THE BEATLES-YELLOW SUBMARINE-APPLE MONO PMC.7070 1969 -RED LINES 1G/1G STAMPERS
  £   238
  $   315

 


£ 238 Sold For
Jul 31, 2016 Sold Date
Jul 26, 2016 Start Date
£   5 Start price
22   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

THE BEATLES-YELLOW SUBMARINE TYPE SINGLE LP-MONO LABEL/PRESSING INFO

APPLE 1ST PRESS WITH DARKER LABELS with "Sold in U.K." LABEL TEXT - MATRIX NUMBERS XEX 715-1 & XEX 716-1 and STAMPERS 1G/1G

CATALOGUE NUMBER PMC 7070 YEAR OF RELEASE 1969 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE -GARROD & LOFTHOUSE LAMINATED FLIPBACK WITH 2 RED LINES ABOVE AND BELOW NOTES ON REAR INSERTS/EXTRAS ORIGINAL APPLE DIECUT BLACK HEAVY PAPER INNER   GRADING/CONDITION DISC(s)

EXCELLENT (CLEAN RECORD with LIGHT playwear and just LIGHT surface handling/storage marks -Plays well throughout with a good MONO reproduction

LABELS

EXCELLENT ( CLEAN LABELS with - NO writing rips tears stickers or removal marks with SOME LIGHT spindleusage , and VERY LIGHT handling storage and ageing marks).

SLEEVE

 

Front board.Inner gatefold EX-

Clean sleeve with NO writing rips or tears stickers or removal marks. The front laminate is bright and shiny with just light rubbing and pressure wear with some light creasing bottom right corner, and edge cracking

Rear Board EX- Rear white card free from writing stickers etc, the board is clean with a bit of light handlng grubbiness mainly around the opening Flipbacks EX Flipbacks are complete and stuckfast with a few laminate cracks Spine EX- Spine is mostly complete with a small patch of wear in the centre which has removed the "ellow su" of the lettering Top & bottom edges EX- Top and bottom edges have a bit of storage wear Opening EX- Opening has some noticable handling wear to the rear. Corners VG+ 3 corners have light wear, bottom of the opening has heavier wear with rounding and bare card   INNER /EXTRAS

APPLE INNER: EX (Nice clean sleeve with NO rip tears edge splits or repairs wear around the diecut and just light storage and handling)

  DETAILS

The only Beatles album that could really be classified as inessential, mostly because it wasn't really a proper album at all, but a soundtrack that only utilized four new Beatles songs. (The rest of the album was filled out with "Yellow Submarine," "All You Need Is Love," and a George Martin score.)

What's more, two of the four new tracks were little more than pleasant throwaways that had been recorded during 1967 and early 1968. These aren't all that bad; "All Together Now" is a cute, kiddie-ish McCartney singalong, while "Hey Bulldog" has some mild Lennon nastiness and a great beat and central piano riff, with some fine playing all around -- each is memorable in its way, and the inclusion of the Lennon song here was all the more important, as the sequence from the movie in which it was used was deleted from the original U.S. release of the movie (which had no success whatever in the U.K. and quickly disappeared, thus making the U.S. version the established cut of the film for decades.

George Harrison's two contributions were the more striking of the new entries -- "Only a Northern Song" was a leftover from the Sgt. Pepper's sessions, generated from a period in which the guitarist became increasingly fascinated with keyboards, especially the organ and the Mellotron (and, later, the synthesizer). It's an odd piece of psychedelic ersatz, mixing trippiness and some personal comments. Its lyrics (and title) on the one hand express the guitarist/singer/composer's displeasure at being tied in his publishing to Northern Songs, a company in which John Lennon and Paul McCartney were the majority shareholders; and, on the other, they present Harrison's vision of how music and recording sounded, from the inside-out and the outside-in, during the psychedelic era -- the song thus provided a rare glimpse inside the doors of perception of being a Beatle (or, at least, one aspect of being this particular Beatle) circa 1967.

And then there was the jewel of the new songs, "It's All Too Much." Coming from the second half of 1967, the song -- resplendent in swirling Mellotron, larger-than-life percussion, and tidal waves of feedback guitar -- was a virtuoso excursion into otherwise hazy psychedelia, and was actually superior in some respects to "Blue Jay Way," Harrison's songwriting contribution to The Magical Mystery Tour; the song also later rated a dazzling cover by Steve Hillage in the middle of the following decade. The very fact that George Harrison was afforded two song slots and a relatively uncompetitive canvas for his music shows how little the project meant to Lennon and McCartney -- as did the cutting of the "Hey Bulldog" sequence from the movie, apparently with no resistance from Lennon, who had other, more important artistic fish to fry in 1968.

Postal Shipping & Handling charges Region SINGLE ITEM EXTRAS UK (2ND CLASS) FOR A SINGLE LP/12" SINGLE £3.30 1 EXTRA SINGLE LP FREE - 3 TO 4 SINGLE LP'S ANOTHER £3.00 - 5 UPWARDS PLEASE ASK AS ITS GETTING COMPLICATED. Europe FOR 1 SINGLE LP £7.50 FOR 1 EXTRA SINGLE LP - £1.50 , 3 ITEMS & ABOVE PLEASE EMAIL FOR A POSTAGE PRICE USA Canada and Japan FOR 1 SINGLE LP £11.00 FOR 1 EXTRA SINGLE LP - £2.50, 3 ITEMS & ABOVE PLEASE EMAIL FOR A POSTAGE PRICE Australia and New Zealand FOR 1 SINGLE LP £12.00 FOR 1 EXTRA SINGLE LP £3.50, 3 ITEMS & ABOVE PLEASE ASK FOR A POSTAGE PRICE Recorded Delivery (U.K.) £1.10 N/A International Signed for £5.30 OVER £50 - 7.90 per package PLEASE READ: Unfortunately due to ongoing problems with buyers in certain countries any item or combination of items that exceed £25.00 in total will be invoiced with a charge for trackable shipping (International signed for). There are no exceptions to this rule. Thanks

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