THE JAYHAWKS Tomorrow the Green Grass SEALED LP OG
  $   77

 


$ 77 Sold For
Mar 19, 2008 Sold Date
Mar 12, 2008 Start Date
$   10 Start price
15   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description


stereoaction Store

1995 American Records.  Still factory sealed original LP

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VINYL is MINT SEALED

COVER is MINT SEALED

Biography by Jason Ankeny

Led by the gifted songwriting, impeccable playing, and honeyed harmonies of vocalists/guitarists Mark Olson and Gary Louris, the Jayhawks' shimmering blend of country, folk, and bar band rock made them one of the most widely acclaimed artists to emerge from the alternative country scene. The group sprung up in 1985 out of the fertile Minneapolis, MN, musical community, where Olson had been playing standup bass in a rockabilly band called Stagger Lee until his desire to write and perform his own country-folk material prompted him to begin a solo career. He enlisted Marc Perlman, the guitarist for a local band called the Neglecters, whom Olson then convinced to take up the bass; after the addition of drummer Norm Rogers, the group first played in front of a crowd of less than a dozen people. One of those patrons, however, was Gary Louris, a veteran of the local bands Safety Last and Schnauzer; after the show, he and Olson began talking, and by the end of the evening Louris, a guitarist famed locally for his innovative, pedal steel-like sound, had become a member of the group, eventually named the Jayhawks.

Drawing on influences like Gram Parsons, the Louvin Brothers, Tim Hardin, and Nashville Skyline-era Bob Dylan, the Jayhawks quickly became a local favorite, honing their sound in Twin Cities clubs before releasing their eponymous debut in 1986. Issued in a pressing of just a few thousand copies, the album was well received by those who heard it; a major recording deal did not follow, however, so the band continued to polish their craft live, with more and more of their songs bearing writing credits belonging to both Olson and Louris. In October 1988, after a lineup change which saw the departure of Rogers (who joined the Cows) followed by the addition of drummer Thad Spencer, Louris was nearly killed in an auto accident, and the Jayhawks went on hiatus. At much the same time, however, executives at the Minneapolis independent label Twin/Tone decided to issue the demos the group had been stockpiling over the past few years, and after some overdubbing and remixing, Blue Earth appeared in 1989. Richer in sound and more complex in its themes and concerns, the record's release brought the group considerable attention, and also brought Louris back into the fold. After another drummer switch (Spencer for Ken Callahan), the band hit the road for a national tour.

The Jayhawks were signed to major label American Records after producer George Drakoulias heard The Blue Earth playing in the background during a phone call to Twin/Tone's offices. With Drakoulias in the producer's seat, the band recorded its breakthrough album, Hollywood Town Hall, in 1991; a mainstay of critics' annual "best of" lists, the album generated the alternative radio hits "Waiting for the Sun," "Take Me With You (When You Go)," and "Settled Down Like Rain." After a tour which saw the permanent addition of Minneapolis pianist Karen Grotberg, the individual bandmembers guested on albums from Counting Crows, Soul Asylum, Maria McKee, Joe Henry, and others. Before recording the fourth Jayhawks album, Callahan departed, and was replaced by session drummer Don Heffington. The resulting record, 1995's Tomorrow the Green Grass, is a beautiful collection of songs led off by the elegiac single "Blue," the recipient of significant airplay. A tour followed, but after some months on the road, Olson announced he was quitting the band. In 1997, the Jayhawks — now consisting of Louris, Perlman, Grotberg, and drummer Tim O'Reagan — released the album Sound of Lies. Grotberg left the band in early 2000, and was replaced by ex-DAG keyboardist Jen Gunderman for the band's sixth album, Smile. A move to a new label (Lost Highway) in 2002 brought about more changes in the band's ever evolving lineup, leaving Louris, Perlman, and O' Reagan (assisted by newcomer Stephen McCarthy on guitar) to craft 2003's rootsier Rainy Day Music.

Biography by Jason Ankeny

Led by the gifted songwriting, impeccable playing, and honeyed harmonies of vocalists/guitarists Mark Olson and Gary Louris, the Jayhawks' shimmering blend of country, folk, and bar band rock made them one of the most widely acclaimed artists to emerge from the alternative country scene. The group sprung up in 1985 out of the fertile Minneapolis, MN, musical community, where Olson had been playing standup bass in a rockabilly band called Stagger Lee until his desire to write and perform his own country-folk material prompted him to begin a solo career. He enlisted Marc Perlman, the guitarist for a local band called the Neglecters, whom Olson then convinced to take up the bass; after the addition of drummer Norm Rogers, the group first played in front of a crowd of less than a dozen people. One of those patrons, however, was Gary Louris, a veteran of the local bands Safety Last and Schnauzer; after the show, he and Olson began talking, and by the end of the evening Louris, a guitarist famed locally for his innovative, pedal steel-like sound, had become a member of the group, eventually named the Jayhawks.

Drawing on influences like Gram Parsons, the Louvin Brothers, Tim Hardin, and Nashville Skyline-era Bob Dylan, the Jayhawks quickly became a local favorite, honing their sound in Twin Cities clubs before releasing their eponymous debut in 1986. Issued in a pressing of just a few thousand copies, the album was well received by those who heard it; a major recording deal did not follow, however, so the band continued to polish their craft live, with more and more of their songs bearing writing credits belonging to both Olson and Louris. In October 1988, after a lineup change which saw the departure of Rogers (who joined the Cows) followed by the addition of drummer Thad Spencer, Louris was nearly killed in an auto accident, and the Jayhawks went on hiatus. At much the same time, however, executives at the Minneapolis independent label Twin/Tone decided to issue the demos the group had been stockpiling over the past few years, and after some overdubbing and remixing, Blue Earth appeared in 1989. Richer in sound and more complex in its themes and concerns, the record's release brought the group considerable attention, and also brought Louris back into the fold. After another drummer switch (Spencer for Ken Callahan), the band hit the road for a national tour.

The Jayhawks were signed to major label American Records after producer George Drakoulias heard The Blue Earth playing in the background during a phone call to Twin/Tone's offices. With Drakoulias in the producer's seat, the band recorded its breakthrough album, Hollywood Town Hall, in 1991; a mainstay of critics' annual "best of" lists, the album generated the alternative radio hits "Waiting for the Sun," "Take Me With You (When You Go)," and "Settled Down Like Rain." After a tour which saw the permanent addition of Minneapolis pianist Karen Grotberg, the individual bandmembers guested on albums from Counting Crows, Soul Asylum, Maria McKee, Joe Henry, and others. Before recording the fourth Jayhawks album, Callahan departed, and was replaced by session drummer Don Heffington. The resulting record, 1995's Tomorrow the Green Grass, is a beautiful collection of songs led off by the elegiac single "Blue," the recipient of significant airplay. A tour followed, but after some months on the road, Olson announced he was quitting the band. In 1997, the Jayhawks — now consisting of Louris, Perlman, Grotberg, and drummer Tim O'Reagan — released the album Sound of Lies. Grotberg left the band in early 2000, and was replaced by ex-DAG keyboardist Jen Gunderman for the band's sixth album, Smile. A move to a new label (Lost Highway) in 2002 brought about more changes in the band's ever evolving lineup, leaving Louris, Perlman, and O' Reagan (assisted by newcomer Stephen McCarthy on guitar) to craft 2003's rootsier Rainy Day Music.

                                                                                                              

LP Grading Key:  I use the Goldmine Grading system: Below is a quick guide:

  • NM-    Almost unplayed, no flaws to the naked eye (NM Lp's must be sealed or never played).
  • VG++  Only a few, very light surface only scuffs (scuffs are not scratches, and not felt with finger)
  • VG+     Surface only scuffs, no overpowering noise from surface wear.  No scratches.
  • VG       Many surface marks, may have a couple scratches that have crackels in the backround only.
  • VG-      Not goot, must be very, very rare. Used as a play copy of a rare LP. 
  • POOR  I don't sell poor albums. Many scraches and scuffs.

SEALED LP Grading Key:

  • SEALED: Mint= Immaculate, sealed original.
  • SEALED: Cut Corner=  cut corner on cover.
  • SEALED: Saw Cut= Edge of cover cut with saw.
  • SEALED: Hole Punch= Small hole punched in cover only.
  • SEALED: Bend= Bend on cover, detail will be provided in the listing.
  • SEALED: VG++/VG+= Cover has dust, mildew, or scratches thru seal. Detail provided on each.

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SHIPPING INFORMATION: 

USA: LP's & 7"singles:

  • Media Mail is $4.00 (usually 1-2 weeks delivery).  $1 each additional item (Combine orders this way!  $5 for up to15-20+ LP's shipped media rate!!!
  • Priority Mail is $7.00 (2-7 days delivery). $1 each additional item.
  • 7" singles are $3.50 Media Mail and $6 Priority Mail.
  • Insurance is $1 to $3. Based on item total (only required if sale is over $100 total).  

OVERSEAS: LP's & 7"singles:

NOTE: If you use PAYPAL we require a TRACKING NUMBER(*Registered Mail) ONLY when total is over $100, Thanks :)

  • LP's & 12" are   $14 First Class International ($3 each additional LP-up to 4 lbs only) *
  • 7" singles are    $7 Airmail ($3 each additional 7").
  • Canada orders    $8 First Class International  for LP's and 12"s/ $5 for 7" singles ($1 each additional) * (up to 4 lbs only)
  • Registered mail $22 for one LP.  $18 for 7" single.  Comes with Tracking number.  Low value declared to customs *
  • Priority mail is the only way to ship Overseas/International orders of 4 pounds or heavier $25+)
  • Priority mail comes with insuance and tracking.

*First Class International has a weight limit of 4 LBS. So OVERSEAS may be more on bulk orders if over 4 pound. YET, it will also be much faster and with (optional) free insurance up to $80.

NOTE: sealed LP's can be opened by us if you want to check for warps: Full refund given if warped.  Most are original pressings. A few may be early second pressings that we will try our best to discern.  No current reissues, only the older or original pressings in our ebay store!  We have 100+ sealed LP's up most of the time!  

*Registered Mail is required on Paypal payments of over $100 total.  The item will be sent very safe with a Tracking Number for security AND a low value of $5 can be declared to customs:)    Then you will not pay a huge fee to your country's customs.  Other payment methods you can still ship normal First Class International for $14 at your own risk with no tracking number.  The problem with insurance overseas is you must declare the whole $ value. Then you will pay a huge fee to import this item to your customs. That is the reason we have this policy:)  Thank You!

   Professional shipping always!

Thanks for looking! :)



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