THE BEATLES Help EX+ 1965 UK Parlophone PMC 1255 MONO Ticket To Ride Yesterday
$
70
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Description
Vinyl: EX+ Play Graded. Sounds Excellent! Has some marks that don't affect the sound quality. Yellow and Black Parlophone Labels are Clean and Bright. This is the reissue of the 1965 Parlophone Release in MONO! PMC 1255. Quintessential Early Beatles, at the height of Beatlemania! Beginning to show cracks in the edifice, John is showing his Bob Dylan influence, Ringo shows his fascination for Country & Western music, George is branching out as a songwriter, and Paul of course is perfecting the modern Pop Masterpiece...Allmusic gives it 5 stars! See Review Below!
In the Dead Wax: Side 1: XEX 549-3 4 WJH
Side 2: XEX 550-2 5 1 6 Cover: EX+ (see photos) Nice high gloss on cover. Front and back of cover artwork and text are rich, clear and bright. Seams and spine are solid and clean, essentially flawless. No splits. No writing. Spine print is crystal clear.
See my other listings for other Beatles & Related items. I also have a treasure trove of Beatles LPs, 45s and memorabilia yet to be listed. Let me know what you're looking for. You can also click on "Save This Seller" and you'll be among the first to be notified when I post new listings.
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping: $4 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
AllMusic Review by Stephen Thomas Erlewine [-]
Considering that Help! functions as the Beatles' fifth album and as the soundtrack to their second film -- while filming, they continued to release non-LP singles on a regular basis -- it's not entirely surprising that it still has some of the weariness of Beatles for Sale. Again, they pad the album with covers, but the Bakersfield bounce of "Act Naturally" adds new flavor (along with an ideal showcase for Ringo's amiable vocals) and "Dizzy Miss Lizzy" gives John an opportunity to flex his rock & roll muscle. Georgeis writing again and if his two contributions don't touch Lennon and McCartney's originals, they hold their own against much of their British pop peers. Since Lennon wrote a third more songs than McCartney, it's easy to forgive a pair of minor numbers ("It's Only Love," "Tell Me What You See"), especially since they're overshadowed by four great songs. His Dylan infatuation holds strong, particularly on the plaintive "You've Got to Hide Your Love Away" and the title track, where the brash arrangement disguises Lennon's desperation. Driven by an indelible 12-string guitar, "Ticket to Ride" is another masterpiece and "You're Going to Lose That Girl" is the kind of song McCartney effortlessly tosses off -- which he does with the jaunty "The Night Before" and "Another Girl," two very fine tunes that simply update his melodic signature. He did much better with "I've Just Seen a Face," an irresistible folk-rock gem, and "Yesterday," a simple, beautiful ballad whose arrangement -- an acoustic guitar supported by a string quartet -- and composition suggested much more sophisticated and adventurous musical territory, which the group immediately began exploring with Rubber Soul.
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