5 This Wheel's On Fire Written-By – B. Dylan*, R. Danko* 3:11 B6 I Shall Be Released Written-By – B. Dylan* 3:12 Companies, etc. Manufactured By – Capitol Records, Inc. Pressed By – Capitol Records Pressing Plant, Jacksonville Credits Arranged By [Arrangements] – Albert Grossman* Design [Album] – Milton Glaser Engineer – Don Hahn, Rex Updegraft, Shelly Yakus, Tony May Painting [Cover] – Bob Dylan Performer – Garth Hudson, Levon Helm, Richard Manuel, Rick Danko, Jaime Robbie Robertson* Photography By – Elliott Landy Producer – John Simon Notes Capitol, Jacksonville pressing. First pressing without subsidiary text around label rim. This version comes with black, rainbow rimmed label design. Text in black above rainbow at bottom on label reads: "MFD. BY CAPITOL RECORDS, INC. U.S.A.T:M. [CAPITAL LOGO] • MARCA REG. • U.S. PAT. NO. 2,631,859" Label side A has a Number "1", not a Roman numeral. "BIG PINK - A pink house seated in the sun of Overlook Mountain in West Saugerties, New York. Big Pink bore this music and these songs along its way. It's the first witness of this album that's been thought and composed right there in its walls." Front cover portrait: © B.D. 1968 All selections ASCAP except Long Black Veil, BMI. Manufactured by Capitol Records, Inc., Hollywood and Vine Streets, Hollywood Calif. • Factories: Scranton, PA., Los Angeles, Calif., Jacksonville, Ill. Printed in U.S.A.
USA FIRST PRESSING VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL WHITE INNER SLEEVE.
MATRIX: SIDE A: ST 1 2955 B4 #2 O / SIDE B: ST 1 2955 W4 #1 O .
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.
DISC[S]: EXCELLENT MINUS EXCEPT FOR ONE LIGHT SCRATCH ON 'IN A STATION' WHICH CLICKED, AND SOME HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
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