THE KINKS Preservation Act 1 FROM 73-A MUSICAL OF QUAINT SMALL TOWN NOSTALGIA

A MINT MINUS LP ON RCA LPL1-5002

FROM 1973

WRITTEN, PRODUCED AND ARRANGED BY RAY DAVIES AND RECORDED BY ROGER BEALE AND DAVE DAVIES

WITH THE ORIGINAL LYRIC INNER SLEEVE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Preservation is Ray Davies' most ambitious project -- a musical that used the quaint, small-town nostalgia of Village Green as a template to draw the entirety of society and how it works. Or, at least that's what the concept seems to be, since the storyline was so convoluted, it necessitated three separate LPs, spread over two albums, and it still didn't really make sense because the first album, Preservation, Act 1, acted more like an introduction to the characters, and all the story was condensed into the second album. Davies intended all of Preservation to stand as one double-album set, but he scrapped the first sessions for the album, which led to record company pressure to deliver an album before the end of 1973 -- hence, the appearance of Preservation, Act 1 in mid-November. Stripped of much of the narrative, Preservation winds up playing like an explicitly theatrical Village Green, this time with specific characters -- a bit like a novella instead of short stories. There are moments where everything clicks on Preservation and they're the ones that are closest to typical Davies -- the stately "Daylight," the endearingly lazy "Sitting in the Midday Sun," the fairly rocking "Here Comes Flash," "Where Are They Now?," and the absolutely gorgeous "Sweet Lady Genevieve," a real candidate for Davies' forgotten masterpiece. Then, there's the rest of the record: unfocused attempts at story, showtunes, and characterizations, some of which are interesting, but the whole of it is rather tedious. Preservation, Act 1 winds up as listenable due to the strength of those five songs, which form the core not only of this record, but the musical drama as a whole. The rest plays as artistic hubris, which is exactly what swallows Preservation, Act 2 alive.

COVER STOCK WITH OBVIOUS RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTCH CUT BOTTOM EDGE. EDGES WITH SOME FRAYING AND SMALL OUTER LAYER LOSSES. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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