THE BEATLES LET IT BE ORIG'70 BLANK APPLE LABEL 45 SINGLE MISPRESSING

$

83

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·       THE BEATLES – LET IT BE c/w YOU KNOW MY NAME (LOOK UP THE NUMBER) –ORIGINAL 1970 APPLE STEREO 45 RPM  7-INCH STEREO SINGLE 2764

·       ULTRA-RARE APPLE MISPRESSING WITH "BLANK" LABEL ON SIDE B (ABSOLUTELY NO PRINT OF ANY KIND ON THE B-SIDE LABEL)

·       ORIGINAL U.S. PRESSING

·       The record has SAM FELDMAN'S  initials (SF) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       CAPITOL RECORDS' SCRANTON, PA PRESSING

·       ORIGINAL APPLE LABEL (WHOLE GREEN APPLE ON ONE SIDE, SPLIT WHITE APPLE ON THE OTHER)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       CLEAN, WEAR-FREE LABELS

·       THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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"Let It Be" is a song by the Beatles, released in March 1970 as a single, and (in an alternate mix) as the title track of their album Let It Be. At the time, it had the highest debut on the Billboard Hot 100, reaching number 6. It was written and sung by Paul McCartney. It was their final single before McCartney announced his departure from the band. Both the Let It Be album and the US single "The Long and Winding Road" were released after McCartney's announced departure from and the subsequent break-up of the group.

The alternate mix on their album "Let It Be" features an additional guitar solo and some minor differences in the orchestral sections.

McCartney said he had the idea of "Let It Be" after he had a dream about his mother during the tense period surrounding the sessions for The Beatles ("the White Album") in 1968. According to McCartney, the song's reference to "Mother Mary" was not a biblical reference. The phrase has at times been used as a reference to the Virgin Mary, the mother of Jesus Christ; in fact, the words "let it be" are a direct quote from the Prayer of the Annunciation, Mary's response to the Angel Gabriel in Luke 1.38. Nevertheless, McCartney explained that his mother – who died of cancer when he was fourteen – was the inspiration for the "Mother Mary" lyric. He later said: "It was great to visit with her again. I felt very blessed to have that dream. So that got me writing 'Let It Be'." He also said in a later interview about the dream that his mother had told him, "It will be all right, just let it be." When asked if the song referred to the Virgin Mary, McCartney has typically answered the question by assuring his fans that they can interpret the song however they would like.

The first rehearsal of "Let It Be" took place at Twickenham Film Studios on 3 January 1969, where the group had, the previous day, begun what would become the Let It Be film. During this stage of the film they were only recording on the mono decks used for syncing to the film cameras, and were not making multi-track recordings for release. A single take was recorded, with just McCartney on piano and vocals. The first attempt with the other Beatles was made on 8 January. Work continued on the song throughout the month. Multi-track recordings commenced on 23 January at Apple Studios.

The master take was recorded on 31 January 1969, as part of the "Apple studio performance" for the project. McCartney played Blüthner piano, Lennon played six-string electric bass, George Harrison and Ringo Starr assumed their conventional roles, on guitar and drums respectively, and Billy Preston contributed on organ. This was one of two performances of "Let It Be" that day. The first version, designated take 27-A, would serve as the basis for all officially released versions of the song. The other version, take 27-B, was performed as part of the "live studio performance", along with "Two of Us" and "The Long and Winding Road". This performance, in which Lennon and Harrison harmonised with McCartney's lead vocal and Harrison contributed a subdued guitar solo, can be seen in the film Let It Be.

The film performance of "Let It Be" has never been officially released as an audio recording. The lyrics in the two versions differ a little in the last verse. The studio version has mother Mary comes to me … there will be an answer, whereas the film version has mother Mary comes to me … there will be no sorrow. In addition, McCartney's vocal performance is noticeably different in both versions: in the film version, it sounds a rough in certain moments since he is not using anti-pop on his mic; there are also a couple of falsetto vocals performed by him (extending the vocal 'e' on the word 'be'), for instance in the 'let it be' line that precedes the second chorus. Finally, the instrumental progression featured on the middle of the song after the second chorus (that descends from F to C), which is played twice on all released studio versions, is played (or at least is shown being played) only once in the film.

On 30 April 1969, Harrison overdubbed a new guitar solo on the best take from 31 January. He overdubbed another solo on 4 January 1970. The first overdub solo was used for the original single release, and the second overdub solo was used for the original album release. Some fans mistakenly believe that there were two versions of the basic track – based mostly on the different guitar solos, but also on other differences in overdubs and mixes

The single used the same cover photographs as the Let It Be album, and was originally released on 6 March 1970, backed by "You Know My Name (Look Up the Number)", with a production credit for George Martin. This version includes orchestration and backing vocals overdubbed on 4 January 1970, under the supervision of Martin and McCartney, with backing vocals that included the only known contribution by Linda McCartney to a Beatles song. It was during this same session that Harrison recorded the second overdubbed guitar solo. The intention at one point was to have the two overdub solos playing together. This idea was dropped for the final mix of the single, and only the 30 April solo was used, although the 4 January overdub can be heard faintly during the final verse. Martin mixed the orchestration very low in this version.

On 26 March 1970, Phil Spector remixed the song for the Let It Be album. This version features the "more stinging" 4 January 1970 guitar solo, no backing vocals (except during the first chorus), a delay effect on Starr's hi-hat, and more prominent orchestration. The final chorus has three "let it be …" lines, as the "there will be an answer" line is repeated twice (instead of once as on the single) before the "whisper words of wisdom" line to close the song. On the album, as the preceding track "Dig It" ends, Lennon is heard saying in a falsetto voice, mimicking Gracie Fields: "That was 'Can You Dig It' by Georgie Wood, and now we'd like to do 'Hark, the Angels Come'." Allen Klein brought in Spector to mix the album without telling McCartney or asking for his agreement, because McCartney had not signed Klein's management contract.

In 2010, Rolling Stone magazine placed "Let It Be" at number 8 on the Beatles' 100 Greatest Songs. Mojo magazine ranked it at number 50 in a similar list, compiled in 2006. AllMusic said it was one of "the Beatles' most popular and finest ballads". Ian MacDonald disagreed, writing that the song "achieved a popularity well out of proportion to its artistic weight" and that it was "'Hey Jude', without the musical and emotional release". Former Creem critic Richard Riegel included it on his 1996 list of the ten most overrated Beatles tracks, saying that, like Simon & Garfunkel's "Bridge over Troubled Water", the song "cater[ed] to the lowest-common-denominator emotional stasis of its listeners. 'Let It Be' left the Beatles no artistic choice but dissolution."

As MacDonald explained, Lennon was wrong about "Bridge over Troubled Water" being McCartney's inspiration. Although Simon & Garfunkel's ballad charted just ahead of "Let It Be", the latter was recorded approximately six months before "Bridge over Troubled Water" was written and a full year before Paul Simon's song was released.

"Let It Be" holds the top spot on "The Fans' Top 10" poll included in The 100 Best Beatles Songs: An Informed Fan's Guide by Stephen J. Spignesi and Michael Lewis. The song is ranked third on the 100 Best Beatles Songs list, behind "A Day in the Life" and "Strawberry Fields Forever".

 (WIKIPEDIA)

For additional historical information on this album, including track listing ►CLICK HERE

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·       CONDITION:

·       45-RPM SINGLE RECORD:

(IMPORTANT NOTE: unless otherwise noted below, ALL records are graded visually, and NOT play-graded!; we  grade records under the normal room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       SLEEVE : The record comes without picture sleeve, and will be shipped in a plain, white, generic white poly-lined protective 45-single sleeve

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