THE PRETTY THINGS -S/T- Original UK Mono LP - Freakbeat Mod Garage R&B Beat

	£		37
	$		49

** RECORD COLLECTOR **

THE PRETTY THINGS

The Pretty Things

Original UK Mono LP released on Fontana Records in 1965. Front-laminated cover. Rough texture, black & silver labels.

6873 41 1L//1▼420   /   6783 41 2L//1▼420

***PLEASE READ GRADING BELOW CAREFULLY***
This item is being sold solely as a collection-filler with an appropriately low start price - DO NOT EXPECT AN AUDIOPHILE EXPERIENCE

The Pretty Things' debut LP was a legendary exercise in anarchy -- 30 minutes into the two days' worth of sessions, their original producer, Jack Baverstock (the head of the label, no less), walked out, and was eventually replaced by a slightly more sympathetic personality in the hopes of salvaging something from the efforts of the band, who, whatever their shortcomings in decorum or sobriety, were on their third successive charting single. The resulting album, made under the coordination (if not control) of drummer-turned-producer Bobby Graham, made the early work of the Rolling Stones -- rivals and one-time bandmates to The Pretty Things' Dick Taylor -- sound more like the work of the Beatles. The Pretty Things is recorded with practically every song and instrument pushing the needle into the red. Normally, that would be a problem, except for the fact that a third of the repertory was written by Bo Diddley and most of the other two-thirds was inspired by him (even their version of Chuck Berry's "Oh Baby Doll" sounds like it was lifted from the Two Great Guitars sessions where the two legends crossed swords) -- and Bo spent most of his career with his amplifiers set on "11" in a world where ten was the max.

"Roadrunner" is about as raw and loud as British rock & roll ever got up to that time, and it's just the beginning -- "Judgement Day" has a lead guitar buried somewhere in there, beneath rhythm instruments that sound like metal being ground up, and "13 Chester Street" is, strangely enough, an homage to the house the band once shared with the Stones' Brian Jones; appropriately enough, it mixes the band's crunchy rhythm guitar-centered sound with a Slim Harpo-style lead (all of the stuff that Jones was identified with musically), in a group "composition" that shimmers and pulses around Phil May's dissolute vocals. "Big City" takes them back to Chess Records territory, from which they never stray -- "Mama, Keep Your Big Mouth Shut" even sounds like a Chess outtake, what Leonard Chess would've said needed one more pass to get right.

And just to show that there is some justice in the world, The Pretty Things did reach number ten on the U.K. charts, bewildering all of the more "professional" hands at Fontana Records by grabbing the ears of that harder, more intense part of the Stones' larger audience and throwing them the sonic equivalent of raw meat to chew on. Phil May reveals himself as a powerful singer, though lacking some of the charisma that Mick Jagger projected, but the group's own raw power made for quirky appeal all of its own that would carry them for many years beyond this roaring start. And in the meantime, records like this would point the way not only toward the work of such American garage band icons as the MC5, but blast a path through the wilderness that the likes of Billy Childish and his band the Milkshakes and their successors would traverse.

Tracks Are :-

Side One

Road Runner

Judgement Day

13 Chester Street

Big City

Unknown Blues

Mama, Keep Your Big Mouth Shut

Side Two

Honey, I Need

Oh Baby Doll

She's Fine, She's Mine

Don't Lie To Me

The Moon Is Rising

Pretty Thing

Released on 'Fontana Records' in 1965

Catalogue No. TL 5239

Disc is in FAIR condition (a LOT of surface wear - I'm selling this as a collection filler ONLY, hence the low starting price)

Sleeve is in VG condition (general wear & ageing / some laminate creasing)

Please contact me via Ebay Messages with any questions I will try my best to get back to you as quickly as possible.

PAYMENT BY PAYPAL ONLY FROM NON-UK BIDDERS

IF BUYING MORE THAN ONE ITEM PLEASE WAIT FOR COMBINED INVOICE!!!

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UK 1ST CLASS POSTAGE RATES FOR LPs & 12" SINGLES:

1 LP £3.70
2 LP £3.70
3 LP £6.50
4 LP £6.50
5 LP £6.50
6 LP £6.50

INTERNATIONAL POSTAGE RATES TO EUROPE FOR LPs & 12" SINGLES:

1 LP £5.50
2 LP £7.00
3 LP £8.50
4 LP £10.00
5 LP £11.50
6 LP £13.00

INTERNATIONAL POSTAGE RATES TO DESTINATIONS OUTSIDE EUROPE (USA, AUSTRALIA, JAPAN ETC ETC) FOR LPs & 12" SINGLES:

1 LP £8.50
2 LP £11.00
3 LP £13.50
4 LP £16.00
5 LP £18.50
6 LP £21.00

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POSTAGE RATES FOR 7” SINGLES & CDs:

UK: £1.50 – then £0.50 each extra.
EUROPE: £4.50 – then £0.50 each extra.
DESTINATIONS OUTSIDE EUROPE: £5.50 – then £1.00 each extra

*********DOUBLES COUNT AS TWO*********

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IMPORTANT INFORMATION ABOUT COMBINED SHIPPING ON ALL 12" VINYL / LPS / 12" EPS / 12" SINGLES - PLEASE READ THE FOLLOWING CAREFULLY!!!!

We offer combined shipping on all LPs / 12" Vinyls: our shipping rates are listed above. HOWEVER shipping packages that weigh more than 2kg is VERY expensive. Therefore we can only offer combined shipping up to a maximum of SIX (6) LPs / 12" vinyls. Any extra purchases will be invoiced, packaged and shipped separately.

***Due to the physical logistics of how I can package orders, I will not combine box sets with other items, I will only package them individually***

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COMBINED POSTAGE FOR DIFFERENT FORMATS will be invoiced at my discretion:

While I am happy to combine (for example) one or two 7” singles into one package with 12” records, sometimes it simply isn’t practical (like if you want me to combine one 12” record with three or more 7” records). I simply do not think that these combinations can be packaged together safely and securely. Therefore these will be invoiced separately as two packages.

IF YOU ARE UNSURE, please contact me before bidding!

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Sorry but I am no longer willing to carry combined transactions beyond two weeks of auctions (see below).

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PAYMENT

I would appreciate payment within seven days of the auction’s end. If you want to bid on more of my auctions ending a week later please inform me. I will wait and issue a combined invoice at the close of the second week’s auctions.

However, I am no longer willing to carry combined transactions beyond two weeks and in these cases would appreciate payment promptly after the close of the second week’s auctions.

I am sorry to have to introduce these measures – I always try to be patient and allow buyers to bid on extra auctions and / or delay payment. Unfortunately some buyers have been stretching out transactions to unacceptable lengths so I feel I have no option but to limit ‘carried over’ transactions to two weeks.