THE PATRON SAINTS - FOHHOH BOHOB (Legitimate 1997 American Sound label repress)

$

25

The Patron Saints

Fohhoh Bohob

VG++/VG++

US 1997 (original US 1969)

American Sound Records - JT-1001

This band formed in Chappaqua, New York, about 35 miles north of New York City. It was the vision of Eric Bergman, who wanted nothing more than to play guitar in a rock band. After obtaining his prized possession, a guitar, he set out to recruit members. 
The band was, at first, practicing covers of The Stones, The Who and others. The band name was inspired by a George Bernard Shaw book Saint Joan. They started as a five-piece band, but Eric (bass, vocals), Jon Tuttle (lead guitar) and Jeff Alfaro (drums) branched off as a threesome based on Cream, Hendrix and The Who. 
They began writing songs and decided to record a demo tape. Paul's parents were leaving on a three-week trip, so they set up in the living room and laid some tracks down on reel-to-reel tape. The resulting demo tape was satisfactory and it was shopped around town, but no interest came of it. So, rather than paying for the privilege of a studio, it was decided to attempt the album sessions on their own. They would record and package the album themselves.   They had no recording experience and the TEAC tape recorder wasn't professional. But they experimented, placed the microphones in the right spots and placed themselves strategically to get the right sound. The piano used was the family piano and they put thumb tacks in each of the felt hammers to get the ticky-tack sound. All very inventive. The sessions were complete and fortunately, they had a friend who could transfer the tape to vinyl. The resulting disc wound up being an exceptional homemade piece of psychedelic mastery by someone who knew nothing about recording. 
The album title was taken from their days at the Delta Kappa Epsilon Chapter House, a fraternity at Colgate University in Hamilton, New York. Fohhoh Bohob was a derivation on the way "greasers" talked. Intangible verbiage meaning F**king Bl**job. Only 100 original copies were made and handed out to any takers. 
Thirty years later, Eric had the original tapes remastered, repackaged and distributed the album in its original form. A limited pressing of 500 were made available. 
Musically much like The New Tweedy Brothers, The Bachs and Shadrack Chameleon. Weird effects due to where the sessions occurred. A masterful recording for such amateurs. 
This was the only LP. A sanctioned repress of the original recording on American Sound Records. Completely like the original. Limited pressing #248/500.
Cover has corner dings, otherwise nearly perfect. Record looks and plays like new with NO imperfections and NO unusual noises or ticks. Generic inner sleeve with plastic lining. Includes homemade booklet with lyrics plus an original album label from 1969. Also includes a single with two songs recorded at the original sessions but not released until now.
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COVERS - I'm a 72-year-old guy with Strabismus (an eye disorder). I try to visually describe every flaw that I can see, but sometimes I miss a small tear or a tiny seam split.

SHELF WEAR generally means that the cellophane was removed when the LP was new and it sat on a shelf or in a box without a plastic sleeve, before they were available, for several years, so there can be some rub blemishes, sticker residue if it was purchased used, tiny tears, slight seam splits and other defects.

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