THE RATTLES ? EX 71 Decca UK 1W/1W heavy Kraut psych ? THE WITCH ? ELEANOR RIGBY
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Original first press of their sole UK LP, which was in reality their German Philips release The Witch with different artwork and two otherwise unavailable tracks added to the beginning of each side: a stunning progged-out 10-minute cover of "Eleanor Rigby", and a 6-minute fuzz-laden workout of "Suzie Q". The Rattles began their career in the same Hamburgscene where many UK-based beat groups got their start. They met The Beatlesin 1962 and played alongside them on three occasions in Germany (Munich, Essenand Hamburg).In 1964 they recorded a version of "Zip-A-Dee-Doo-Dah" which was a minor hit in the UK. In 1968 they recorded "The Witch" the first time, writtenby bassist Herbert Hildebrandt with vocals by Henner Hoier.The group was forced to split up owing to army service and other reasons (with guitarist Achim Reichel and drummer Dicky Tarrach forming Wonderland followed by A.R. And Machines), although Hildebrandt remained as songwriter and producer. 1970 saw the band undergo another set of personnel changes, with drummer Peter Beckerlead replaced by future Lucifer's Friend master Herbert Bornhold. Vocalist Hoier also left, opting for a solo career. Bass player Kurt Lüngen and lead guitarist Frank Mille turned to an unlikely choice for Hoier's replacement in the form of Edna Bejarano (clearly their attempt at Shocking Blue's Mariska Veres), who had recorded a couple of obscure folky German solo sides without any recognition. The results blend hard, charging rock with acid-drenched psych, prog flourishes, some very odd & inventive string arrangements, funky undertones and very heavy guitar. And this fantastic pressing has absolutely tremendous sound.
Artist: THE RATTLES
Title: THE RATTLES
Year: 1971
Label: Decca
Catalog Number: SKL-R 5088
Mono/Stereo/Quadro: stereo
Country: England
Dead Wax Numbers: AB-630.5072-11-15-1W 1 B
/ AB-630.5072-21-25-1W 1 B (stamped)Weight: 154 grams
Cover Format: standard, heavily laminated front which continues about ½" onto the flat back, Sleeve printed in England by Moore & Matthes Ltd. Laminated with 'Clarifoil' made by British Celanese Limited
Cover Condition: VG (sharp, crisp, vivid & tight, perfect edges, the front is EX with slight ring impression, a little writing on back plus mild shelf wear)
Vinyl Condition:
PLAY GRADED EX/VG+(perfect gloss, no wear, some surface hairline scuffs which are mainly inaudible, s1 plays like new with silent backgrounds, s2 has a handful of clicks & the occasional mild background crackle but it plays perfectly 95% of the time with no distractions, fantastic overall)Label Condition: s1 has one spindle mark, s2 has a few spindle marks
We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).
Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983:
M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).
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Each (non-sealed) record is removed from its cover before shipping, and both are inserted into a new 3 mm sleeve before they are secured, with bubble wrap if necessary, in the highest-quality cruciform LP mailer. No time or effort is spared to insure that your disc, cover and inner sleeve / inserts all arrive in exactly the same condition as they were listed.
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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale. No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here! We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout. A VG+ record will truly satisfy all but the most critical curator. On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!
We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ). We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.
MINT : Absolutely perfect.
This record looks like it has just left the plant, with no flaws whatsoever. It appears unhandled and unplayed, with no marks of any sort. Usually only sealed or (sometimes) unplayed LPs will warrant this grade.
The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.
NM : Virtually flawless, top copy.
The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection. It was very carefully handled and played, likely only once or twice.
The cover is as close to perfect as can be expected given its age. There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.
EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.
The record has no scratches or significant blemishes, and will play M- throughout. It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.
The cover is nearly perfect. There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.
VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.
The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.
The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing. No flaw is at all distracting in and of itself.
VG : A nice play copy, which will perform without much significant distraction.
The record appears well played, but still has the majority of the luster. It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced. It will play through quite nicely most of the time, with very minimal distraction.
The cover looks somewhat used and shows some mild wear. There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.
We will never sell anything less than VG, so the rest of the scale is unnecessary. We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss. Anything of significance will always be noted.
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