THE BEATLES. " ABBEY ROAD " APPLE UK 1969 LP. ORIG 1st PRESS. MISPRINT EX.
  £   132
  $   175

 


£ 132 Sold For
Jul 2, 2014 Sold Date
Jun 25, 2014 Start Date
£   20 Start price
16   Number Of Bids
  Great Britain Country Of Seller
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Description


ronniesrecords Store

Beatles, The ?– Abbey Road

Label: Apple Records ?– PCS 7088 Format: Vinyl, LP, Album, Misprint, 1st Press Sleeve Variant 
Country: UK Released: 26 Sep 1969 Genre: Rock Style: Pop Rock

TracklistHide Credits

A1 Come Together Written-By – Lennon-McCartney 4:21 A2 Something Written-By – Harrison* 3:03 A3 Maxwell's Silver Hammer Written-By – Lennon-McCartney 3:27 A4 Oh! Darling Written-By – Lennon-McCartney 3:27 A5 Octopus's Garden Written-By – Starkey* 2:51 A6 I Want You (She's So Heavy) Written-By – Lennon-McCartney 7:47 B1 Here Comes The Sun Written-By – Harrison* 3:05 B2 Because Written-By – Lennon-McCartney 2:46 B3 You Never Give Me Your Money Written-By – Lennon-McCartney 4:02 B4 Sun King Written-By – Lennon-McCartney 2:27 B5 Mean Mr. Mustard Written-By – Lennon-McCartney 1:06 B6 Polythene Pam Written-By – Lennon-McCartney 1:13 B7 She Came In Through The Bathroom Window Written-By – Lennon-McCartney 1:57 B8 Golden Slumbers Written-By – Lennon-McCartney 1:32 B9 Carry That Weight Written-By – Lennon-McCartney 1:37 B10 The End Written-By – Lennon-McCartney 2:20 B11 Her Majesty Written-By – Lennon-McCartney 0:23

Credits

  • Engineer [Uncredited] – Geoff Emerick, Phillip McDonald*
  • Photography By – Iain Macmillan
  • Producer – George Martin

Notes

An E.M.I. Recording. Thanks to George Martin, Geoff Emerick and Phillip McDonald 
Photographs by Iain Macmillan 
Printed by Garrod & Lofthouse International Ltd 

This first press has variations on the sleeve. The apple logo IS misaligned with the rest of the text AND Her Majesty is also missing from the sleeve and vinyl label.

Barcode and Other Identifiers

  • Matrix / Runout (Side 1 Run Out): YEX 749-2
  • Matrix / Runout (Side 2 Run Out): YEX 750-1


Review by Richie Unterberger

The last Beatles album to be recorded (although Let It Be was the last to be released), Abbey Road was a fitting swan song for the group, echoing some of the faux-conceptual forms of Sgt. Pepper, but featuring stronger compositions and more rock-oriented ensemble work. The group was still pushing forward in all facets of its art, whether devising some of the greatest harmonies to be heard on any rock record (especially on "Because"), constructing a medley of songs/vignettes that covered much of side two, adding subtle touches of Moog synthesizer, or crafting furious guitar-heavy rock ("The End," "I Want You (She's So Heavy)," "Come Together"). George Harrison also blossomed into a major songwriter, contributing the buoyant "Here Comes the Sun" and the supremely melodic ballad "Something," the latter of which became the first Harrison-penned Beatles hit. Whether Abbey Road is the Beatles' best work is debatable, but it's certainly the most immaculately produced (with the possible exception of Sgt. Pepper) and most tightly constructed.



Strictly Graded - RECORD COLLECTOR Grading System.

Grading System: In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated a set of standards for the condition of second-hand records, I have added a (+) or (-) to my gradings where applicable.

 

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.

The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.




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