THE BEATLES Revolver MFSL 1-107 Mobile Fidelity HALF SPEED MASTERED All Analog
$
81
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Description
THE BEATLES Revolver MFSL 1-107 Mobile Fidelity HALF SPEED MASTERED All Analog (Half-Speed Mastered by Stan Ricker and pressed in Japan on High Definition Super Vinyl) (Disc 7 from the The Beatles MFSL Box Set)
A1 Taxman Written-By – Harrison* 2:39 A2 Eleanor Rigby Written-By – Lennon-McCartney 2:08 A3 I'm Only Sleeping Written-By – Lennon-McCartney 3:02 A4 Love You To Written-By – Harrison* 3:01 A5 Here, There And Everywhere Written-By – Lennon-McCartney 2:26 A6 Yellow Submarine Written-By – Lennon-McCartney 2:40 A7 She Said She Said Written-By – Lennon-McCartney 2:37 B1 Good Day Sunshine Written-By – Lennon-McCartney 2:10 B2 And Your Bird Can Sing Written-By – Lennon-McCartney 2:02 B3 For No One Written-By – Lennon-McCartney 2:01 B4 Dr. Robert Written-By – Lennon-McCartney 2:15 B5 I Want To Tell You Written-By – Harrison* 2:30 B6 Got To Get You Into My Life Written-By – Lennon-McCartney 2:31 B7 Tomorrow Never Knows Written-By – Lennon-McCartney 2:57
*(all photos are of the actual item)
Note: This lp was purchased individually and was originally from the box set. The Beatles: The Collection was a vinyl box set of every Beatles album remastered at half speed from the original stereo master recordings, except for Magical Mystery Tour which was mastered from Capitol Records' submasters with the last three tracks in rechanneled stereo.[1] Each album was pressed on virgin vinyl by the Victor Company of Japan ensuring the best sound quality possible. The album covers were replaced with photographs of tape boxes and log sheet. The original album covers were included in a booklet which also featured a certificate of authenticity as this was a limited edition collection. Missing from this collection was all of the Beatles' singles that did not appear on their original UK albums.Released with much anticipation in early October 1982, The Collection was lauded by critics and fans worldwide for the superb sound, and sold-out completely within the first year. MFSL repressed a second run of the Beatles Box Set for a total production run of 25,000 over the next two years or until October 1985. Review by Stephen Thomas Erlewine
All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops.McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.
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