PLEASE READ THE ITEM DESCRIPTION CAREFULLY BEFORE BIDDING/PURCHASING (BUYER RESPONSIBLE FOR FOLLOWING/READING THE DESCRIPTION ACCURATELY)

COVER: VG++

VINYL:  VG++

RECORDS/CD’s ARE VISUALLY GRADED (SEE KEY BELOW) AND I DO MY BEST TO GRADE THEM ACCURATELY.  IF THERE IS A PROBLEM, PLEASE CONTACT ME.

SHIPPING:

U.S.  $4.  EA. ADDITIONAL $1.25
CANADA $15.  EA. ADDITIONAL $4 (UP TO 4 POUNDS)
INTERNATIONAL: $20.  EA. ADDITIONAL $8 (UP TO 4 POUNDS)

RECORD GRADING:

MINT (M) ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT (NM) ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS (VG++ or EX) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner. 
VERY GOOD PLUS (VG+)---- The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip. 
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.

KEY:
WOL --- Writing on label
WOJ --- Writing on jacket
WLP --- White label promo
GPS or GSP --- Gold promo stamp
PH---Punch Hole / Pin Hole
EW--- Edgewear
SS---Seam Split
RW---Ringwear
CO--- Cut Out / Cut Corner
NH---Notch Hole
SHK --- Partial Shrink Wrap
GF---Gatefold Cover

Various ?– The Breakfast Club - Original Motion Picture Soundtrack

Label: A&M Records ?– SP-5045, A&M Records ?– SP 5045 Format: Vinyl, LP, Album
Country: US Released: 1985 Genre: Electronic, Rock, Pop Style: Pop Rock, Downtempo, Synth-pop

Tracklist Hide Credits

A1 –Simple Minds Don't You (Forget About Me) 4:20 A2 –Elizabeth Daily* Waiting 4:37 A3 –Wang Chung Fire In The Twilight Written-By – Jack Hues, Keith Forsey, Steve Schiff 3:51 A4 –Keith Forsey I'm The Dude Written-By – Keith Forsey, Steve Schiff 2:10 A5 –Jesse Johnson & Stephanie Spruill Heart Too Hot To Hold Backing Vocals – Alex Brown, Merry Clayton, Stephanie SpruillWritten-By – Jesse Johnson, Keith Forsey, Laurie Forsey, Michael Frondelli 4:25 B1 –Gary Chang Dream Montage Producer, Written-By – Gary Chang 2:37 B2 –Karla DeVito We Are Not Alone Producer – David Anderle, Steve GoldsteinWritten-By – Karla DeVito, Robbie Benson, Steve Goldstein 3:39 B3 –Keith Forsey The Reggae Written-By – Keith Forsey 3:07 B4 –Joyce Kennedy Didn't I Tell You Backing Vocals – Carmen Twillie, Julia Waters, Maxine WatersWritten-By – Keith Forsey, Laurie Forsey, Steve Schiff 4:47 B5 –Keith Forsey Love Theme Written-By – Keith Forsey 4:26

Companies, etc.

• Pressed By – RCA Records Pressing Plant, Indianapolis
• Phonographic Copyright (p) – A&M Records, Inc.
• Copyright (c) – A&M Records, Inc.
• Published By – MCA Music Inc.
• Recorded At – Oasis Recording Studios
• Recorded At – Conway Studios
• Recorded At – Record One, Los Angeles
• Recorded At – CTS Studios
• Mixed At – Oasis Recording Studios
• Mastered At – Bernie Grundman Mastering

Credits

• Art Direction – Chuck Beeson
• Bass – Arthur Barrow, Bob Getter, Ed Alton, Steve Schiff
• Design – Donald Krieger
• Drums – Craig Krampf, Keith Forsey
• Guitar – Craig Hull, Curt Neishloss, Jesse Johnson, Steve Schiff
• Keyboards – Arthur Barrow, Gary Chang, Keith Forsey, Steve Goldstein
• Mastered By – Bernie Grundman
• Producer – Keith Forsey