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THE DOORS

RAY MANZAREK, ROBBY KRIEGER, JIM MORRISON, JOHN DENSMORE

The Doors, one of the most influential and controversial rock bands of the 1960s, were formed in Los Angeles in 1965 by UCLA film 

students Ray Manzarek, keyboards, and Jim Morrison, vocals; with drummer John Densmore and guitarist Robby Krieger. 

The group never added a bass player, and their sound was dominated by Manzarek's electric organ work 

and Morrison's deep, sonorous voice, with which he sang and intoned his highly poetic lyrics

"WAITING FOR THE SUN"

Produced by Paul A. Rothchild

1968     LP     VEDETTE RECORDS      VPA 8076  STEREOMONO

MADE IN ITALY    ORIGINAL PRESSING

LAMINATED GATEFOLD COVER (Unipak Style) 

WITH COMPANY INNER SLEEVE

This version: on the runout, the release date is: 21-9-68 (September 21, 1968).

Barcode and Other Identifiers

Barcode: none

LABEL: VEDETTE -  BLACK LABEL & SILVER LOGO - SILVER TEXT

Catalog on cover: VPA 8076      

Catalog on labels: VPA 8076-A / VPA 8076-B

Matrix / Runout (Side A, Etched): VPA-8076-A  21?9?68

Matrix / Runout (Side B, Etched): VPA-8076-B  21?9?68

On labels: Made in Italy - Tutti i diritti riservati

?  An ELEKTRA U.S.A. Recording   STEREOMONO    33 giri

SEDRIM

Testi e musiche di Morrison - Manzarek - Kreiger - Densmore

Rights Society: SEDRIM

On Spine: I DOORS-WAITING FOR THE SUN-VPA 8076

On Inside Panels: Lyrics translated in Italian

An Elektra U.S.A. Recording

Traduzione integrale dal "LYRICS TO A THEATRE COMPOSITION" dei DOORS

la grafica cremonese

La Celebrazione della Lucertola

On Company Inner Sleeve: il suono vive su Vedette records

IL PIU' QUALIFICATO REPERTORIO STEREOFONICO

Vedette records  Corso Europa 5  Milano

SACCHETTIFICIO ITALIANO RHO (circled, on bottom, just on one side)

On back cover: STEREOMONO

All selections written, arranged and performed by The Doors. 

Douglas Lubahn, occasional bass............ 

Copyright © by Nipper Music Co., Inc. Public performance cleared through ASCAP. 

Produced by Paul A. Rothchild

Distribuzione Vedette Records  C.so Europa, 5 - Milano

Questo disco stereofonico può essere suonato...........e con puntina di diamante. (bottom)

tracklisting

Side A: HELLO, I LOVE YOU - LOVE STREET - NOT TO TOUCH THE EARTH

SUMMER'S ALMOST GONE - WINTERTIME LOVE - THE UNKNOWN SOLDIER

Side B: SPANISH CARAVAN - MY WILD LOVE

WE COULD BE SO GOOD TOGETHER - YES, THE RIVER KNOWS - FIVE TO ONE

RECORD VG+ but (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

 The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major 

disappointment. With a few exceptions, the material was much mellower, and while this yielded some 

fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," 

there was no denying that the songwriting was not as impressive as it had been on the first two records. 

On the other hand, there were first-rate tunes such as the spooky "The Unknown Soldier," with antiwar 

lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven 

"Hello, I Love You," which nonetheless bore an uncomfortably close resemblance to the Kinks' 

"All Day and All of the Night." The flamenco guitar of "Spanish Caravan," the all-out weirdness of 

"Not to Touch the Earth" (which was a snippet of a legendary abandoned opus, "The Celebration of the Lizard"), 

and the menacing closer "Five to One" were also interesting. In fact, time's been 

fairly kind to the record, which is quite enjoyable and diverse, just not as powerful 

a full-length statement as the group's best albums...(AllMusic)