THE BEATLES EARLY BEATLES RARE ORIGINAL 1965 CAPITOL STEREO LP VERY NICE

$

53

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·       THE BEATLES - THE EARLY BEATLES - ORIGINAL 1965 CAPITOL RECORDS STEREO LP ST-2309

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP (12 O’CLOCK POSITION) OF THE LABEl

·       UNKNOWN PRESSING PLANT; MOST LIKELY A DECCA PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The Early Beatles does not represent its songs in the sequence -- or in their exact content -- that its makers intended; not by a long shot. That said, this is also the way that tens of millions of listeners in the U.S. did hear this material between 1965 and 1983. And of course, any means by which one gets to hear 11 1963-vintage tracks by the Beatles is OK. Whatever particular order or specifics of the songs, the listening experience will stack up well against any other 11 songs by anybody else who was walking around back then. So this record still rates high, though not as high as it might, because it isn't the ideal format for the music. By way of explanation, when the Beatles' earliest recordings for EMI's Parlophone Records in England were originally offered to Capitol Records -- EMI's American outlet -- in 1963, there was no interest, based on the poor performance of virtually any British rock & roll on the American charts up to that time. Instead, EMI signed licensing agreements for those early singles with the Chicago-based VeeJay Records, who were willing to take a chance and ended up doing very well with these songs, once the group broke through in America at the end of 1963 and the beginning of 1964. Capitol Records found the 13 early sides in question out of reach legally, thanks to those licenses. Cut to early 1965 and the end of those licensing agreements -- Capitol was now entitled to release them in the U.S. and assembled The Early Beatles, which proclaimed: "11 of their hit 1964 recordings NOW ON CAPITOL" on the front cover, overlooking the fact that everything here was from 1963 (or, in the case of "Love Me Do" and "P.S. I Love You," from 1962), and using a group shot from 1965, which showed the four bandmembers looking surprisingly serious (especially Ringo) -- or is it just some weariness in their eyes?

There was no weariness on the record, however, which -- capturing moments from two years earlier -- encompasses 11 of the most unabashedly joyous examples of music-making that anyone had ever heard. Any similarity between The Early Beatles and Parlophone's Please Please Me album or VeeJay's Introducing...The Beatles is not only understandable but unavoidable, as all three albums were constructed from essentially the same core body of songs -- The Early Beatles, however, has only 11 tracks, while Please Please Me boasted 14 and Introducing...The Beatles had 12. What is here, however, is as beautiful as one remembers it from 1964, if you were lucky enough to be around for it, and still makes a great discovery process 45 years later, though there are differences. Instead of Please Please Me's shattering rendition of "Twist and Shout," this album finishes with "Do You Want to Know a Secret," a John Lennon-Paul McCartney song given to George Harrison to sing, on which he acquits himself in a raw, honest performance, not as smooth as the Billy J. Kramer hit rendition but more memorable in the long run, precisely for its vocal flaws. It might not be as effective a closer, but it is a finale that works, and "Twist and Shout" doesn't come off badly -- if not given maximum impact -- sandwiched between "Love Me Do" and "Anna."

Indeed, listening to this material anew as part of the 2006 Capitol Albums, Vol. 2, it becomes clear that any way one slices this material up, it works, as it represents the Beatles at a point when they not only loved the sheer act of making music, but confronted the nightly reality that they had to win over listeners each time out, or lose their livelihood. As to the "lost" tracks (two of which were missing in action in the U.S. until the 1980s), they were "I Saw Her Standing There," which had been rescued by Capitol in early 1964 for use on the U.S. album Meet the Beatles! and the B-side of "I Want to Hold Your Hand," "There's a Place," and "Misery." "There's a Place" was a jewel of a beat ballad, and "Misery" was an odd, downbeat lament with beautiful harmonies and some of George Martin's most 2prominent contribution on piano to any Beatles record. In the end, it's best to go to the U.K. version of this material, Please Please Me, but The Early Beatles is a decent substitute, this despite some excess reverb added by American compiler Dave Dexter, Jr. In fact, its most useful function, beyond just listening to it with delight, might be to pair it with Please Please Me and see the differences in how Americans and Britons discovered these songs.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a visible wrinkle (crease) in the cardboard base on the front panel,  apparently  a minor cover construction flaw.

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Cover shows some light yellowing on both sides, apparently from aging.  (nothing significant)

-        Cover has a few tiny wrinkles along the top seam  (VISIBLE ON FRONT SIDE ONLY)

-        Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-        Visible shelf wear noted on the spine and top seam

-        Minor shelf wear noted on the opening side (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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FINE (BUT IMPORTANT!) PRINT

(1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever; Thank You & Good Night!

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