THE COMPOSERS COLLECTIVE POUM RARE ORIG'74 FREE JAZZ PRIVATE MAIL ORDER-ONLY LP

$

36

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·       THE COMPOSERS' COLLECTIVE - POUM! - ULTRA-RARE ORIGINAL PRIVATE PRESSING ON OBSCURE MAIL ORDER-ONLY COMPOSERS' COLLECTIVE LABEL - ORIGINAL 1974 COMPOSERS COLLECTIVE STEREO LP 721

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE COMPOSERS' COLLECTIVE LABEL WITH SIMPLE BLACK PRINT AND NO GRAPHICS.

·       THE ALBUM COMES WITH THE ORIGINAL TYPEWRITTEN INSERT/LETTER OF INTRODUCTION FROM THE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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John Fischer (born 1930 in Antwerp, Brussels) is a pianist, composer and visual artist. He is also a pioneer in the field of computer art. In the 1970s, during the loft jazz era in New York City, Fischer ran a performance loft and gallery known as Environ. He is leader of the group INTERface and he performed with among others: Perry Robinson, Mark Whitecage, Arthur Blythe, Rick Kilburn and Lester Bowie...

To be sure, the genre would never again be so closely implicated with social upheaval: between the civil rights movement, black nationalism, the black arts movement, protests against the Vietnam war, and the alternately revelatory and sinister sides of the “hippie dream,” free jazz’s supposed halcyon days reflected back onto the listener the turbulent, uncertain times they were living. For some, the deaths of two of the music’s pioneers, John Coltrane (in July 1967, of liver cancer) and Albert Ayler (in November 1970, a suspected suicide) gave pause to the music’s most elemental, fiery stage.

Certainly, support for the music dried up in the USA during this period, and many of the artists moved to Europe, often to France, where their music found greater support and acceptance (and in the BYG/Actuel label, an imprint that would help them realise their musical visions, at least for a short period of time).

But to say the music was over, and that the ‘70s was a largely fallow period for the music, now seems seriously misguided. Looking at the relative explosion of private press and artist label free jazz albums from across the ‘70s, coupled with the NYC loft jazz movement, the music was as strong as ever – still questing and still exploring. As both major and independent labels turned their backs on the music, the artists turned toward self-actualisation and DIY practices to get their music documented and out there. Of course, there were precursors for this – perhaps the most significant being Sun Ra and his Saturn label, where he released bucketloads of beguiling, sublime, fantastical Afrofuturist documents from his Arkestra.

If the loft jazz scene was contained in NYC, private press records were turning up from all over America – there are representatives in this list from Missouri, Ohio, Michigan and beyond. But somehow, loft jazz – a scene in NYC where performances of free jazz took place mostly in artist-run loft spaces – parallels the imperatives of the private press world, and you’ll find that a number of the albums detailed in that list are loft classics...

"The Jazz Composers Collective is a virtual study of the positive effects that the DIY (do it yourself) ethic can bring about. They are, in an unassuming way, producing some of the most vital improvised and composed music coming out of New York today. Playing on each other's projects, helping to organize concerts, pooling efforts to produce the smart, informative newsletter that detail their activities - everyone helps out for the massed good of the members and audience."

Born in Belgium, artist, pianist and composer John Fischer, early seventies, lives in New York and here we find the beginning of his early works. Sometime later (very significant and important period) formed "INTERface" in company, which is achieved in cooperation with loft-jazz musicians...

"Poum!" is a series of compositions (variations, also appear on the albums INTERface), in which, how J.F. himself says, exploring sound using voice and body, and therefore "Composers Collective" is not a collective improvisation, then work is strictly composer's ideas and, as such,  conducted according to the instructions, but in no way confining a certain freedom of expression themselves musicians...

"Sinfonia", adorns a spirited voice performance developed from the beginning, that was the axis to explosive free jazz, will continue to rush from spiritual intro to featuring beautiful piano a profound by turn, to the free part to move around bustling in "Apollo's Ragtime Journey", while short "t-e-s-t " goes to the abrupt expansion also gives off a strong impact.

"Moon Walk" is moist and free improvisation which leads us with lazy piano in the puzzle night, and slowly come to the absurd "Poum!", she featuring the voice performance filled with grotesque repeated without pronounced pause context. And finally, "Earthlings" closes the album, each player starts somewhere humorous theme (do you feel perhaps jazz roots), as moving to a very high track of tension that comes through is somewhere fun atmosphere.

Truly an amazing rare album, essential. Highly recommended.

Recorded at Stereo Sound Studio, NYC, 1974 / All compositions 1969.

Engineer – Jerry Newman

Composed By – John Fischer

Whitecage credited as playing chanter on "Poum!"

TRACK LISTING:

A1 - Sinfonia ............................................................................. 6:46

A2 - Apollo's Ragtime Journey ................................................. 9:06

A3 - t-e-s-t ................................................................................. 2:02

B1 - Moon Walk ........................................................................ 4:13

B2 - Poum! ................................................................................ 5:55

B3 - Earthlings ......................................................................... 10:48

John Fischer (lider) – piano, voice

Mark Whitecage – tenor sax, alto sax, flute

Perry Robinson – clarinet

Mario Pavone – bass

Laurence Cook – drums, percussion

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·                               CONDITION:

·                               THE RECORD:

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The album comes with the original typewritten insert still intact.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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FINE (BUT IMPORTANT!) PRINT

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

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