THE BEATLES LOVE ME DO FACTORY SAMPLE RED PARLOPHONE

	£		140
	$		186

THE BEATLES

LOVE ME DO / P.S. I LOVE YOU FACTORY SAMPLE 45

PARLOPHONE 1962 MONO 45-R 4949

SLEEVE.... the original candy striped company sleeve is in excellent condition

VINYL... the vinyl is in excellent++++ /as near as mint condition with jet black mirror surfaces

LABELS.... both labels are in excellent++ + / as near as mint condition with factory sample sticker on A. side

MATRIX NUMBERS .... 7XCE 17144-1N   7XCE 17145-1N

"Love Me Do" is an early Lennon/McCartney song, principally written by Paul McCartney in 1958–59 while playing truant from school.[1] John Lennon wrote the middle eight.[2][3][4] The song was The Beatles' first single, backed by "P.S. I Love You" and released on 5 October 1962. When the single was originally released in the UK, it peaked at number seventeen; in 1982 it was re-issued and reached number four. In the U.S. the single was a number one hit in 1964.

"Love Me Do" begins with bluesy harmonica played by John Lennon, then features Lennon and McCartney on joint lead vocals. McCartney sings the solo vocal line on the song's title phrase and also its middle eight. Lennon had previously sung the title sections, but this change in arrangement was made in the studio under the direction of producer George Martin when the harmonica part was introduced, as Lennon then needed to resume playing it on the same beat as the "do" of "love me do".[5] This is illustrative of the live characteristics of this particular session - as, when a similar situation later occurred on the “Please Please Me” single session, the harmonica was superimposed afterwards using tape-to-tape overdubbing

 Recording

"Love Me Do" was recorded by The Beatles on different occasions with three different drummers:

• The Beatles first recorded it on 6 June 1962 with Pete Best on drums, as part of their EMI audition at Abbey Road Studios in London.
• By 4 September, Best had been replaced with Ringo Starr (producer George Martin did not approve of Best's drumming), and on that day The Beatles with Starr recorded a version again at Abbey Road Studios.
• One week later, on 11 September, The Beatles returned to the same studio to discover that Martin was dissatisfied with Starr's drumming, and they made a recording of "Love Me Do" with session drummer Andy White on drums while Starr played tambourine. As the tambourine was not included on the 4 September recording, this is the easiest way to distinguish between the Starr and White recordings.

First issues of the single, however, did feature the Ringo Starr version, which was also included much later on the compilation albums Rarities and Past Masters, Volume One. The Andy White version of the track was included on The Beatles' debut UK album, Please Please Me, The Beatles' Hits EP, and all subsequent album releases on which "Love Me Do" was included. For the 1976 single re-issue and the 1982 "20th Anniversary" re-issue, the Andy White version was used. The CD single issued on 5 October 1992 contains both versions. The Pete Best version remained unreleased until 1995, when it was included on the Anthology 1 album.

"Love Me Do", featuring Starr drumming, was also recorded eight times at the BBC and played on the BBC radio programmes Here We Go, Talent Spot, Saturday Club, Side By Side, Pop Go The Beatles and Easy Beat between October 1962 and October 1963. The version of "Love Me Do" recorded on 10 July 1963 at the BBC and broadcast on the 23 July 1963 Pop Go The Beatles programme can be heard on The Beatles album Live at the BBC. The Beatles also performed the song live on the 20 February 1963 Parade of the Pops BBC radio broadcast.

In 1969, during the Get Back sessions, The Beatles played the song in a slower, more bluesy form than they had in earlier recordings. This version of "Love Me Do" is one of many recordings made during these sessions and subsequently appeared on some bootlegs. The song featured no harmonica by Lennon, and McCartney sang the majority of the song in the same vocal style he used for "Lady Madonna".

 Background information

On 4 September 1962, Brian Epstein paid for the group to fly down from Liverpool to London.[7] They arrived at Abbey Road Studios in the early afternoon, where they set up their equipment in Studio 3[8] and began rehearsing "Please Please Me", "Love Me Do" and a song originally composed for Adam Faith by Mitch Murray called "How Do You Do It?" that George Martin expected would be their first single.[9] To a large extent, George Martin had decided to sign The Beatles on the strength of their individual qualities: "It wasn't a question of what they could do [as] they hadn't written anything great at that time."[10] "But what impressed me most was their personalities. Sparks flew off them when you talked to them".[11] The Beatles were keen to record their own material, but Martin felt that unless they could write something as commercial as "How Do You Do It?" then the Tin Pan Alley practice of having the group record songs by professional songwriters (which was the custom at the time) would be employed.[8] During the course of an evening session (7pm to 10pm in Studio 2) they recorded "How Do You Do It" and "Love Me Do". An attempt at "Please Please Me" was made, but at this stage it was quite different to its eventual treatment, and it was dropped by Martin. This was a disappointment for the group as they had hoped it would be the B-side to "Love Me Do".[12]

It was on the 4 September session that, according to McCartney, Martin suggested using a harmonica, presumably replacing a guitar phrase.[3] However, Martin's own recollection of this is different, saying: "I picked up on 'Love Me Do' because of the harmonica sound", adding: "I loved wailing harmonica - it reminded me of the records I used to issue of Sonny Terry and Brownie McGhee. I felt it had a definite appeal."[13] John Lennon had learned to play a chromatic harmonica that his Uncle George (late husband of Aunt Mimi) had given to him as a child. But the instrument being used at this time was one stolen by Lennon from a music shop in Arnhem, the Netherlands, in 1960, as The Beatles first journeyed to Hamburg by road.[14][13][15] Lennon would have had this with him at the EMI audition as Bruce Channel's "Hey Baby", a hit in the UK in March 1962 with its harmonica intro, was one of the 33 songs The Beatles had prepared. Brian Epstein had in fact booked American Bruce Channel to top a NEMS Enterprises promotion at New Brighton's Tower Ballroom on 21 June 1962, just a few weeks after "Hey Baby" had charted, with The Beatles a prestigious second on the bill. Lennon was particularly impressed with Channel's harmonica player, Delbert McClinton[16] and approached him later for advice on how to play the instrument.[1] The harmonica was to become a feature of the Beatles' early records such as "Love Me Do", "Please Please Me" and “From Me To You”. Brian Jones of The Rolling Stones asked Lennon in March of 1963 if Lennon was using a blues harp on "Love Me Do". Lennon replied "A harmonica...y'know, with a button!" and told Jones he used a chromatic.

George Martin came very close to issuing "How Do You Do It?" as The Beatles first single before deciding on "Love Me Do", as a mastered version was made ready for release, and which still exists to this day.[6] "I looked very hard at 'How Do You Do It?”, but in the end I went with 'Love Me Do', it was quite a good record” he would later say.[8] McCartney: “We knew that the peer pressure back in Liverpool would not allow us to do 'How Do You Do It?'”.[17]

Martin then decided that as "Love Me Do" was going to be the group's debut single, it needed to be re-recorded as he was unhappy with the original drum sound[6] and Abbey Road’s Ken Townsend recalls McCartney being dissatisfied with Starr’s timing.[5] Producers at that time were used to hearing the bass drum "lock in" with the bass guitar as opposed to the much looser R & B feel that was just beginning to emerge, and so professional show band drummers were often used for recordings. Ron Richards, in charge for the 11 September re-recording session, booked Andy White, whom he had used in the past. Whether this solved the problem is unclear though as session engineer Norman Smith was to comment: “It was a real headache trying to get a [good] drum sound, and when you listen to the record now you can hardly hear the drums at all”.[18] George Martin has since said that he never intended to offend either Best or Starr by employing a session drummer.[19]

"P.S. I Love You" was recorded first; initially it was a contender for the A-side but was ruled out as there was another song with the same title by Peggy Lee.[20] On this Starr was asked to play the maracas. "Love Me Do" was then recorded with White playing drums and Starr on tambourine. However, early pressings of the single are the 4 September version—minus tambourine—with Starr playing drums. But later pressings of the single, and the version used for the "Please Please Me" album, are the 11 September re-record with Andy White on drums and Starr on tambourine. This difference has become fundamental in telling the two recordings of "Love Me Do" apart. Regarding the editing sessions that then followed all these various takes, Ron Richards remembers the whole thing being a bit fraught, saying: “Quite honestly, by the time it came out I was pretty sick of it. I didn’t think it would do anything”.[21]

• In his bestselling 2006 biography of the group, The Beatles: The Biography (ISBN 0316013315), Bob Spitz rehashed an old story that manager Brian Epstein tried to help make Love Me Do a hit in England by buying 10,000 copies of the single for his Liverpool record store. This story had been told previously in several other Beatles-related books, but has never been verified.
• There are only two Lennon & McCartney songs that John Lennon's estate and Paul McCartney wholly own: "Love Me Do" and "P.S. I Love You". This is because until Dick James had set up their own publishing company, Northern Songs, EMI had placed The Beatles' first two (released) recordings with their own in-house publishers Ardmore and Beechwood.[22] Brian Epstein however, was dissatisfied with the lack of promotion EMI gave the single, and through George Martin (who later declined an offer by Brian Epstein on ethical grounds of a percentage of Northern Songs)[23] was introduced to ex-singer Dick James, whom Martin had once produced. Later, Lennon and McCartney were able to buy back ownership of these two titles which have always remained separate from Lennon & McCartney's main catalogue of material.

• #1 on US charts (30 May 1964), Top 100 for 14 weeks.

 my records are condition graded visually in accordance with Record Collector's Grading System as follows:

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