THE REPLACEMENTS Let It Be LP TWIN/TONE 1984 promo+orig+inserts R.E.M.-HUSKER DU
  $   104

 


$ 104 Sold For
Mar 12, 2014 Sold Date
Mar 5, 2014 Start Date
$   65 Start price
13   Number Of Bids
  Italy Country Of Seller
eBay Auctioned at
 
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Description

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THE REPLACEMENTS

TOMMY STINSON bass, PAUL WESTERBERG guitar & vocals, 

BOB STINSON lead guitar, CHRIS MARS drums

plus PETER BUCK & CHAN POLING

Willfully messy and driven toward self-sabotage, 

they became one of the best and most influential rock & roll bands of the '80s

 "LET IT BE"

 1984   LP   TWIN/TONE RECORDS   TTR-8441


PRINTED IN THE USA    ORIGINAL + PROMOTIONAL

COMPANY INNER SLEEVE PLUS 2 INFO INSERTS

THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING;

THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING

Why buy a new Reissue when you can own the REAL THING

FROM MY RECORDS COLLECTION

 

tracklisting

I WILL DARE FAVORITE THING WE'RE COMIN' OUT TOMMY GETS HIS TONSILS OUT ANDROGYNOUS BLACK DIAMOND UNSATISFIED SEEN YOUR VIDEO GARY'S GOT A BONER SIXTEEN BLUE ANSWERING MACHINE

grading: 

Record EX
Sleeve EX (
please, read above description and see photos)

Let It Be looms large among '80s rock albums, generally regarded as one of the greatest records of the decade. 

So large is its legend and so universal its acclaim that all the praise tends to give the impression 

that the Replacements' fourth album was designed as a major statement, intended to be 

something important when its genius, like so many things involving the 'Mats, feels accidental. 

Compared to other underground landmarks from 1984, Let It Be feels small scale, as it lacks the grand, sprawling ambition 

of the Minutemen's Double Nickels on the Dime or the dramatic intensity of Hüsker Dü's Zen Arcade, 

or if the other side of the Atlantic is taken into equation, the clean sense of purpose of The Smiths. 

Nothing about Let It Be is clean; it's all a ragged mess, careening wildly from dirty jokes to wounded ballads, 

from utter throwaways to songs haunting in their power. Unlike other classics, Let It Be needs those throwaways 

-- that Kiss cover, those songs about Tommy getting his tonsils out and Gary's boner, that rant about phony rock & roll -- 

to lighten the mood and give the album its breathless pacing, but also because without these asides, 

the album wouldn't be true to the Replacements, who never separated high and low culture, 

who celebrated pure junk and reluctantly bared their soul. This blend of bluster and vulnerability is why 

the Replacements were perhaps the most beloved band of their era...(AllMusic)

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