THE BEATLES-WHITE ALBUM-1STPRESS STEREO LOW NUMBER 1968
£
68
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89
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Description
THE BEATLES-THE BEATLES TYPE DOUBLE LP-STEREO LABEL APPLE 1ST PRESS WITH DARK LABELS and "Sold in UK" LABEL TEXT CAT NO PMC 7067/8 YEAR 1968 COUNTRY OF ORIGIN UK SLEEVE LAMINATED GATEFOLD TOP OPENING NUMBER 0033128 INSERTS/EXTRAS ORIGINAL BLACK INNERS Suppose I should write a few words about this one as it is one THE albums.Well its a 1st issue white album with quite a low number 0033128,which does put it in the quite low bracket,The surfaces of Disc 1 are quite clean with only lightish playwear and non play marks with Clean labels,Disc 2 is very clean indeed with only very light playwear and has clean labels apart from a small initial on label 4.The inner sleeves are complete although 1 has a couple of repairs around the centre,The sleeve is nice and clean with no rips or tears writing stickers or remains with clean inner boards and spine and just light wear to te top openings and a little light marking,the photos are more or less as new and the poster is complete with a small taped repair one seam. GRADING DISC(s) DISC 1 EX & DISC 2 EX+ LABELS DISC 1 EX+ & DISC 2 EX SLEEVE EXCELLENT+ INNERS/EXTRAS PHOTOS EX++ POSTER EX INNERS 1 EX 2 VG All of our records are subject to close scrutiny before listing, and to ensure that we are accurate with our interpretation are carefully examined under a strong viewing light and played on a high end deck - We will never list a record that jumps,sticks,or is subject to so much background noise that the listening pleasure is radically impaired.We use the grading denominations as laid down in the Rare Record Collectors Guide,but with our own revisions as laid out below.
PLAYING
SURFACE
MINT The record itself is obvious by its look and feel that it has never been removed from its inner sleeve,and typified by the very action of removal from a lined sleeve,where it has a very light friction against the poly,and a sheen across the playing surface that hasn't been dulled by the passage of a stylus,and requires no effort to remove any traces of foreign matter in the grooves,other than a cursory wipe with a soft cloth,and with a sound reproduction that you would expect from a piece of unplayed vinyl. MINT- Again a record that has been bought and stored away,but has been removed from its sleeves,either by the owner or more often some clumsy potential second user,and has some,but not many hairline marks across the playing surface due to the action of removal and insertion,these would not be noticeable unless viewed by rotation under a viewing lamp,and definitely have no effect on the reproductive quality. EXCELLENT++ A record that has endured only the lightest of playtime,say maybe only once or twice,and is perhaps only distinguishable by a spindlemark on the label or the presence of 1 hairline playmark. EXCELLENT+ The majority of records that we sell fall into this category-the RRC defines EXCELLENT as:"The record shows some signs of having been played,but there is very little lessening in sound quality", but to take this a step further,there are a multitude of records that are far better than this and deserve a higher status. These are the records that you would feel more than comfortable in receiving,they have very light playwear and no abuse marks such as needle skating,edge scuffing,or feelable scratches,and the audio quality will be as such that any previous play will be completely inaudible. EXCELLENT As defined above-these are records that "show some signs" of being played,and by some signs we interpret ,lightish hairline markings (papercuts)that are the result of multiple removals from the sleeve,occasional visual playmarks and very light scuffing that cant be heard during playtime,and the record has the overall feel of one that has been popular but cared for. VERY GOOD/VERY GOOD+/VERY GOOD++/VERY GOOD+++ The definition of VG is of record that has been played many times but shows no "major deterioration" despite "noticeable" surface marks and scratches.We don't care for this sort of product and don't stock them,and are of the opinion that it doesn't really matter how many +++'s you suffix the grading with its still a VG (very good) LABELS MINT We are great believers in the fact that labels will tell you more about the life of a record than anything else,apart from playing it of course,the number and voracity of spindlemarks,the usage wear around the hole any tears stickers writing,attempts to remove or fill in blemishes all point to the previous care of the record itself,and we always detail pictorially and grade them accordingly .A MINT label is just that a perfectly clean and free from any signs that the disc has ever been near a turntable,and only used in conjunction with MINT or NEAR MINT vinyl gradings. MINT- Both labels are perfectly clean but there will be a hint of spindlemarking ,say one or two dectectable mark on 1 label EXCELLENT+ Again perfectly clean but with very light but noticeable spindlemarks that are the result of light but inaccurate placement on the turntable. EXCELLENT In keeping with grading system as a whole an EXCELLENT label grading is given to a record with clean and unmarked labels that have born the brunt of moderate play but have suffered in as much that the "player" has neglected to line the record accurately which has resulted in noticeable spindlemarkings, with the occasional wayward or spidery effect,dark rooms and alcohol can exacerbate this. EXCELLENT- Any label that has "neat" user embellishment -a small biro name ,initials or an unobtrusive sticker,obviously we will show this pictorially. VERY GOOD/+ it is rare that we offer for sale any record where the labels have been so defaced that cosmetically the record is unpleasing to the eye,this means major tearing due to amateur sticker removal,large scale writing, using felt tip pens or the like,this can apply to any grading of vinyl! -in a nutshell if we feel that it is ugly then we don't buy it. SLEEVE MINT The soul of any vinyl album is its sleeve,it is the thing that always stands it apart from other formats,a huge part of the pleasure in owning a vinyl album is holding it in your hands,and we try very hard to bring that experience to life,we do not entertain the notion that it is "just something to put the record in "but something to cherish. A MINT sleeve is something that we do not believe in,you wouldn't even get one straight from the shop,they have always picked up even the slightest of knocks to the corners or a hint of a crease here or there,so you will never see a mint grading for one of our sleeves. MINT- These are a reality ,but only very occasionally,and only where the initial purchaser has had so much pride in their collection that it has immediately been stored in a poly outer sleeve,and kept upright in an environment that has allowed to remain free from crushing,and external forces,sleeves of this calibre are perfectly clean with uncrushed spines no creasing and no wear to any edges,and not not even a hint of ringwear. EXCELLENT++ A high quality of storage ,again in a protective sleeve,with no visible defects,but perhaps a very light wear to the opening or corner buffing,or a hint of ringwear etc,an exceptional sleeve but not quite NM EXCELLENT+ Again as with vinyl grading,the majority of our sales fall into this category.Its clean and unmarked with no user markings,straight edges,and an uncrushed spine with clear lettering,there is light wear to the opening and only very light or no ringwear. EXCELLENT A perfectly serviceable and clean ,but with a noticeable defect,such as excessive colour loss to the top or bottom edge due to storage and handling movement,some occasional light markings on the board,or a very light sticker removal mark. EXCELLENT- A sleeve that whilst being of good quality is marred by some significant event- biro name ,sticker markings,less than perfect edges or spine,and just a general sadness and careworn demeanour.As always we show multiple pictures,and will always note major defects in the grading section above. VERY GOOD/ETC There are occasions where we feel that record is of sufficiently high quality or scarcity that it is of interest even with major defects,board tearing,significant writing and or a grubby disposition,on the occasions we do list with a low grading and display the faults. INSERTS The problem with a major part of lyric/picture inners is that are made of such light paper that they split very easily and are effectively rendered useless.We try very hard to limit this and do not normally stock any records with split,excessively creased or damaged inner sleeves or inserts.The exception that we make are to small worn portions which we will either repair or reinforce with a neat taped repair.Any defects that are not visible in our pictures will be noted in the grading above. DETAILSEach song on the sprawling double album The Beatles is an entity to itself, as the band touches on anything and everything it can. This makes for a frustratingly scattershot record or a singularly gripping musical experience, depending on your view, but what makes the so-called White Album interesting is its mess. Never before had a rock record been so self-reflective, or so ironic; the Beach Boys send-up "Back in the U.S.S.R." and the British blooze parody "Yer Blues" are delivered straight-faced, so it's never clear if these are affectionate tributes or wicked satires. Lennon turns in two of his best ballads with "Dear Prudence" and "Julia"; scours the Abbey Road vaults for the musique concrète collage "Revolution 9"; pours on the schmaltz for Ringo's closing number, "Good Night"; celebrates the Beatles cult with "Glass Onion"; and, with "Cry Baby Cry," rivals Syd Barrett. McCartney doesn't reach quite as far, yet his songs are stunning — the music hall romp "Honey Pie," the mock country of "Rocky Raccoon," the ska-inflected "Ob-La-Di, Ob-La-Da," and the proto-metal roar of "Helter Skelter." Clearly, the Beatles' two main songwriting forces were no longer on the same page, but neither were George and Ringo. Harrison still had just two songs per LP, but it's clear from "While My Guitar Gently Weeps," the canned soul of "Savoy Truffle," the haunting "Long, Long, Long," and even the silly "Piggies" that he had developed into a songwriter who deserved wider exposure. And Ringo turns in a delight with his first original, the lumbering country-carnival stomp "Don't Pass Me By." None of it sounds like it was meant to share album space together, but somehow The Beatles creates its own style and sound through its mess.
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