THE DOORS "'L.A. WOMAN"- ELEKTRA #EKS-75011 (1971 BUTTERFLY LABEL) READ & HEAR
  $   32

 


$ 32 Sold For
Jun 5, 2017 Sold Date
May 29, 2017 Start Date
$   2 Start price
8   Number Of Bids
  USA Country Of Seller
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Description



"THE DOORS"

TITLE: "L.A. WOMAN"

 

 

The Recording:

The group and Botnick organized a makeshift recording studio at their private rehearsal space, the Doors' Workshop, in a two-story building at 8512 Santa Monica Boulevard.They could then record in a more comfortable and relaxed setting while avoiding the expenses of a professional studio. A mixing console previously owned by Elektra was installed upstairs in the Workshop, while studio monitors, microphones, and keyboards were set up downstairs. To compensate for the lack of an isolated vocal booth, Morrison recorded in the bathroom doorway, singing into the same microphone used on the Doors' final tour.

For recording, the Doors hired Elvis Presley's bassist Jerry Scheff and rhythm guitarist Marc Benno to round out their sound, with Scheff, in particular, contributing on every track except "L'America". Densmore characterized Scheff as "an in-the-pocket man" and praised how he "allowed me to communicate rhythmically with Morrison, and he slowed Ray down, when his right hand on the keyboards got too darn fast". By all accounts, Morrison – a huge Presley fan – was excited by Scheff's participation. In addition, Benno was asked to participate as a result of his recent notoriety from working with Leon Russell.The songs were completed in a few takes on a professional-quality 8-channel recorder, and the album was finished in six days. Morrison was a blues enthusiast and proclaimed the final recording session as "blues day", recording "Crawling King Snake", "Cars Hiss By My Window", and "L.A. Woman". The album had a raw, live sound with overdubs mostly limited to additional keyboards. Botnick explained, "The overall concept for the recording session was to go back to our early roots and try to get everything live in the studio with as few overdubs as possible". Mixing was completed at Poppy Studios between February and March 1971, by which time Morrison had moved to Paris, France and died a few weeks later!

COMPANY & RELEASE DATE: ELEKTRA #EKS-75011 (1971)

VINYL CONDITION: HEAR THE SAMPLES, GLOSSY, SOME TRACKS ARE VG+, 2 ARE VG- 3-4 SKIPS, REST ARE LIKE THE SOUND SAMPLES INCLUDED....TO BE SOLD AS IS!!

IF YOU NOTICE GLARE IN THE VINYL SHOT..IT IS THE CAMERA!!

LABELS CONDITION: NM....SEE SCANS!!

COVER CONDITION: STILL IN PARTIAL SHRINK, NM.....NO CUTS, NO CLEAR DIE CUT IN FRONT!! THE DOORS NAME EMBOSSED!!

The Doors ?– L.A. Woman
Label: Elektra ?– EKS-75011
Format: Vinyl, LP, Album, Repress
Country: US
Released: 1971
Genre: Rock
Style: Blues Rock, Psychedelic Rock

Tracklist: 
A1     The Changeling         4:20
A2     Love Her Madly 3:18
A3     Been Down So Long 4:40
A4     Cars Hiss By My Window  4:10
A5     L.A. Woman       7:49
 
B1     L'America 4:35
B2     Hyacinth House         3:10
B3     Crawling King Snake          4:57
B4     The WASP (Texas Radio And The Big Beat)       4:12
B5     Riders On The Storm          7:14

Companies, etc.
Recorded At – The Doors Workshop
Mastered At – Artisan Sound Recorders
Pressed By – Columbia Records Pressing Plant, Santa Maria
Printed By – Shorewood Packaging
Published By – Doors Music Co.
Published By – Modern Music Publishing Co., Inc.
Copyright (c) – Doors Music Co.
Copyright (c) – Elektra Records 

Credits
Bass – Jerry Scheff
Design Concept, Design [Album] – Carl Cossick
Drums – John Densmore
Guitar – Robby Krieger
Management [Personal] – Bill Siddons
Photography By – Wendell Hamick
Piano, Organ – Ray Manzarek
Producer – Bruce Botnick, The Doors
Rhythm Guitar – Marc Benno (tracks: A3 to A5, B3)
Vocals – Jim Morrison
Written-By – The Doors 
Notes
© 1971 Elektra Records; all songs © Doors Music Co. 

CSM Pressing with original "Columbus Circle" labels in 2nd issue cover with embossed lettering, rounded corners, but no die-cut. 

Comes with original custom yellow inner sleeve with rounded corners.

Recorded at The Doors Workshop in Los Angeles 

Track B3 Published by Modern Music Publ., BMI; all others Doors Music Co. ASCAP

Barcode and Other Identifiers

Matrix / Runout (A Side Etch, except Artisan[logo] stamp): EKS-75011 A CSM [Artisan logo]

Matrix / Runout (B Side Etch, except Artisan[logo] stamp): EKS-75011 B - 2 CSM [Artisan logo]

Rights Society: BMI

Rights Society: ASCAP

GENERAL COMMENTS:

Before asking condition questions check the grade and our grading scale below.

Check our other items, buy multiple items and get a shipping discount.

All records are visually graded, A FEW TRACKS ARE PLAYED, NOT ALL.

We do not have the time to play ALL TRACKS or grade each individual track (impossible task due to the time it takes but the grading should be the most accurate possible...a sound clip is included!.

NEW EBAY REGULATION: If you are unhappy with the condition please contact us first and give us an opportunity to make everything right. We will give our full effort to make you happy.

We grade similar to the Goldmine record grading standards.

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VINYL GRADING SCALE:

Near Mint (NM) 

(Jacket) If the jacket is sealed there may be some minor corner damage from storage, it may or may not have the shrink-wrap, but the jacket itself will be in pristine condition. The corners will show very little wear (there will be no fraying) and will still be somewhat pointy to the touch. The cover will show no more than very minor dents or some single creases, no full bends that will cause multiple creases/damage. There will be no visible ring wear. No writing, rips or tears on the cover or seams. No bubbling, water/mold stains or peeling of the cover in any way. The inside of the gate-fold will be in the same condition.  Cutout bin punches, price stickers, staples would start being listed at the NM category and would be noted accordingly as they affect the jacket itself.

(LP) You should not hear any surface noise (snaps,crackles, pops) when you play the record. There will not be any skips or repeats. The LP will retain that just opened appearance. There may be a surface blemish or two, but they will not have any affect on the sound. There will be no warping. There will be no major blemishes, light or deep scratches. The label will be free of writing and stains. There should be no spindle marks. 

Excellent (VG++) 

(Jacket) May or may not have shrink-wrap but the jacket itself will still be in beautiful condition. The corners will have minimal wear (no fraying).There may be minor dents and creases . Light scratches could be on the jacket, but nothing severe. Depending on age some discolor/yellowing may show, but will not be overbearing.  Ring wear should be very minimal or non-existent...no dark, full, half, or quarter rings. No writing rips or tears. No bubbling, water stains or peeling of the cover . All inner gate-folds will be in similar condition. Covers that appear NM but has a notch, Sawcut or a diagonal cut will be graded as VG++!

(LP) You should not hear any sustained surface noise (snaps,crackles, pops) when you play the record. There will not be any skips or repeats. The LP will retain its most of it's glossiness and will appear like new. There may be a few surface blemishes, or a stray light scratch that may cause a moment of crackling, but nothing prolonged, and instances of this will be few. Often this will mostly occur only at the beginning of the groove on each side where the needle dropped. There will be no warping. There will be no deep scratches. There may be minor spotting or fog, but it will not affect the sound. The label will be free of writing and stains. Minimal spindle marks. 

Very Good Plus (VG+) 

(Jacket) May or may not have shrink wrap.  There may be some easier to see imperfections, though nothing that will detract from the overall appearance in a major way. The corners will have some wear and there may be the beginnings of fraying but not full on.  Some dents/creases or scratches may be noticeable, but nothing too pronounced. There could be noticeable discolor/yellowing .There may be some minor ring wear at the top and bottom; again you would have to look for it. No writing, rips or tears. Possibly some light bubbling.  No water/mold stains or peeling of the cover in any way. 


(LP) There may be some blemishes, maybe a scratch or two, but nothing too deep. It will not cause the record to skip or repeat. There will be no prolonged surface noise. There may be some minor warping but it will have no affect on the listening experience at all. Chances are there will be spindle marks. A VG+ record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. 

Very Good (VG/VG-) TO BE SOLD AS IS!!!

(Jacket) May or may not have shrink wrap.  There will be some easier to see imperfections, though nothing that will detract from the overall appearance in a major way. The corners will have some wear or fraying possibly causing seam splitting close to the seam.  There may be split seams on any side.  Usually not full side splits though.  Sometimes they may be fixed by tape, sometimes not. Some dents/creases or scratches will  be noticeable on the jacket, sometimes pronounced. Discolor and yellowing can be commonplace, as are smaller water/mold stains and some bubbling. There maybe a smaller tear on the cover, but nothing overly pronounced. Ring wear will certainly be pronounced. There may be some writing/defacing, but it will be minor. 

(LP) There will be some blemishes, and some few scratches. They should not be at the feel-able stage though. There could be a skip or repeat, but only one or two at most. More often the deeper scratches will cause more frequent and prolonged surface noise. There may be some warping but it will not cause the needle to jump. Chances are there will be spindle marks. A VG/VG- record will obviously have been played and occasionally handled roughly by the original owner.

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