THE BEATLES Yellow Submarine SCARCER Orig UK 69 EX++ LP
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Description
ONEADAYRECORDS – Delivering Quality Music to the World
Please see my Detailed Packing Description Further Down & All Shipping Rates.
Artist or Band: THE BEATLES
Album Title: Yellow Submarine.
Producer(s): George Martin.
TRACK LIST:
Side 1: Yellow Submarine; Only a Northern Song; All Together Now; Hey Bulldog; It’s All Too Much; All You Need is Love.
Side 2: Pepperland; Sea of Time; Sea of Holes; Sea of Monsters; March of The Meanies; Pepperland Laid Waste; Yellow Submarine in Pepperland.
Label/Format: Apple – the ‘first’ pressed dark format (Please see my label scans).
Label Conditions: Both look fantastic: very clean, fresh and attractive with only very light and faint spindle marks. This very early stereo pressing has clearly been little played, reitterated by stunning sound quality.
Cat Number: PCS 7070.
Mode / Speed: Stereo / 33.3 rpm.
Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.
Weight of this Record: 130 grams. At or around average for this one.
Country of Manufacture: England.
Rarity: As I always state, few standard UK issued Beatles are rare with the exceptions of the early stereos and to a lesser degree, the late monos. The mono copy of this album is scarcer than the stereo but is not a real mono recording, but a ‘mixdown’ of the stereo issue, so the sound and details are pretty much the same but just presented in a different way. Conditions and the earlier pressings are a major factor for the very popular album’s ‘rarity’. Most are seen played into oblivion with very tatty covers and badly scratched records. No band on earth were more popular or sold more than The Beatles so when ultra clean, lightly played records show they are to be cherished and indeed are considerably harder to find.
Original Year of Release: 1969
Matrix Nos: YEX 715-1 / YEX 716-1
Stamper Codes: 1 M / 1 R (a very early pressing indeed)
Brief Info: The movie was animated and very psychedelic – the album features wonderful Beatles songs on side one – side two is the original film score which was composed and orchestrated by George Martin, this side I feel so vastly under-appreciated. The six Beatles songs are superb, all will know the title song of course. I have heard several copies of this one where the pressing quality is somewhat variable especially on the orchestrated side, often as later pressings but this incredible original stereo copy does full justice to this famous work. The cover has the correct PCS 7070 number and those two red bands on the back which were soon dropped. A very fine all-round copy with a modestly aged cover and an ultra clean, superb sounding record. The immensely fragile black unlined inner is fully intact but has corner creases. The truth is, many deliberately folded in the corners to a) stop the record falling out accidentally and b) to try to stop dust creeping inside the cover on to the record. A member distinct in the past, many shop sellers used to fold in the corners too so this is hardly unusual. So not a pristine copy for the connoisseur Beatles collector, but a mighty fine one that most collectors will enjoy.
Cover Grade and Format: A very strong and attractive Excellent cover. A single format with front laminate that wraps around the closed edges on to three rear external flipbacks. Printed and made in England by Garrod & Lofthouse, it has the noteworthy red lines on the back.
Lamination & Front: Lovely psychedelic cartoon artwork that most-all will be more than familiar with. The laminate retains a very fine shine and clarity with any marks few and minor. All is solidly adhered with no lifting of blistering and any friction rubs or dulling is modestly light and faint. Under light, the record’s rim outline is seen and few avoid that at least. There are several edge hairline creases but any away from the sides are few and very light indeed and little spoils the appearance of the famous Beatles album cover.
Cover Back: The back as aged very modestly and many would feel just-right for a 42-year-old cover. The main unprotected back panel is still a strong shade of white with any darkening or grubbiness very light indeed, mild traces, as per usual near the left opening edge. This panel has no creasing or ringwear or any real rubbing and does look attractive. The three flipbacks are solid and only lightly darkened with age, the ends are near burr and grime-line free with just minor surface scuffs to the top one’s edge near the centre, this being only modest but represents the only small issue as such.
Top Edge: Unworn.
Bottom Edge: Unworn up to the very tips that have small surface rubs.
Right Edge(s), and Type: Clean, sharp with little wear and no feathering or trimming. Record enters on this edge.
Spine and Text: Solid, quite straight with any compressions mild and very few, all text is perfect and unworn under the solid and unpeeled laminate. One fine hairline crease only just right of centre and missing the text entirely.
Corners: Three of the four are in superb condition with little to fault. The fourth being the bottom right that has a small tip chip or rub. Fine to excellent shape is retained.
Cover Summary: Not pristine but how many offered ever are?, with just a few clues to it’s immense (and popularity), this very early ‘Yellow Submarine’ cover sets a very high standard and should please many, if not most collectors (but not quite the perfectionists).
The Inner: An immensely fragile soft paper inner that was massively prone to tearing and wooliness. This was not lined and is rarely seen devoid of major edge splits and a tatty window. This is made with very soft, matt paper, the same type found in the ‘White Album’ and some other Apple albums so beware of similiar black inners being substituted. Unusually, this is fully intact and has a neat window, just the one on this design. In terms of wear, this is worthy of a near excellent grading, but the corners have been folded as explained further up. Finding this inner with no creasing is a near impossible task and knowing how to mark-down one that has some is almost folly. Just nice to see this is not falling apart and remains untorn or split, I consider that a major bonus initself.
Vinyl Condition/Visual Grading: Side One probably undergraded at EX+ and Side Two EX++ and as often little played. A superb visual copy that is very clean, shiny, intense black and quite heavily pressed with any visual blemishes being few and mostly very faint with no effect on sound. Just one exception, a modest paper type scuff on side one can be seen without having to tilt to light to any degree, but this too is purely superficial and has no sound. In Beatles’ terms, this is very lightly played on all the evidence and almost certainly the cleanest, least played stereo original copy of this album I have ever had and a very early-pressed one too, confirmed by all the matrix details above. Visually a super record that should please many, if not most realistic collectors.
Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]
Sound Quality and Audio Grading: This scarcer early-pressed stereo record plays even above it’s high visual grading with practically nothing to fault of any real note. Even though side two – the orchestral side – looks hardly played, that never means perfect sound, far from it. I have heard several of those that disappoint badly, often with surface noise and crackle and I truly consider this one of the hardest Beatles titles to find that offers top audio quality. Complex orchestral music and the associated jagged and finer grooves, are even more intolerant of heavy stylus abuse from early equipment, hence just one or two plays can almost make them sound unlistenable. Only a full-play grade will confirm fine sound, guess-work offers nothing, groovewear and distortion is the hidden peril of the grammophone record. This early cut copy has strong, distortion-free sound, all frequencies are sharp and clear - sound quality is astonishing with a wide dynamic range and very detailed sound. Side two is fragile: just think of those super-heavyweight old thick needles dragging themselves across this fragile recording. The details and dynamics of the earliest pressings will amaze anyone who has yet to experience it - still the choice of so many Beatles fans. As a note: this was the last Fab Four album issued on the mono channel format but was NOT a true mono cut but a mix-down from the stereo. Any surface sounds on this copy are minimal indeed and silence on the ultra quiet orchestral side is nearly impossible to achieve but this is as good as it can almost get I feel. Few copies will match or outperform this very pressing significantly I feel certain, and that’s in mono or stereo, both are delicate. The ‘Beatles’ side plays with stunning clean sound and was a real joy. Both channels are clean and sharp, I am certain this record has been played very lightly and has been clearly carefully handled for it’s 40+ years. Nothing of any note spoilt my pleasure when play-grading this wonderful record. This copy will prove difficult to find significantly better and can be strongly recommended to most collectors.
Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with QED Silver terminated cable). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.
First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.
PACKING - THIS IS WHAT YOU GET - PLEASE SEE MY TYPICAL PACKING BOX PICTURE.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional thick boxes (NOT Mailers or Cruciforms, these do not offer maximum protection). The record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with THREE or EVEN FOUR ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. The thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. Please see my picture of a typical finished box packet that will now be used on ALL transactions as from now. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. These boxes and ultra thick double-wall stiffners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand based on over 6,000+ items sold in over 8 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffners cannot be bent by hand, so what chance 3 or 4 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FOUR records per box (one double can sometimes be included subject to total weight). I will not respond to questions on shipping costs as all the details are included here and on ALL of my adverts. Details below:
NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.
Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £2 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£40 maximum]) = £9. (insurance optional extra £3). Add £2.50 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£39 maximum]) = £13. Add £4 per extra LP. (insurance optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.
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