THE J. GEILS BAND Blow Your Face Out 2 LP PROMO FRAZZLE YOUR SPEAKERS ??????

$

35

  THE J. GEILS BAND Blow Your Face Out 2 LP PROMOTIONAL











A MINT MINUS ORIGINAL TWO LP SET ON ATLANTIC SD2-507

FROM 1976 WITH GATEFOLD COVER A RARE PROMOTIONAL DJ COPY WITH PROMO STICKER ON FRONT

Q: WHAT'S SO GREAT ABOUT A PROMOTIONAL LP? A: PROMOTIONAL LPS GENERALLY SPEAKING WERE THE FIRST PRESSINGS OF A PARTICULAR ISSUE TO BE HANDED OUT TO RADIO STATIONS, PERSONNEL AND OTHER PROMOTIONAL VENUES. MANY BELIEVE THE PROMO COPIES TO BE SUPERIOR IN SOUND QUALITY, SINCE THEY CAME OFF THE MOTHERS FIRST.

PRODUCED BY BILL SZYMCZYK AND ALLEN BLAZEK AND RECORDED LIVE ON NOVEMBER 15 AND 19, 1975 AT THE BOSTON GARDEN IN BOSTON AND COBO HALL IN DETROIT

WITH TWO ORIGINAL PHOTO INNER SLEEVE AS SHOWN

16 TRACKS INCLUDE SOUTHSIDE SHUFFLE, BACK TO GET YA, SHOOT YOUR SHOT, MUSTA GOT LOST, WHERE DID OUR LOVE GO, TRUCK DRIVIN' MAN, LOVE-ITIS, INTRO:HOUSE PARTY, SO SHARP, DETROIT BREAKDOWN, CHIMES, SNO-CONE, WAIT, RAISE YOUR HAND, START ALL OVER, GIVE IT TO ME

THE GATEFOLD COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. TOP BACK RIGHT CORNER WITH CRUSH MARK AND SMALL OTER LAYER LOSS. BACK LEFT EDGE WITH A WHITE SCRATCH LINE. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. CUT TOP RIGHT CORNER. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLES. THE HIGH LUSTER VINYL BLANKS AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUBS AND OR SURFACE PAPER SLEEVE CONTACT IMPRESSIONS.

FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT MY GRADING SYSTEM AND IS IN ADDITION TO ANYTHING WRITTEN ABOVE AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE STATE OF VINYL......YOU PLAY THE VINYL AND NOT THE COVER....COVER IS NOTED SEPARATELY. IF I'VE TEST PLAYED THE LP IT WILL BE NOTED. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.

FROM THE ALLMUSIC.COM WEBSITE:
review by Joe Viglione
Double-album live sets came into vogue in 1976 after Peter Frampton's sales went through the roof for A&M, Bob Seger found fame with Live Bullet on Capitol, and the J. Geils Band released its second in-concert document in four years, Blow Your Face Out. There is great power in these grooves recorded over two nights, November 15 and November 19, at the now deconstructed Boston Garden and in Detroit at Cobo Hall. Here's the beautiful dilemma with the Geils band: Live: Full House, recorded in Detroit in April of 1972, contains five songs that became J. Geils standards, and none of them overlap on the 1982 EMI single live disc, Showtime, chock-full of their latter-day classics. Can you believe there is absolutely no overlap from the first or third live album on this double disc, which came in between (except for "Looking for a Love," uncredited, which they slip into the intro of "Houseparty" on side two)? The Rhino CD contains Jeff Tamarkin's liner notes, while the original Atlantic album has an exquisite gatefold chock-full of photos, and inner sleeves with priceless band memo stuff à la Grand Funk's Live Album. Sides one and two are great, and three and four are even better. "Detroit Breakdown" rocks and grooves, with tons of audience applause...Wolfy and the polished authority of his monologues are in command as the band oozes into "Chimes" from 1973's Ladies Invited. About three and a half minutes longer than the five-minute original, it is one of many highlights on this revealing pair of discs. A precursor to 1977's title track, "Monkey Island," "Chimes" gives this enigmatic band a chance to jam out slowly and lovingly over its groove. There is so much to this album: the Janis Joplin standard "Raise Your Hand" written by Eddie Floyd, Albert Collins' "Sno-Cone" from their first album, and "Truck Drivin' Man" beating Bachman-Turner Overdrive to the punch. B.B. King producer Bill Szymczyk does a masterful job bringing it all together, and the band photos on back look...roguish. "Must of Got Lost," "Where Did Our Love Go," and "Give It to Me" are here in all their glory, a different glory than the studio versions, on an album that should have done for Geils what Live Bullet and Frampton Comes Alive did for their respective artists. If only a legitimate release of their 1999 tour would be issued to stand next to this monster -- during that tour they combined the best elements of all three of their previous live discs. The J. Geils Band is more important and influential than the boys have been given credit for. It will be the live documents that ensure they eventually get their due, and Blow Your Face Out is a very worthy component that can still frazzle speakers.

AND, LASTLY, PLEASE DO REMEMBER SOUND QUALITY IS AFFECTED BY WHAT THE VINYL IS PLAYED ON! IF YOUR STEREO SYSTEM HAS BEEN CAREFULLY CHOSEN AND ASSEMBLED FOR IT'S AURAL QUALITIES AND YOU PERFORM BASIC MAINTENANCE LIKE CLEANING YOUR VINYL, CLEANING THE NEEDLE AFTER EACH PLAY, AND REPLACING THE CARTRIDGE WHEN NEEDED, YOUR LPS SHOULD SOUND QUITE GOOD.

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