THE JACKSON 5 ABC from 70-THE BROTHERS MOST SOLID EFFORT OF THE EARLY 70's

A MINT MINUS LP ON MOTOWN MS 709

FROM 1970 IN STEREO

PRODUCED BY THE CORPORATION AND HAL DAVIS

WITH THE ORIGINAL MOTOWN/SOUL/TAMLA/GORDY INNER SLEEVE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Not even six months after the Jackson 5 -- Jackie, Jermaine, Marlon, Michael, and Tito -- issued their debut long-player, Diana Ross Presents the Jackson 5 (1969), the vocal quintet returned with ABC (1970), arguably the brothers' most solid effort of the early '70s. The Jacksons' collective (and respective) talents, coupled with exemplary material and the finest behind the scenes crew Motown had to offer, were directly responsible for the enormous success that placed the LP at the crest of the R&B chart and into the Top Five of the pop survey, while the title track and the double-sided hit single "The Love You Save" b/w "I Found That Girl" all went directly to the number one position across the board. Not too shabby for a group whose oldest member was barely in his teens. Granted, the familiar tunes are undeniably the focal point, making it easy to overlook some of the other stellar selections. As was customary, Motown's cache of house composers provide the lion's share of the songs, most notably the Holland-Dozier-Holland-penned "(Come 'Round Here) I'm the One You Need" -- brought to prominence by Smokey Robinson & the Miracles -- and Stevie Wonder's "Never Had a Dream Come True," which Wonder himself had recently included on his own Signed, Sealed & Delivered (1970). There are also a few contemporary nuggets from beyond the boundaries of Detroit, as "La-La (Means I Love You)" is derived from the up-and-coming Philly soul movement and "I'll Bet You" was gleaned from George Clinton's incipient incarnation of Funkadelic. However, the cuts credited to "the Corporation" -- with Bobby Taylor and instrumentalists Deke Richards (guitar), Freddie Perren (keyboard), and Fonce Mizell (keyboards), as well as Motown founder Berry Gordy -- were of primary significance not only on the ABC album, but within the entire Jackson 5 oeuvre.

COVER STOCK IN NEAR FINE CONDITION, SINCE IT WAS STORED IN A PLASTIC SLEEVE SINCE PURCHASE. CORNERS AND EDGES ARE CLEAN AND SHARP. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.

FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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