THE CHARLATANS (USA) The Charlatans LP PHILIPS 1969 UK orig+stereo MIKE WILHELM
£
37
$
49
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Description
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THE CHARLATANS
RICHARD OLSEN, DARRELL DE VORE, MICHAEL WILHELM, TERRY WILSON
plus LYNN HUGHES
The Charlatans were the very first San Francisco underground rock band.
Their story begins back in the Summer of 1964 when George Hunter, inspired by the Beatles,
decided to form a rock band. He got together with Richard Olsen, an old college friend,
and Mike Wilhelm, a folk singer who had been at school with him.
Later that year, Mike Ferguson, who owned an antique shop in San Francisco
and had just returned from a trip to Mexico, joined as pianist.
Sam Linde was their original drummer, although he was later replaced by Dan Hicks
"THE CHARLATANS"
1969 LP PHILIPS RECORDS STEREO SBL 7903
MADE IN ENGLAND ORIGINAL COPY
FULLY LAMINATED SINGLE SLEEVE
Barcode and Other Identifiers
LABEL: PHILIPS - BLACK LABEL - SILVER TEXT
Catalog on cover: (spine) SBL 7903 (rear) SBK 7903 (842 142 BY)
Catalog on labels: SBL.7903 [(852 142 BY) (852 142 1Y)] [(852 142 BY) (852 142 2Y)]
Matrix / Runout (Side A, Stamped): 852142 1Y//1?420
Matrix / Runout (Side B, Stamped): 852142 2Y//1?420
On labels: rim text reads "All rights.......prohibited"
?1969 (on both labels at 9 o'clock circa)
Produced by Dan Healy and The Charlatans
Recorded in San Francisco
Rights Society: Montclare Music, Copyright Control, Carlin Music Corp., Southern Music
On back cover: Arranged by The Charlatans
Produced by Dan Healy and The Charlatans
Recorded in San Francisco at Pacific High Recording
from my records collection
tracklisting
Side A: HIGH COIN - EASY WHEN I'M DEAD - AIN'T GOT THE TIME
FOLSOM PRISON BLUES - THE BLUES AIN'T NOTHIN' - TIME TO GET STRAIGHT
Side B: WHEN I GO SAILIN' BY - DOUBTFUL WALTZ - WABASH CANNONBALL
ALABAMA BOUND - WHEN THE MOVIES ARE OVER
grading
RECORD VG but (please, read above description)
SLEEVE VG but (please, see pictures and read above description)
The self-titled Charlatans album, later released as San Francisco 1969, is a rather
gorgeous and gently challenging piece of San Francisco rock, incorporating elements
of blues and big-band swing, as well as '50s rock & roll and elegant '60s pop.
It might not be as quite as overpowering creatively as the best records by
the Jefferson Airplane, Quicksilver, or Grateful Dead, but it is one of the prettiest
and most subtly beguiling albums to come out of the '60s San Francisco scene,
and is also essential listening, as well as being just plain delightful...(AllMusic)
price rating
