THE CULT "LOVE REMOVAL MACHINE"1987 BB RARE CANDIAN 2DISCS W/POSTER IN EX/EX+CON
  $   25

 


$ 25 Sold For
Jul 30, 2025 Sold Date
Jul 3, 2025 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

NOTE: MAIL RATES HAVE RECENTLY GONE UP A LITTLE RECENTLY, MY FLAT RATE ENCOMPASSES THAT WITH A LITTLE EXTRA TO COVER THE COST OF THE RECORD MAILERS. THANKS!

I DO SHIP INTERNATIONALLY, PLEASE DOUBLE CHECK BEFORE BIDDING OR BUYING THAT IS SHIP TO YOUR COUNTRY.

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON OR BUYING. THANKS FOR LOOKING. FEEL FREE TO ASK QUESTIONS. THERE MAY ALSO BE A LITTLE REFLECTIVE GLARE FROM SUNLIGHT IN MY APT.

NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI, OR OTHER SOURCES ETC. (SORRY 'BOUT THAT!)

NOTE: I DO NOT ACCEPT "BEST OFFERS" I WANT EVERYONE TO HAVE A FAIR SHOT AT WHAT I AM SELLING. THANKS! I DO COMBINE SHIPPING!

THIS IS A PHOTO OF THE ACTUAL ITEM FOR SALE, SORRY IF THE PICTURE(S) ARE A BIT BLURRY OR IF THERE'S A LITTLE GLARE.

I HAD A SMALL HEART ATTACK A COUPLE OF YEARS AGO AND AM SLOWLY LETTING GO OF MY ALBUM COLLECTION.

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ARTIST(S):

TITLE: “LOVE REMOVAL MACHINE" 

TRACK LISTING-SEE PHOTOS/BELOW:


Outside 1

A

Love Removal Machine (Extended Rock Mix)

Inside 1

B1

Love Removal Machine (Abbreviated Version)

B2

Wolf Child's Blues

Inside 2

C

Conquistador

Outside 2

D

Groove Co.

NOTES: Gatefold sleeve.

Some copies have a blue sticker stating 'Limited Edition Double Pack 12" Single' and some have an additional sticker on the rear sleeve with producer credits.

Includes a foldout poster of "Electric" cover.

Some copies were also released with a 2-page blue banner promoting the Electric album.

"Wolf Child's Blues" recorded live in the studio New Year's Eve 1986.

RECORD LABLE: VERTIGO/BEGGARS BANQUET

CAT. #: CULT 1

YEAR OF RELEASE: 1987

RECORD CONDITION: BOTH RECORDS ARE IN EX+/NM- CONDITION. NO LINES, SCRATCHES, BLEMS, SMUDGES, FINGERPRINTS, NICKS ETC. ALL LABLES IN NM/PERFECT CONDITION,

SLEEVE CONDITION: THE GATEFOLD JACKET IS IN EX/EX- CONDITION. VERY, VERY LIGHT EDGE WEAR LOWER LEFT EDGE. THERE'S A VERY. VERY TINY CORNER DING IN THE UPPER LEFT (SEE PHOTO) OTHER THAN THAT NM. NICE CLEAN STRAIGHT EDGES, NO WRITING, TEARS, ETC.

COMES WITH THE BONUS 24”x14” FULL COLOR POSTER IN PERFECT CONDITION!

ARTIST INFO:

THE CULT INFO/BIO-

The Cult are an English rock band formed in 1983 in Bradford, West Yorkshire. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups; the longest-serving members are Astbury and guitarist Billy Duffy, who are also the band's two songwriters.

The Cult's debut studio album Dreamtime was released in 1984 to moderate success, with its lead single "Spiritwalker" reaching No. 1 on the UK Indie Chart. Their second studio album, Love (1985), was also successful, charting at No. 4 in the UK and including singles such as "She Sells Sanctuary" and "Rain". The band's third album, Electric (1987), launched them new heights of success, also peaking at No. 4 in the UK and charting highly in other territories, and spawned the hit singles "Love Removal Machine", "Lil' Devil" and "Wild Flower". On that album, The Cult supplemented their post-punk sound with hard rock; the polish on this new sound was facilitated by producer Rick Rubin. After moving to Los Angeles, California, where the band has been based for the remainder of their career, The Cult continued the musical experimentation of Electric with its follow-up album Sonic Temple (1989), which marked their first collaboration with Bob Rock, who would produce several of the band's subsequent albums. Sonic Temple was their most successful album to that point, entering the Top 10 on the UK and US charts, and included one of the band's most popular songs "Fire Woman".

By the time of their fifth album Ceremony (1991), tensions and creative differences began to surface among the band members. This resulted in the recording sessions for Ceremony being held without a stable lineup, leaving Astbury and Duffy as the only two official members left, and featuring support from session musicians on bass and drums. The ongoing tension had carried over within the next four years, during which they released one more studio album, The Cult (1994), and called it quits in 1995. The Cult reformed in 1999 and released their seventh album Beyond Good and Evil two years later. The commercial failure of the album and resurfaced tensions led to the band going back on hiatus in 2002. They resumed activity in 2006, and have since released three more studio albums: Born into This (2007), Choice of Weapon (2012), and Hidden City (2016).

According to music critic Stephen Thomas Erlewine, the band fuse a "hardcore punk revivalist" sound with the "pseudo-mysticism … of the Doors and Uriah Heep and the guitar-orchestrations of Led Zeppelin and The Cure … while adding touches of post-punk goth rock". In 1985 Astbury said, "Our music is just melodies and guitars. We're like Big Country and U2, only better!".

On August 15, 2020, Duffy announced on his Twitter that the band were recording a new album with producer Tom Dalgety at Rockfield Studios, where The Cult had recorded their debut album Dreamtime 36 years earlier.

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