THE DOORS - S/T - V RARE ORIG 1ST PRESS 1A/1A GOLD ELEKTRA - VG++/EX- STEREO

$

49

THE DOORS

SELF TITLED FIRST LP

ELEKTRA EKS 74007

STEREO

SUPER RARE FIRST EVER PRESSING 1A/1A  IN DEAD WAX

ORIGINAL GOLD LABEL

1ST PRESS

FIRST MASTER FIRST STAMPER

NOT A RE-RELEASE

ORIGINAL MIX – ORIGINAL RELEASE

ALBUM IN VG++ CONDITION PLAYS EX MINUS

THIS IS THE ORIGINAL MASTER AND MIX

VINYL IS VG++- HAS SMALL HAIR LINES VISIBLE UNDER BRIGHT LIGHTS - NO FELT SCRATCHES - PLAYS TRUE WITH ALL DYNAMICS AND NICE BASS AND HIGHS

VERY LITTLE SURFACE NOISE HEARABLE

PLAYS EX MINUS

VERY SHINY VINYL

OBVIOUSLY STORED AWAY FOR YEARS!

SERIOUSLY BEST I HAVE EVER SEEN OF THIS RELEASE!

COMES WITH ELEKTRA INNER SLEEVE IN EXCELLENT CONDITION

NOTE: I WILL NOT RATE ANY RECORD AS MINT UNLESS IT IS STILL COMPLETELY SHRINK WRAPPED OR OWNED SINCE NEW AND PLAYED LESS THAN 5 TIMES

EXCELLENT, EXCELLENT PLUS OR MINUS IS THE HIGHEST RATING.

ORIGINAL SLEEVE SHOWING NEW YORK AND LONDON STREET ADDRESS - SLEEVE IS IN EX MINUS SHAPE - US SLEEVE MADE OF LIGHT US CARDBOARD - NO SPLITS – NO LABELS– NO NAME WRITING –SMALL DAMAGE TO PAPER FRONT (SEE PIC) LITTLE AGE WEAR SOME RING WEAR –– SPINE IS EXCELLENT

LABELS EXCELLENT WITH GOOD SPINDLE HOLES NO DAMAGE NO WRITING – NO STICKERS

PLEASE SEE PICTURES

NOTE: THE LP HAS BEEN PLAY GRADED BUT NOT CLEANED, A GOOD CLEANING IS HIGHLY RECOMMENDED TO MAKE THIS LP EVEN BETTER!!

HIGHLY RECOMMENDED!!

THIS IS 100% GUARANTEED

RE THE SONG “THE END” THIS IS A FIRST PRESSING AND THE USE OF THE PROFANITY IS NOT EVIDENT – WHICH PROVES IT NEVER MADE IT ON A DOMESTIC RELEASE UNTIL THE 1999 RE-ISSUE!

RE-PRINTED FROM SONGFACTS

"The End" is death, although the song also deals with Jim Morrison's parents - it contains Oedipal themes of loving the mother and killing the father. Morrison was always vague as to the meaning, explaining: "It could be almost anything you want it to be."

The Doors developed this song during live performances at the Whisky a Go Go, a Los Angeles club where they were the house band in 1966. They had to play two sets a night, so they were forced to extend their songs in order to fill the sets. This gave them a chance to experiment with their songs. This started as a short song about a farewell to a girl, and developed into an 11 minute epic.

One night, Morrison didn't show up for his gig as the Whisky a Go Go. After their first set, the band retrieved Morrison from his apartment, where he had been tripping on acid. They always played "The End" as the last song, but Morrison decided to play it early in the set, and the band went along. When they got to the part where Morrison could do a spoken improvisation, he started talking about a killer, and said, "Father, I want to kill you. Mother, I want to f--k you!" The crowd went nuts, but they were fired right after the show. The Doors had recently signed a record deal and they had established a large following, so getting fired from the Whisky was not a crushing blow.

Morrison sang this live as "F--k the mother," rather than "Screw the mother." At the time, the band couldn't cross what their engineer Bruce Botnick called "the f--k barrier," so they sanitized the lyric on the album. When Botnick remixed the album for a 1999 reissue, however, he put Morrison's "f--k"s back in, which is how the song was intended.

This was famously used in the movie Apocalypse Now over scenes from the Vietnam War. Director Francis Ford Coppola had it remixed to include the line "F--k the mother."

Morrison was on an acid trip when they first tried to record this song. He kept singing "F--k the mother, kill the father" rather than the actual lyrics. In The Mojo Collection, it states: "Comprehensively wrecked, the singer wound up lying on the floor mumbling the words to his Oedipal nightmare. Then, suddenly animated, he rose and threw a TV at the control room window. Sent home by producer Paul Rothchild like a naughty schoolkid, he returned in the middle of the night, broke in, peeled off his clothes, yanked a fire extinguisher from the wall and drenched the studio. Alerted, Rothchild came back and persuaded the naked, foam-flecked Morrison to leave once more, advising the studio owner to charge the damage to Elektra; next day the band nailed the track in two takes. Morrison lived for only another five years."

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FRIENDS: PLEASE SCROLL DOWN TO READ THE GRADING CONDITIONS – ALSO, UNLESS A LP RECORD IS SEALED (US COPIES), THERE IS BOUND TO BE SOME DISCREPANCY HEARABLE. ALSO DEPENDING ON HOW GOOD YOUR STYLUS AND CARTRIDGE IS, YOU MAY DISAGREE WITH MY GRADINGS BUT, PLEASE NOTE: THIS RECORD IS GUARANTEED, IF YOU ARE NOT SATISFIED WITH THE CONDITION PLEASE RETURN FOR A FULL REFUND – PLEASE DISCUSS WITH ANY PROBLEMS

PLEASE NOTE:

We are not financially responsible for mishandling of parcels by the postal service.

PRIOR TO OPENING A CASE WITH EBAY- I AM HAPPY TO ALWAYS DISCUSS ANY ERRORS – ALSO PLEASE READ THE SMALL STUFF AT THE END OF THE PAGE!!

ALL LP RECORDS ARE SHIPPED IN PROPER ALBUM BOXES AND DISC IS SEPERATED FROM SLEEVE AND ALL PLACED IN PLASTIC COVER

ALL BUYERS WILL GET POSITIVE FEEDBACK – PLEASE DO THE SAME ALSO PLEASE BE AWARE A STAR RATING OF 4 IS CONSIDERED BY EBAY TO BE BELOW AVERAGE! AND ALWAYS LEADS TO A SELLER BEING PUNISHED BECAUSE NO ONE REALLY UNDERSTANDS THEIR RATING SYSTEM

We ship worldwide!!

ALL RECORDS SHIPPED FROM THE UNITED STATES VIA USPS

USA , LP's & 10"
- $4.00 usps MEDIA MAIL (no insurance , 2 to 9 days , online tracking , $1.50 for each additional record)

WORLDWIDE , LP's & 10"
-$19.00 usps 1ST CLASS AIR (no insurance , tracking # , buyer is responsible for any loss , $6.00 for each additional record)*

*PLEASE NOTE: THE MAXIMUM WEIGHT FOR 1ST CLASS AIR IS 4LB – OR 4 LP’S FOR 5 OR MORE, SHIPPING WILL BE VIA PRIORITY AIR AND SUBJECT TO AN EXTRA $5 PER LP OVER 4 LIMIT

CANADA, LP's & 10"

-$11.00 USPS 1ST CLASS AIR (no insurance, no tracking #, buyer is responsible for any loss, $1.50 for each additional record

7” 45’S

USA: $4.00 1st class

WORLDWIDE: $9.00 1st class

CANADA: $6.00 1st class

How I Grade Condition Of Discs

Mint

This means I have owned it from new or purchased from a distributors warehouse, basically it means absolutely new shape, never been played or out of its dust cover. In the case of LP's, a North American album will have to be factory sealed (anyone can reseal an album!) Take Note: European and Japaneses albums were never shrink wrapped!

Note: Being mint does not guarantee it's free of pops and clicks, many pressings especially from the US were made with very poor vinyl and in a hurry which means often there are imperfections in the pressing. As a former importer, we were often given back brand new albums due to clicks heard in the playback.

Mint Minus - No such thing, it's either mint or not.

Excellent - A disc is super clean, with no visible marks

 Excellent Plus, means it's probably mint but can't be proven by me.

Excellent minus, is a disc that is excellent except it may have some markings that do not show up in the playing

VG - A disc that is STILL in good shape, WILL have some scuffs or scratches, not in excellent shape but well worth owning. VG + and ++,a disc that is that much better than VG.

VG minus, just a smidgen below VG

Good - A disc that can be played, has obvious ware but is worth owning, a DJ copy of a rare early Motown for instance or a rare Doo-Wop or Northern Soul which could still be worth a fortune, Good Minus & Good Plus is a step above or below Good. In most cases I will not offer a disc in this condition unless it's rare and hard to find.

LABELS

Labels do not alter the grading of vinyl; many records are Excellent, looked after by the previous owner but still have their initials or markings on the label. A DJ copy will often have markings to show which side to be plugged, or the length of the intro. Many labels and covers in the US have been punched, that was done by the record company to show the disc was deleted and shipped out to mass retailers to sell cheap and could not be returned for a credit, this does not impede the value, many records eg Swan and VJ Beatles were done like that, also many promo lp’s were punched or slit to show they were provided as promotion and not charged to the client and no royalties paid to the artist