THE JIMI HENDRIX EXPERIENCE Are You Experienced NM- 1967 Reprise 6261
  $   40

 


$ 40 Sold For
Feb 21, 2020 Sold Date
Nov 22, 2019 Start Date
$   45 Start price
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  NM- Play Tested. Sounds Great!   Reprise Labels are Clean.  This is the acclaimed 1970s Hot Reissue of the 1967 Reprise Release!  Pressed by Capitol Records, these have phenomenal range and dynamics.  The 1st of the 3 Great Studio Albums that Hendrix authorized in his Lifetime... contains some of the freakiest Psych Experiments of all-time...allmusic gives it 5 stars! One of Rolling Stone's 500 Greatest Albums of All-Time!! See Review Below!
In the Dead Wax:  Side 1:  RS-1-6261-VW2-#2   and a Stick Figure glyph.    "O", for the Jacksonville, Illinois Capitol pressing plant. Side 2:  RS-2-6261-VW4 #2   "O".
Cover: EX+ (see photos)  Includes the photo/discography sleeve insert.
Goldmine Standards.   I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.

U.S. Shipping:  $4 Media Mail.  50 cents additional shipping per additional album, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your records by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!  
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.


AllMusic Review by Richie Unterberger  [-]

One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era. On Are You Experienced?, Jimi Hendrix synthesized various elements of the cutting edge of 1967 rock into music that sounded both futuristic and rooted in the best traditions of rock, blues, pop, and soul. It was his mind-boggling guitar work, of course, that got most of the ink, building upon the experiments of British innovators like Jeff Beck and Pete Townshend to chart new sonic territories in feedback, distortion, and sheer volume. It wouldn't have meant much, however, without his excellent material, whether psychedelic frenzy ("Foxey Lady," "Manic Depression," "Purple Haze"), instrumental freak-out jams ("Third Stone from the Sun"), blues ("Red House," "Hey Joe"), or tender, poetic compositions ("The Wind Cries Mary") that demonstrated the breadth of his songwriting talents. Not to be underestimated were the contributions of drummer Mitch Mitchell and bassist Noel Redding, who gave the music a rhythmic pulse that fused parts of rock and improvised jazz. Many of these songs are among Hendrix's very finest; it may be true that he would continue to develop at a rapid pace throughout the rest of his brief career, but he would never surpass his first LP in terms of consistently high quality. 


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