THE KIM SISTERS-THEIR FIRST ALBUM MONUMENT AUTOGRAPHED?

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TITLE: The Kim Sisters - Their First Album

 PRESSING: Mono Pressing with gold/green Monument labels

CATALOG NUMBER/ LABEL : Monument MLP-8022

REVIEW: The Kim Sisters were Sook-ja, Mi-a and Ai-ja Kim, a trio that began singing of US troops in 1954. They were the three of the seven children of Kim Hae-song, a classical music conductor who was captured and killed by the North Koreans during the Korean War, and Lee Nan-Young, one of Korea's most famous singers before the War, perhaps best known for THE TEARS OF MOKPO.


In 1959 they got their big break when they were asked to play on the Ed Sullivan Show. Sullivan was, of course, huge back then, and being on his show made the Kim Sisters a nationally known act. Over the next 14 years, they would perform on Sullivan 22 times, the most of any performer (at least according to what I have read). They were on all the big TV shows of the day, they were featured in LIFE and NEWSWEEK and other magazines. Far from singing for chocolate, the Kim Sisters eventually were making around $13,000 a week.

They kept performing in Vegas and elsewhere for years, although after they got married in the 1970s, the act pretty much came to an end. Ai-ja died in 1987 of lung cancer, but they other two sisters are still alive and living in the United States still.-Korean Pop Wars.com

RARE U.S. MONO PRESSING WITH GOLD/GREEN MONUMENT LABELS AND WHAT APPEAR TO BE AUTOGRAPHS OF ALL THREE SISTERS ON COVER. VINYL IN STRONG CONDITION.

MONO pressings of LPs are sometimes more than just STEREO LPs compressed into one channel. In many instances, different effects, different recording levels, alternate tracks, or different arrangements were used, as well as different mixes, to produce a wholly unique sound. As the MONO LP faded out of existence in the late 60s and early 70s, they became quite scarce quite quickly, and therefore are highly collectible today.

NOTE: There are signatures on the front cover of this LP. While I cannot attest positively to their authenticity (as I did not witness the signing), I have no reason to doubt them either. They were already on the cover when I obtained it, and I am simply describing what I see.

CONDITION: (we visually grade albums according to Goldmine Standards, BUT questionable vinyl marks are also play-graded. For a detailed description of the Goldmine Grading Scale, see the bottom of this listing.) 

                        VINYL: Very Good Plus

                        JACKET: Very Good Plus (with signatures)

                        SLEEVE: plain paper

                        INSERT / EXTRAS :  Mono Pressing, Autographs (?)

AS WITH ALL USED VINYL LPS, A THOROUGH CLEANING SHOULD BE PERFORMED BEFORE PLAYING, FOR OPTIMUM SOUND QUALITY.

Please click on "View Seller's Other Items" to see the other fine recordings we are offering this week!

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THE GOLDMINE GRADING SCALE:

NEAR MINT (NM OR M-)

A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect.

Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

Near mint records are shiny and free of visible defects. No writing, stickers, other markings or spindle marks appear on the label. No major factory defects are present; a record and label obviously pressed off center is not Near Mint.

If played, an NM record will do so without surface noise. Near Mint records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.

NM covers have no creases, ring wear or seam splits of any kind.

These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint!

It is estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint. This is why they fetch such high prices, even for more common items. They must meet these standards to qualify.
 

VERY GOOD PLUS (VG+) OR EXCELLENT (E)

A good description of a VG+ Record is “except for a couple of minor things, this would be Near Mint.”

Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it is toward the high end of the grade, (sometimes called VG++ or E+).

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that don’t affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, so long as repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ Covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable locataion. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VERY GOOD (VG)

Many of the imperfections found on a VG+ Record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a an NM record — are among the biggest bargains in record collecting, because moost of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail.

When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise won’t overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs on human handling. Ring wear in the middle or along the edges of the cover, where the edge of a record would reside, is obvious; it may appear on all three sides, thought it won’t be obvious upon looking. Someone might have written on it or stamped a price tag on it, too.

Thanks for looking!